不表现的

Representing is not always carried out at full scale but can be abstracted at different scales and levels of detail.

表现的内容不一定是用1：1比例的来表现，也可以抽象成不同的比例来表现不同的细节。

Sometimes, sexual desire can be impaired or reduced. It also may be weak or not be present at all, in occurrences such as asexuality.

有时，性渴望会被损害或者减少，同样可能表现出无力甚至完全不表现，诸如无性所发生的那样。

She thought that art was expressive, not reproductive, it is an expression of feelings, but the feelings are conceptive and universal, not of common customs.

她还通过大量的比喻和实证分析，证明艺术是表现的，而不是再现的，是一种情感的表现，这种情感是概念性的、普遍性的情感，而非日常生活的情感，艺术情感通过审美直觉表现出来。

Over the age of huge female hat, the simple and direct and female hat design by her becomes current point, she, he a little bit creative son of inexhaustibility;She expresses a conflict and expresses her very clear understanding to the public in the meantime.Chanel from cradle to the gre all not get married, her creation great of vogue empire, pursue the life that oneself want in the meantime, it is a female independent best model, is also the modern era female who know affection fun most .She with British BALSAN friendly intercourse of the nobility ETIENNE, the other party subsidizes her to open the first female hat store, but another ARTHUR CAPEL the property then opens a vogue store;She together goes on a tour with the west quick duke and inspire to design Section 1 an inclined line soft anticipate suit;Each males stir up the source of creativity in the life, she isn't a list to depend lucky, but make great effort very much earnest work!

终结巨大女帽的年代，她所设计的简洁女帽成为潮流尖端，她，有用不完的创新点子；她表现出冲突、同时表现她对人心的透彻了解香奈儿一生都不没有结婚，她创造伟大的时尚帝国，同时追求自己想要的生活，其本身就是女性自主最佳典范，也是最懂得感情乐趣的新时代女性她和英国贵族ETIENNE BALSAN来往，对方资助她开第一家女帽店，而另一位ARTHUR CAPEL则出资开时尚店；她与西敏公爵一同出游，启发设计出第一款斜纹软呢料套装；生命中每一个男性都激发创意的泉源，她不是单靠幸运，而是非常努力认真的工作！

The mechanism of fertility conversion of temperature sensitive genic male sterile line in maize was studied by the methods of sowing with stages and investigating leafage.

利用分期播种和田间跟踪调查叶龄的方法，以琼 6Qms为材料研究了玉米温敏型核雄性不育的育性转换机制，结果表明，日最高温度是育性转换的主要因子，表现出低温可育，高温不育，育性转换的温度区间为 2 7～ 31℃；同时日照长度对育性转换也有一定的影响，表现为长日照不育，短日照可育。

Therefore, the survey results represent only the more successful clubs and are probably totally misrepresentative of all clubs.

所以，那种调查结果很可能仅仅代表那些表现比较好的投资俱乐部，而不能代表那些表现不佳的俱乐部。

Take note if he parks himself in front of one sitcom after another. 25 "Here's a guy who uses humor to defuse stress," says TV producer Hedda Muskat, author of "Dating Confidential: A Single's Guide to a Fun, Flirtatious and Possibly Meaningful Social Life."

当你们外出见人的时候，如果他总是跟你形影不离 30 &他若不是想要拿你来炫耀就是想不断跟别人说你是他的，而这两种表现都是他不自信的表现。&

As for the geographical location of the characteristic performance, it is quite natural that the country in which the party liable for the performance is habitually resident or has his central administration (if a body corporate or unincorporate) or his place of business, according to whether the performance in question is in the course of his trade or profession or not, should prevail over the country of performance where, of course, the latter is a country other than that of habitual residence, central administration or the place of business.

关于地理的位置那特性表现，它相当天然国家在哪一个宴会有义务的为表现习惯地居民或者有他的中央行政(如果一个身体企业的或者不合并)或者他的地方生意，根据到是否表现在疑问是在他的期间贸易或者职业，应该在表现的国家上方采用哪里，当然，后者习惯住宅是除了那之外一个国家，中央的行政或那地方生意。

We can infer from the each group of mice''s training of swimming in cold water that group CⅠand CⅡ can adapt to the stimulation of coldness, while group CⅢ shows unwellness then adaptation and unwellness at last.

从各训练组小鼠进行冷水游泳训练情况可以推测出，CⅠ组，CⅡ组表现出对寒冷刺激的适应，而CⅢ组则表现出由不适应到适应再到不适应的特点。

Immunoreactivities of nm23-H1 and p53 products are different or disassociated.

早期子宫颈癌病患的nm23-H1与p53的基因表现是不一致的，即p53的表现并不会促使nm23-H1也并表现，反之亦然。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。