不苦恼的

The renowned ethnographer Charles William Merton Hart, who in the 1920's studied the Tiwi hunter-gatherers of Australia, described the elder females there as "a terrible nuisance" and "physically quite revolting" and in whose company he was distressed to find himself on occasion, yet whose activities did not merit recording or analyzing with anything like the attention he paid the men, the young women, even the children.

著名的人种学者查尔斯。威廉姆斯。莫顿哈特在20世纪20年代研究澳大利亚的猎人聚居地Tiwi。中所描述的一样：形容年老的女人就像讨厌的麻烦事，一种发自生理上的厌恶，有时，他苦恼地发现他们的行为不利于记录或分析诸如他所关注的男人，年轻女人甚至是孩子。

Thereupon our heroine resumed her walk. Tears, blinding tears, were running down her face. She knew that it was all sentiment, all baseless impressibility, which had caused her to read the scene as her own condemnation; nevertheless she could not get over it; she could not contravene in her own defenceless person all these untoward omens. It was impossible to think of returning to the Vicarage.

她接着又可怜起她心爱的人来，其实她所有的这些苦恼，都是由他判断事物的传统标准引起的；她在路上走着，却不知道她一生中最大的不幸，就是因为她在最后的关键时刻，用她看见的儿子去判断他们的父亲，丧失了妇女的勇气。

Nor is it by pleasant images only that such plausible connections are made: the whole divine comedy of life, including its somber aspects, its sudden balkings, impish accidents, anxious expectations, moves past him, not quite like a shadow play--for it is he himself, after all, who lives and suffers through these scenes--yet never without giving a fleeting sense of illusion; and I imagine that many persons have reassured themselves amidst the perils of dream by calling out, It is a dream!

这不仅是他亲自体验到了然于心的，愉快亲切的画景而已，而且一切严肃的，悲哀的，愁闷的，忧郁的情绪，突然的障碍，命运的揶揄，不安的期待，总之，人生的整部&神曲&及其&地狱篇&，都掠过他眼前，不是仅仅象镜花水月，因为他就在这些情景中生活着，苦恼着，然而仍不免有昙花一现的假象之感。

Next day, inquire about one several cannon of night, stick out three fingers, three cannons of one night, I is distressed to feel the difficult to express sadness the second day for him, say" you are at the beginning direct to 300 not have to, spend cheat so and greatly and vigorously come anti- arrive tired oneself."

隔天，询问一尊一些夜晚的大炮，黏住出三根手指，一个夜晚的三尊大炮，我被苦恼感觉困难者为他表达悲哀第二天，说&你在初期者指向 300 不必须，这么花费欺骗而且非常而且精力充沛地受到的影响反到达疲累的自己&。

On screen, Ennis's self-repression and self-loathing are given startling physical form: the awkward, almost hobbled quality of his gait, the constricted gestures, the way in which he barely opens his mouth when he talks all speak eloquently of a man who is tormented simply by being in his own body—by being himself.

萤屏上，Ennis 的那种自我压抑和自我憎恨被赋予了令人吃惊的外在形态：笨拙的几近蹒跚的步态，收敛的姿势，讲话时几乎张不开嘴；这些有说服力的特徵为我们描绘了一个为自己苦恼，被自己折磨的男人。

The split between the two groups can hardly be papered over.

这两个团体间的分歧难以掩饰。

This approach not only encourages a greater number of responses, but minimizes the likelihood of stale groupthink.

这种做法不仅鼓励了更多的反应，而且减少跟风的可能性。