不表现的

Because imitation, symbolization and suggestiveness of music are very abstract, there is spacious room for interpretation among composition, performance and appreciation: different people could have different understanding and interpretation of a musical work.

而对解释者来说，音乐表现的形象、营造的意境和表达的感情则是不具体的、抽象的，这样，便在创作、表演和欣赏之间留下了极大的解释空间：在对待同一音乐作品的时候，不同的人有不同的甚至相反的理解和解释。

The sport of dog fighting in Japan has precise rules and it is stylized almost as much as the Sumo wrestling events. The Tosa Inu is considered to be the Sumo fighting dog of Japan being large powerfull and persistent.

另外你的亲戚朋友来你家玩的时候他也会表现的非常友好就和普通宠物一样，但是要注意的是他会和他们保持一定的距离，它不会将他们当朋友的哦，而是会保持一定的警戒状态。

In SHEN Congwen and Turgenev's works, the thick atmosphere of sadness in their heart from their descriptions of the beauties of nature and the human nature can deeply be felt, which seems inconsistent with the pursuit of the arts but greatly related to the life experiences of two authors, as well as their characters.

在沈从文和屠格涅夫的笔下，我们可以看到其在描写大自然的美景以及表现美好的人性的同时，均渗透出他们内心深处浓重的悲伤情调，而这种看似相悖的艺术追求是与两位作者的生活经历以及思想性格分不开的。

When growth rates are under discussion, it will pay you to be suspicious as to why the beginning and terminal years have been selected. If either year was aberrational, any calculation of growth will be distorted. In particular, a base year in which earnings were poor can produce a breathtaking, but meaningless, growth rate. In the table above, however, the base year of 1965 was abnormally good ; Berkshire earned more money in that year than it did in all but one of the previous ten.

一般在谈到成长率时，各位可能会怀疑基期与终期是如何选定的，因为如果选择不当，任何计算出来的结果都可能会被大大扭曲，尤其当基期的盈余过低时，很可能得出惊人但却不合理的成长率，不过在上表中，1965年的表现算是相当的不错，当年度的获利在那之前的十年中排名第二。

In order to prove the importance of three-body interaction, accurate ArH〓 potential surface and accurate ArAr potential surface are added to construct a two-body potential surface. We found that this potential surface is corresponding with a deep potential well and a tight structure, which is far from the real structure of Ar〓H〓. Obviously, this two-body additive potential surface is not suit in this system.

为了证明三体作用在体系中的重要性，我们用精确的ArH〓的势能面与精确的ArAr的势能面构造了一个两体加和的势能面，发现两体加和的势能面表现的是一个深势阱的紧凑结构，与Ar〓H〓的结构相去甚远，因此可以确认，两体加和在此系统中是不适用的。

Many structural deficiencies and mistakes were highlighted, which including excessive horizontal displacement in the ground, more severe damaged transition layer (the first masonry structure layer), ground with farraginous structure, and poor construction quality. Finally, lateral stiffness ratio of the second to ground story in masonry buildings with RC frame structure at the bottom will be optimized following difference of materials between the ground floor and the upper floors. The strength and the ductility of transition layer, as well as shear walls in the ground floor, are crucial to keep the building standing during large earthquake.

在介绍和总结了汶川地震中底框砖房的表现―底层过大的水平侧移、过渡层严重破坏或完全坍塌、底层严重破坏或房屋完全倒塌、上部砌体整体发生侧移、以及设计一和施工质量良好的底层抗震墙砖房&大震不倒&的基础上，得出以下结论和建议：在抗震设防地区应禁止使用部分底框砖房，地震中过渡层的实际受力情况与设计所采用的受力状态有明显的区别，规范应考虑砌体和钢筋混凝土材料的不同力学性质来制定上下层刚度比要求，明确对过渡层的延性和强度要求，明确该类结构抗震概念设计的具体措施。

Extensible Markup Language ,or XML, is also derived from SGML,,However, unlike HTML,XML uses markup tags to describe the meaning, or semantics, of the text ,rather than its display characteristics, XML offers businesses hope for a common language that they will be able to use to describe products, services, and even business processes to ech other in common, shared databases, XML could help companies dramatically reduce the costs of handling intercompany information flows

可扩展标识表记标帜说话，或XML ，也是来自SGML的，，可是，分歧的HTML ， XML的利用标识表记标帜来形貌标识表记标帜的寄义，或语义，笔墨，而不是其表现的特点， XML的企业但愿供给一个配合的说话他们将可以或许利用申明的产物，办事，乃至营业流程，舍其他配合说话，配合的数据库， XML的可帮忙企业大幅度低落处置公司内部的信息活动的本钱

In addition, this dissertation studies in details the performance manners with the purpose of portraying images of Jazz music and representing the very style of Jazz. This research provides the future performance of uncommon Jazz-styled-concertos with effective performance manners, therefore expanding performable piano music.

同时，本文通过对该曲以刻画爵士音乐形象、表现爵士风格为目的的演奏方法、表达手段进行较为细致的研究，为带有不寻常的爵士风格协奏曲的演绎提供了有效的方法，对钢琴协奏曲演奏曲目的拓展，起到了一定的帮助作用。

The two-dimensional structural units (such as silicon-oxygen tetrahedral sheet, octahedral sheet), interlayer space are assembled according to the sphere close packing manner, and the close packing layers parallel to {0001}. There are several mechanisms to release the difference in size while the silicon-oxygen tetrahedral sheet and octahedral sheet assemble the TO and TOT-type structural layers. The two types of structural layers with different interlayer space fitted together in six kinds of assembling modes and formed six kinds of crystal layers. The combinatorics analysis of the two-dimensional structural units revealed that there may be 28 kinds of TOT type interstradified minerals in six kinds of polysomatic assembling modes of interatradified structure. The structural layer is symmetrical for octahedron sheet in the structure of interstratified minerals and shows polarity characteristics.

结果表明，不同二维结构单元体（包括硅氧四面体片、八面体片、层间域的构筑基本符合球体紧密堆积原理，紧密堆积层平行{0001}；四面体片与八面体片构筑TO和TOT结构层时采取多种机制消除二者在二维尺寸上的差异；两种模式的结构层与不同类型的层间物组装形成六种组装模式的晶层；并通过二维结构单元体的组合规律的分析，计算出可能存在的28种TOT型间层结构，它们分属于6种间层结构多体性组装模式；间层结构中，结构层对于八面体片是不对称的，并在属性上表现出极性特征；间层矿物的晶层类型可用6种多体性组装模式加以表达。

The unpresented viewer has certain assumed authenticity as he roams beyond time and space in the dark metropolitan night and witnesses everything in the painting-the landscape, the wastes and the figures. Particularly, presentation of scenes is just like an embezzlement of images and photographic picture composition makes everything unfurling in sensed reality, making the viewer authentic and sensible. Viewer can be either the assumed ego of the subject or people viewing the painting.

不在场的观看者有一种假定的真实性，他在都市的黑夜中跨越时空地漫游，画中的每一物都是他的所见，景观、废弃物和人物，尤其是，场景的表现如同图像的挪用，摄影式的构图使得一切东西都在感觉的真实中展开，这样也把观看者置于真实的境地。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。