不表现的

Our goal is not to make every spec in the game awesome at AE damage.

我们的目标不是让所有的职业在AOE中表现的很暴力。

Even though some famous people like Alanis Morissette use them, bad words are a sign of an improper education.

虽然一些很有名的人们，如阿兰尼斯·莫里斯特说话带脏字，但是，不文雅的说话是一种没有受过教育的表现。

Hirayama disease should be considered for young patient,especially male patient,with asymmetrical amyasthenia and amyotrophy in the hand and forearm.Hirayama disease can be diagnosed if MR abnormalities of the lower cervical dural sac and spinal cord are seen in a fully flexed position.

当遇到青少年出现手及前臂不对称的肌无力和萎缩而无感觉障碍时，应首先考虑有平山病的可能，可进一步行屈颈MR检查，出现下颈髓及其硬膜囊的特征性表现可确诊。

Lastly, standing from "shang" and "xia", the high frequently used antonymy, we make a specific survey of the symmetrical and asymmetrical characteristics when they collocate with noun of human organs.

最后，我们以"上"、"下"这对意义相反且使用频率比较高的方位词为视点，具体考察了它们与人体名词搭配时表现出的对称与不对称的特点。

Generally speaking, the high group velocity and low attenuation factor and high Q〓 in the same area, but relatively low group velocity and high attenuation factor and low Q〓 in the same area in China is the general distribution.

在不同周期，面波衰减系数或品质因子在整个中国大陆区域分布是不均匀的；总体表现为高群速度分布的区域呈现高Q〓和低衰减系数、低群速度分布的区域呈现低Q〓和高衰减系数分布的特点。

In the ring he may exhibit reserve or lack of enthusiasm, but any sign of shyness is unacceptable and must be severely faulted as inappropriate for a guardian breed.

在赛场上它可能表现的保守或者缺乏激情，但是任何害羞的迹象是不被接受的，并且被视为严重的缺点。

To deal with various risks in the production of space,local governments have to cease the monopolization in land requisition and expropriation,and establish the balance of interests between correlative groups and national institutions in the circulation of lands.To deal with risks in the games of new society,local governments must adjust the systems and policies concerned,and avoid just scratching the surface of a problem.To deal with risks in reallocation of social resources and social administration concerned with policy output,many local governments already have material condition to effectively break them,and the key is to improve their administerial skills in policy making and implementation.To deal with risks in vicious competition between city governments in urbanization,which are actually the manifest of malfunction of market mechanism,local governments must put the centralization mechanism into full play,and strengthen the social check and balance mechanism,in order to effectively regulate market mechanism and realize the organic interactions between social units,democracy,and market.

要破解地方政府在空间生产中风险重重的局面，必须改变政府在土地征用征收上的独裁专断格局，完善土地流转中各个相关利益群体间的权利均衡以及国家机构间的权力均衡机制；地方政府在新型社会博弈中的风险，也需要相关制度与政策的调整，不能停留在治标不治本的层次；在社会资源再分配与社会管制等政策输出方面的风险，许多地方政府已经具备了有效化解的物质条件，主观上提高政策制定与执行的行政技能是解决此类问题的关键；我国城市政府在发展地方经济推进地方城镇化中的恶性竞争风险，本质上是市场机制失灵的一种表现，必须通过充分运用集权机制、强化社会制约机制从而有效规制市场机制，实现科层、民主、市场三种机制的良性对接，政府、社会、企业三种力量的有机互动，才能解决。

Early in 1995, in his "Desire" series where red and blue lines come in strong contrast with each other, Ma Yiping instinctively used his personal experience to drop a hint of the transcendence of life. From 1996 to 2001, his "Images" series established the development direction of his art, owing to its artistic expression_r_r of overloaded psychological priori images. In his works before or after 2003, dream-like symbolic images presented perplexed feeling of human beings about the universe and the physical world. In his "images" series in 2006, uncertain images stood on black cube-shaped objects and ambiguous edges pointed to various uncertain directions with the accompaniment of silver light and shadow. At this point, the intuitive perception of the essence of nature made his artistic style gradually take shape. In his later "fetish" series, in which he gradually became mature in spiritual and symbolic expression_r_rs, Ma Yiping fully grasped the eternal sense of the spiritual world.

在早期，1995年的《欲望》马一平用对比强烈的红色、蓝色层层涂盖、本能地运用自身感受以暗示的手法表达对生命的超越。1996-2001年以物象为主题的系列作品对超载心理先验物象的表达方式确定了他艺术作品的发展方向，2003年前后的作品中，梦一般的暗示性物体程现了生命本体对宇宙物理世界的茫然，在2006年的《物象》系列中，黑色的方体上不确定的物状、模糊的边缘在泛着银色光影的衬托下，泛生着各种不确定的指向感，此时对本质直观的感知性的把握使作品艺术风格基本形成，到后来的《神物》已经充分地把握了精神世界里的永恒感，画面中所能达到的精神性和神密暗示意义的表现手法已近成熟。

The results of the statistic analysis are as follows: 1 The intonation of interrogative sentence is expressed by the change of the pitch of the whole sentence rather than by the sentence final pitch alone; 2 The highest and lowest point of the tone nucleus and sentence final intonation in different interrogative sentences are higher than those of the declarative sentences; 3The difference between the questions in declarative word order and declarative sentence is larger than that between the other kinds of questions i.e.

统计分析的结果表明：(1)疑问语调不是仅仅由句末的音高来表现的，而是通过整句话的音高变化来实现的。(2)与陈述句相比，各种疑问句在语调上的共同特点是调核的调域和句末的调域都较高。(3)不带疑问结构的疑问句因为语调为其唯一的疑问标记，所以与陈述句的差异比带疑问词或疑问句法结构的疑问句与陈述句的差异更大。

When he heard the sound of gunfire then get down to 20 gallons of liquor, a stove spade, a Huoqian, two Tonghu, Tongguo and Grill when the shuttle is in Cluj read "Bible" when , Seems to be the wizard finish spell want the same thing as a coincidence of magic, here is novel in this second stage of reference to "Bible", here is Kru shuttle by a gift of God, when the third novel to And "Bible", in Cluj shuttle by the threat of terrorism and disease, the precarious life of the time, it seems that the author of a demon Satan for a guest, is the Kru people of the shuttle Buxiao the "original sin" Another penalty, or is he received the last of God's gift to God and not the consequences of Thanksgiving, when he is determined to be more devout starting point, this echoes the "Bible" in the words "in trouble when you call for me I will Laijiu you, and you have to praise me,"Mingmingzhizhong Defoe who arranged a deal with the integrity of God, but Kru shuttle in this transaction in the integrity of performance is not very good, so in God Pre-paid to the equivalent of his wealth, its very credibility of not giving a penalty.

当他听到炮声随后顺着枪声得到二十加仑地酒、一把火炉铲、一把火钳、两个铜壶、铜锅和烤架的时候，正是克鲁梭在读《圣经》的时候，好像精灵念完咒语得到想得到的东西一样巧合一样具有魔力，这里是小说在这一阶段第二次提及《圣经》，这里便是克鲁梭得到的上帝的馈赠，当小说第三次提及《圣经》时，是在克鲁梭受到恐怖和疾病的威胁，性命岌岌可危的时候，好像是作者安排的一场恶魔撒旦的一次客串，是克鲁梭为人子而不孝的&原罪&的又一次惩罚，抑或是他得到上次上帝的馈赠而对上帝感恩不够的后果，此时也是他下决心会更加虔诚的起点，这便呼应了《圣经》里的话&在你患难时呼唤我，我就会来救你，而你要赞美我&，冥冥之中笛福安排了一次人与上帝的诚信交易，但是克鲁梭在这次交易中表现的诚信不是很充分，所以在上帝预先付给他那些等价财富后，对其的不很诚信给予了惩罚。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。