不表现的

Ultimately, and laudably, Mr Eastwood's films attack anonymity, whether invisible enemy or fake heroes.

值得称道的是，伊斯特伍德的影片对&隐姓埋名&的手法做出了抨击，影片中无论是不可见的敌人或是虚假的英雄都表现得个性鲜活。

The result indicated, along with density (5mg/L, 10 mg/L, 15 mg/L, 20 mg/L, 50 mg/L, 80 mg/L) the increase, the chlorophyll content, after the cell membrane lipin peroxidation presents the tendency which rises first drops.

在低浓度的胁迫下，叶绿素的含量和细胞膜脂质过氧化水平均上升，这是植物进行自我保护的表现，也是对外界的一种适应；当浓度达到某一特定值后，随着浓度的增加，均下降，说明植物受到重金属不可逆的损害。

Odor preference and behavioral interactions of unrelated and unfamiliar adult ratlike hamsters were studied during the nonbreeding season in the laboratory.

在实验室通过对陌生成年大仓鼠非繁殖期的气味偏好、性别选择和两鼠间的行为关系的实验研究表明：用Y-型迷宫进行选择测试时，与空白组比较，大仓鼠偏好同种个体巢垫的气味；在雌雄巢垫气味之间，雌鼠偏好雄性巢垫的气味，雄鼠不表现性别偏好。

Odor preference and behavioral interactions of unrelated and unfamiliar adult ratlike hamsters were studied during the nonbreeding season in the laboratory.

摘 要 在实验室通过对陌生成年大仓鼠非繁殖期的气味偏好、性别选择和两鼠间的行为关系的实验研究表明：用Y-型迷宫进行选择测试时，与空白组比较，大仓鼠偏好同种个体巢垫的气味；在雌雄巢垫气味之间，雌鼠偏好雄性巢垫的气味，雄鼠不表现性别偏好。

The HRCT findings in patients with BOOP include: 1 patchy consolidation (seen in 80% of cases) or ground-glass opacity (in 60% of cases), often with a subpleural and/or peribronchial distribution; and 2 small ill-defined nodules (30-50% of cases) which may be peribronchial or peribronchiolar.

HRCT上BOOP的表现包括：1、斑片状实变（见于80％的病例）或毛玻璃样影（见于60％的病例），通常位于胸膜下和/或支气管旁；和2、边界不清的小结节（见于30～50％的病例），可于支气管旁或细支气管旁。

But 77 percent of women also think using the Internet for online sexual talk or cavorting in front of a Webcam is also cheating, compared to only 57 percent of men.We've always had the inside scoop about what's on the minds of women, especially when it comes to relationships, said Deborah Fine, president of iVillage Inc, a media firm dedicated to women.

但77%的女性认为，在网上互相聊一些下流的话题或通过网络摄像头打情骂俏也是不忠的表现，而持此观点的男性只有57%。iVillage女性媒体公司的总裁黛博拉·范恩说，&我们总能掌握女性的一些隐秘想法，尤其在两性关系方面。&

Based on the analyzing and comparison between different legal protection modes,this thesis concludes that the most reasonable and practicable mode is to introduce sui generis systems. folk music ; protected modes ; sui generis systems

这些音乐类型融合了带有鲜明的民族特色和浓厚的地域风情的民间音乐，通过现代的录音、编曲和制作方式表现出来，使人们在家中就能感受到来自遥远部族、地域和国度的不一样的

The mouse and pest hazard, that frequently happens in the pasturing area of eastern Qinghai with the social change, is a result of ecological deterioration as well as a biohazard due to the worse human activity.

在社会变迁的大背景下，青海牧区频发的鼠虫灾害是生态环境日趋恶化的产物，是由于人类不恰当的活动所造成的生态灾难的一种表现形式。

The school debated the match started, academic 师哥 trusts very muchto me, I also only have " Bravely selects heavy burden " Butin the heart truly has the lump which cannot untie Last year in thecourtyard, truly had not the vulgar performance, but actually in thedisastrous defeat turned over to with in medical college's PK Thebelt team's female apprentices have cried, two participations, had notall endured the preliminary contest, this is in her heart regretLooks the female apprentice cries, I felt rebukes oneself The factis, we have lost

精通外语的帮忙翻译一下。校辩论赛又开始了，学术部师哥对我很信任，我也只有&勇挑重担&，但心里确实有解不开的疙瘩。去年在院内，确实有不俗的表现，但是却在与医学院的PK中惨败而归。带队的师姐哭了，两次参赛，都没有熬过初赛，这是她心中的遗憾。看着师姐落泪，我感到自责。事实就是，我们输了。

The Red Peony is a sweet love-story about the beautiful heroine, who has great passion and who at last returns to the real world from looking for an absolutely "first-class" husband. The novel re- veals the author's hidden compensatory mentality for romantic love and his noted prostitute complex. The novel not only reveals the author's affection for perfection, but also his wisdom of recognizing and accept- ing the inevitable dissatisfaction in life.

《红牡丹》写一位至性至情兼天生丽质的女主人公和一组美丽香艳的爱情故事，写该主人公如何由追求绝对的&一把手&丈夫到回归现实，表现了作者隐蔽的名妓情结、浪漫爱情的补偿心理以及爱好完美又乐于承认和接受人生必然不完美的选择。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。