不能接受的

Goodbye Alice in Wonderland Jewel It's four in the afternoon I'm on a flight leaving L.A. Trying to think about my life My youth scattered along the highway Hotel rooms and headlines I've made a living with a song Just a guitar as my companion Wanting desperately to belong Fame is filled with spoiled children They grow fat on fantasy I guess that's why I'm leaving I crave reality So goodbye Alice in Wonderland Goodbye yellow brick road There is a difference between dreaming and pretending I did not find paradise It was only a reflection of my lonely mind searching For what was missing in my life I'm embarassed to say the rest is a rock and roll cliche I hit the bottom when I reached the top I never knew it was you who was breaking my heart I thought you had to love me You did not Yes a heart can hallucinate If it's completely starved for love Can even make monsters seem like Angels from above You forged my love like a weapon And turned it against me like a knife You broke my last heartstring But you opened up my eyes So goodbye Alice in Wonderland Goodbye yellow brick road There is a difference between dreaming and pretending That was not love in your eyes It was only a reflection of my lonely mind wanting what was missing in my life And growing up is not the absence of dreaming It's being able to understand the difference between the ones you can hold And the ones that you've been sold Dreaming is a good thing cause it brings new things to life Pretending is an ending that perpetuates a lie Forgetting what you are Seeing for what you've been told Well, truth is stranger than fiction And this is my chance to get it right Life is much better without all of your pretty lies So Goodbye Alice in Wonderland You can keep your yellow brick road there is a difference between dreaming and pretending There's not tears in my eyes It was only a reflection of my lonely mind searching It was only a reflection of my lonely mind finding I find what's missing in my life

再见，梦游仙境的爱丽丝下午四点我在飞离洛杉矶的班机上试着去理顺生活我的青春散落在公路上就宿于各地旅馆，无数次登上头条我以一首歌成功立足吉他为伴我强烈渴望被接受和认可有名的人大多是被宠坏的孩子幻想使我们贪求无餍我猜想这就是我离开的原因我渴望活在现实里因此再见吧，梦游仙境的爱丽丝再见吧，黄砖路梦想和矫饰不同我没有找到天堂那不过是我孤独心灵的一种反映，我渴望找到生命中缺失的东西尽管尴尬，我不得不说一句摇滚乐界的陈词滥调当我的事业达到顶峰时，我的心情跌落到了谷底我从未想过，会是你让我心碎我以为你一定会爱我但你没有是的，如果心对爱饥渴它会产生幻觉，认假为真它甚至可以把妖魔认作下凡的天使你把我的爱练成一种武器然后把它像刀子一样捅向我你断了我最后一根心弦但你让我看清了现实因此再见吧，梦游仙境的爱丽丝再见吧，黄砖路梦想和矫饰不同你眼里的不是爱不过是我孤独心灵的一种反映，我努力寻找生命中缺失的东西成长不是梦想的消失而是一种能分辨你坚守的东西与导致你被骗的东西的能力并且梦想是个好东西因为它给生命带来新鲜事物但矫饰是一个终结它使谎言无限期地延续忘了你是谁只着眼于人们告诉你的那些东西真实比虚构更奇怪而这是我求取真实的机会没有那些漂亮的谎言，生活会变得更美好因此再见吧，梦游仙境的爱丽丝你可以留住你的黄砖路梦想和矫饰不同我眼里的不是泪水不过是我孤独心灵的一种反映，我意识到不过是我孤独心灵的一种反映，我意识到我已经找到了生命中缺失的东西

The language of uncertainty has three main categories:(1) words such as probably, possibly, surely, which denote a single subjective probability and are potentially quantifiable;(2) words like many, often, soon, which are also quantifiable but denote not so much a condition of uncertainty as a quantity imprecisely known;(3) words like fat, rich, drunk, which can not be reduced to any accepted number because they are given different values by different people.

模糊语言有三大类：（1）"很可能"、"有可能"、"肯定会"之类的词。这类词表示个人主观认为的可能性，这些词在发言人的心目中是有一定的潜在的数量的；（2）"很多"、"经常"、"很快"之类的词表示的是模糊的状况倒不如说表达的是知道得不够确切的数量；（3）"肥胖"、"富有"、"酒醉"之类的词，这类词不能精确到大家都能同意接受的数字，因为不同的人对这些词都会有不同的评价。

Riel and agree not to export British-made products which were similar to Lend-Lease materials .

对于租借法案的交换，英国不得不接受一些条款，他们不能出口任何得到的从租借法案中得到的物资，英国也不容许出售那些自己制造但是和租借法案中得到的物资相类似的产品。

In exchange for Lend-Lease the British had to accept that they would not export any Lend-Lease matériel and agree not to export British-made products which were similar to Lend-Lease materials.

对于租借法案的交换，英国不得不接受一些条款，他们不能出口任何得到的从租借法案中得到的物资，英国也不容许出售那些自己制造但是和租借法案中得到的物资相类似的产品。

From the syntactics point of view, adverb of the degree cann"t combine directly with noun generally."Adverb of the Degree + Noun" is a kind of nonstandard grammar phenomenon, but in fact this kind of structure don"t influence the understanding of listeners or readers. Instead it has been accepted by more and more people because of its unique meaning function and pragmatic feature. It has been used widely in speech communication and made special expression effect.

从语法学角度，程度副词一般不能与名词直接组合，"程度副词+名词"是一种不规范的语法现象，但事实上"程度副词+名词"结构不但没有影响到听话者或读者的理解，它所具有的独特的表义功能和语用特点，为越来越多的人所接受，并在言语交际中广泛使用，取得特殊的表达效果。

Since Dadaism,"contingencies" as an original power of art has been accepted and led to a variety of forms. But it need only several seconds even less than one second for Polaroid from having a motive to see the result which can not be changed. Such short process in a large extent challenges the usual thoughtfulness and rational characters of art works.

从达达主义以来，&偶发性&作为艺术的一种&原始动力&早已被接受并衍生出各种各样的形式，但Polaroid从动机的发生到看到结果而不能更改仅仅是几秒甚至不到一秒钟的时间，如此短暂的过程在很大程度上挑战了艺术品惯有的深思熟虑和理性特征。

We have therefore no right to be sceptical, nor to content ourselves with an inspection of a town to the exclusion of a consideration of its power; but we may safely conclude that the armament in question surpassed all before it, as it fell short of modern efforts; if we can here also accept the testimony of Homer's poems, in which, without allowing for the exaggeration which a poet would feel himself licensed to employ, we can see that it was far from equalling ours.

因此我们无权怀疑，也不能观察一个城镇不考虑他本身的实力影响；但是，虽然他留下的影响很小，我们仍的确能够得出结论他的军事实力超过以往之前的；如果我们能够接受Homer诗中的说法，除却诗人所做的夸大之词，我们可以发现和我们的想象相去甚远。

Mosley Im glad youre my maker My Loyalty lies in your hands, youre my breath taker Your body, your kiss is in unknown demand So take command, go Timbo I be the same when it all goes up I be the same when it all goes down Not the first one, open it up I be the last one closin it out Dont know if Ill give you a shot yet Lil Mama Im peepin your style Do I think youre dope enough, yup One way of findin it out The way you came at me, boo Dont care, not afraid Im like Wild Really want it from head to toe Question if she gon let it out Anyway the hour glass go I dont worry anyhow Why dont we see where it go Lets figure it out When the cats come out the bats come out to playy Yeahh In the morning after The dawn is here, be gone be on your wayy Yeahh In the morning after When the cats come out the bats come out to playy Yeahh In the morning after The dawn is here, be gone be on your wayy Yeahh In the morning after Dark Owww, Oooohhh Owww Come on SoShy I got a little secret for ya I never sleep when comes the night But everytime I smack my fingers I switch back into the light My moon belong to your sun Your fire is burning my mind Is it love or is it lust Something that I just cant describe Am I the one and only Cause youre the only one It felt so long and lonely Waiting for you to come Its lookin bright and early Im willing to close my eyes This is the unusual story Timbo and SoShy When the cats come out the bats come out to playy Yeahh In the morning after The dawn is here, be gone be on your wayy Yeahh In the morning after When the cats come out the bats come out to playy Yeahh In the morning after The dawn is here, be gone be on your wayy Yeahh In the morning after Dark Heyy, Heyy, Heyy, Go Nelly!

莫斯利先生您好我很高兴youre进出口公司我的忠诚度掌握在你们手中，youre我的呼吸接受者你的身体，你的吻是在未知的需求因此，接受命令，去廷博俺是相同的时，所有的上涨俺是相同的时，一切都下降不是第一个，打开它俺是最后一次closin出来 Dont知道病患者给你一个镜头还进出口peepin律妈妈你的风格我认为youre涂料不够，烨一个方法是findin出来你的方式来我，嘘 Dont护理，不怕像野生进出口真的想从头到脚它问她是否坤把它放出但无论如何，沙漏去余请勿担心无论如何为什么dont我们看到它去可以让数字出来当猫出来的蝙蝠出来playy Yeahh 在上午的后这里的黎明，消失在您的wayy Yeahh 在上午的后当猫出来的蝙蝠出来playy Yeahh 在上午的后这里的黎明，消失在您的wayy Yeahh 在天黑后早晨 Owww，Oooohhh Owww 来吧SoShy 我得到了亚一个小秘密我从来不睡觉的时候来晚但是，每次我拍击我的手指我转回到光明我属于你的月亮太阳你的火是我心中燃烧是爱还是欲望一些我公正不能描述我是唯一的原因youre唯一的它认为这样漫长而孤独的等着你来它lookin一大早进出口愿意接近我的眼睛这是不寻常的故事廷博和SoShy 当猫出来的蝙蝠出来playy Yeahh 在上午的后这里的黎明，消失在您的wayy Yeahh 在上午的后当猫出来的蝙蝠出来playy Yeahh 在上午的后这里的黎明，消失在您的wayy Yeahh 在天黑后早晨日Heyy，日Heyy，日Heyy，直接耐莉！

No perfecionism, no straining after the unattainable, no postulating of the unknowable; but taking poor, mortal human nature as it is, how shall we organize our life so that we can work peacefully, endure nobly and live happily?

不追求十全十美，不过分和盲目追求；而接受和认可我们本来的人性。我们要如何规划自己的人生，从而能平静的工作，旷达的忍耐，幸福的生活？

Network game is tongue-lashed to kill a person in contented gentleman, when next generation are useless, the children that I miss not to come out to be forced to sit in the attend a lecture below the stage by the parent forever are what kind of mood after all, but OK and affirmative is, network game is a times love, 70 time like no less than Cui Jian, like a net 80 years to swim, like liking 90 years to be not the mainstream, every times has his brand, cannot hit extensively for the thing that him age layer cannot accept, exaggerate sth just to scare people.

在陶先生大骂网络游戏害人，下一代无用的时候，我永远想不出来被家长强迫坐在台下听课的孩子们到底是怎样的心情，但可以肯定的是，网络游戏是一个时代的喜爱，正如70年代喜欢崔健，80年喜欢网游，90年喜欢非主流一样，每个时代有自己的烙印，不能为了一件自己年龄层无法接受的事物而广泛打击，危言耸听。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。