不能让与的

Angel's Lullaby Richard Marx I was never alive Till the day I was blessed with you When I hold you late at night I know what I was put here to do I turn off the world And listen to you sigh And I will sing my Angel's Lullaby Know I'm forever near The one you can always call Right now all you know to fear Are the shadows on your wall I'm here close enough To kiss the tears you cry I will sing my Angel's Lullaby So tell me how to stop the years from racing Is there a secret someone knows I'll never catch all the memories I'm chasing I'll never be ready to let go And when the world seems cold And you feel that all of your strength is gone There may be one tiny voice Your reason to carry on And when I'm not close enough To kiss the tears you cry You will sing your Angel's Lullaby Let this be our Angel's Lullaby Edit by:Amin

中文翻译。歌曲名天使的催眠曲歌手理查马克思在你出现之前我从未真正的活着上天保佑我从未是活直到我保佑与您的天当我拿着您晚在我知道的晚上什么我被投入这里做I 关闭世界并且听您sigh 和我将唱我的天使的催眠曲知道我永远是在那个附近您能现在总叫所有您知道恐惧是阴影在您的墙壁上我在这里足够接近的亲吻泪花您哭泣我将唱我的天使的催眠曲如此告诉我怎么停止岁月从赛跑是那里秘密某人知道我从未将捉住我是追逐我从未准备好放弃的所有记忆并且当世界似乎寒冷和您认为，所有您的力量去那里也许是一微小的声音您的原因继续并且当我不是足够接近亲吻泪花您哭泣您将唱您的天使的催眠曲让这是我们的天使的催眠曲编辑by：Amin

Or he would tell me the tale of the old Meuse, until the broad river ceased to be a convenient harbour and became a wonderful highroad, carrying the ships of De Ruyter and Tromp upon that famous last voyage, when they gave their lives that the sea might be free to all.

他还给我讲老梅兹河源远流长的故事，讲解这条宽阔的河流如何由便利的良港变成壮观的大马路的。还有著名的德·鲁伊特与特隆普的船队的最后出航。他俩为探索未知的海域，让人们能自由航行于茫茫大洋之上，而一会不返了。

Main job is to guarantee the scraping interaction and equipment on both sides of the friction surface or can obtain higher precision and accuracy, precision and shape accuracy, precision and contact transmission because of good lubrication, manual and repeatedly is worthy, large amounts of wind, time-consuming, scraping the time needed for different devices vary, such as boring slider and slide block wind profiling, between the match before measuring clearance between the original value, and then according to the technical requirement to measure the value of time and scraping scraping, then apply DanFen red on the slider, manual let slip on the slide seat back and forth, they do straight-line movement between full contact and friction, reoccupy scraper scraping friction creates the contact point, so repeatedly, until the technical requirements for the match, single within 2 days, must blow to the boring if all the time to work with wind, a half month is required.

刮削过程。刮削工作主要是为了保证设备相互接触并摩擦的两面间能获得较高的尺寸精度、形状精度、位置精度、接触精度、传动精度和良好的润滑，因是手工操作且需反复配刮，故工作量大，耗时较长，设备不同，刮削所需时间也各不相同，例如镗床上滑座与下滑座间的配刮，刮削前先测量出二者之间原有的间隙值，然后根据工艺要求测算出需刮削值及每次的刮削量，再将红丹粉涂于上滑座之上，手工让上滑座在下滑座上来回做直线运动，使它们之间充分接触和摩擦，再用刮刀刮削摩擦产生出的接触点，如此反复多次，直至技术要求范围之内，单此项配刮需2天左右，若对于整个镗床所有配刮工作的时间总和，则需半个月左右。

Ann Kaplan and Mary Ann Doane to explain Griet's fight back to the oppression she has suffered. In so doing, I will try to prove that female gaze may overwhelm male gaze, and this analogically proves that painter may successfully keep his own style.

Ann Kaplan与唐安所主张的女性凝视理论，让小说女主角葛里叶一一回击她在第二章里所受到的男性凝视的压迫，想证明女性凝视有征服男性凝视的可能，亦即画家的自由意志能不受外在影响而保有自我风格。

In the very abundant vehicle the most special place, not crosses the hideaway to raise the type loudspeaker design in afterward gate, matches the entire vehicle nine Boston speakers with 100 tile heavy low sound boxes, broadcast music has extremely is on site to shock, specially the low and deep abundant heavy bass effect, lets very abundant as if momentarily can the incarnation become the personal faction to the motion sound box, but above the suitcase dismantable charges automatically the LED flashlight, except can solve the difficult problem which needs to illuminate temporarily, is prompted by a sudden impulse the wish nightwalking exploration is not the question.

酷博车内最特别之处，莫过隐藏于后尾门的下掀式喇叭设计，搭配全车九支Boston扬声器与100瓦重低音箱，播放音乐极具临场震撼，特别是低沉雄厚的重低音效果，让酷博仿佛随时能够化身成为私人派对的移动音箱，而行李箱上方可拆卸的自动充电LED手电筒，除了能解决临时需要照明的难题，心血来潮想要夜游探险也不是问题。

You can say i'm selfish, ignorant and that i don't care gotta understand i took your pain away from your own fears putting you through this would shatter your hope and dreams you just don't see it right now till it hits your own scene believe me i care it's just that this world is all about survival dealing with denial it's our own personal issue and trial Chorus 2x Only in deep down dreams i feel your face as i stare off into the lost open space or ratherly pounds of thousands pace concentration gets hard when i'm at work mixed up between dreams and reality, yes it hurts i find myself hiding just so i can feel ya true love, i never achieve it so loneliness still attached to my everyday instinct so many new faces dashing through been searching forever just tryna find the real you ah, imagine you and i at that place, that place that separates pain away from peace in the country field we dash through just ,you and i as we join hands and hands spread your wings and sooth with me to another land over the ocean as we freeze through the breeze these memories will not be put to rest learn to move on and live your life at it's best forward towards another day waking up stunned again damnn, i'm just dreaming away...

你可以说我自私，无知，而且我也不在乎爱是理解我把你的疼痛远离自己的担心让你通过这将打破您的希望和梦想你刚才没有看到它现在直到访问您自己的舞台相信我，我照顾只是，这个世界就是生存处理拒绝这是我们自己的个人问题和审判合唱团2 只有在内心深处的梦想我觉得你的脸我瞪了进入了开放空间或ratherly磅的数千步伐浓度会很难当我在工作混合了梦想与现实之间，是疼我发现自己隐藏，所以我能感觉到亚真正的爱情，我从来没有做到这一点如此孤独仍然附在我的日常本能这么多新的面孔通过破灭一直在寻找永远只是tryna找到真正的你啊，你可以想象，你和我在那个地方，那个地方分离疼痛远离和平在该国的领域，我们通过破折号刚才，你和我，因为我们携起手来，双手展开你的翅膀和抚慰我到另一个陆地的海洋，因为我们通过冻结微风这些记忆将不会平息了解进入你的生活和居住在最好迈进新的一天起床震惊再次damnn ，我只是梦想远离找到了

This programme, like last year, except for the exhibition, talks will be given by participating artists. They will tell about their works and discuss with audiences. It makes us comprehending further the creative concepts, process and experience of each artist, simultaneously, feeling the distinguishing characteristics of "video" from multi-points of view and the unrestrictedly deductive method.

今次活动像去年一样，除了展览外，同时也邀请多位艺术家进行讲座，藉由艺术家亲身讲述、与观众分享和讨论，让我们在进一步了解每位艺术家的创作概念、过程和经验之时，又能从多角度去感受「录像」这一媒体的特质和其不受限制的演绎方式。

These are issues that concern us today : the prevention of war; the protection of the environment; the balancing of population and resources; the management of energy so that we will neither exhaust our resources with unbridled growth nor contaminate the environment; the distribution of resources among nations and groups who have been differently dowered in the past by nature and history; the humanization of technology so that technology can be used for human ends and not primarily for profit or for power; the replanning of towns and cities so that neighborhoods can again be a microcosm of three-generational wholeness of life; the creation of transcendental values that will no longer set members of one religion against another, or of one ideology against another, so that all human beings can move in new ways without being traitors to the old.

这些是今日和我们息息相关德问题：防止战争；保护环境；人口与资源的平衡；资源管理，以免人口激增而耗尽资源和污染环境；国家团体之间的资源分配，它们过去由于自然和历史因素而分配不均；科技的人性化，使科技能应用在人性化的目的上，而非只用于利益或权力之上；重新规划乡镇和都市，让邻里之间能够再度成为一个三代同堂、生活完整的小天地；创造超越性的价值观念，使得某个宗教信仰或是某个思想体系的人不在敌视异己，人们也就都无需为新弃旧。

These are issues that concern us today:the prevention of war; the protection of the environment; the balancing of population and resources; the management of energy so that we will neither exhaust our resources with unbridled growth nor contaminate the environment; the distribution of resources among nations and groups who have been differently dowered in the past by nature and history; the humanization of technology so that technology can be used fo, r human ends and not primarily for profit or for power; the replanning of towns and cities so that neighborhoods can again be a microcosm of three-generational wholeness of life; the creation of transcendental values that will no longer set members of one religion against another, or of one ideology against another, so that all human beings can move in new ways without being traitors to the old.

这些是今日和我们息息相关德问题：防止战争；保护环境；人口与资源的平衡；资源管理，以免人口激增而耗尽资源和污染环境；国家团体之间的资源分配，它们过去由于自然和历史因素而分配不均；科技的人性化，使科技能应用在人性化的目的上，而非只用于利益或权力之上；重新规划乡镇和都市，让邻里之间能够再度成为一个三代同堂、生活完整的小天地；创造超越性的价值观念，使得某个宗教信仰或是某个思想体系的人不在敌视异己，人们也就都无需为新弃旧。

Therefore, writing that is comprehensible to illiterates is the key factor to literature popularization, and also a distinguishing factor from other light literature.

因此，让不识字的人也能听懂，成为其通俗化过程的重要成因，也是他的作品呈现出与一般通俗文学不同的地方。

But we don't care about Battlegrounds.

但我们并不在乎沙场中的显露。

Ah! don't mention it, the butcher's shop is a horror.

啊！不用提了。提到肉，真是糟透了。