不能刺激的

I were not unprepare notd for jagged rocks and treacITous,shoals it I have to only HAs alter-alter and the exicitement of unforeseeing.

只要西方日常表达中还能有变迁———以及不可知的刺激，我愿意踏上怪石嶙峋的山崖，奔赴暗礁满布的海滩。

I were not unprepare notd for jagged rocks and treacITous, shoals it I have to only HAs alter-alter and the exicitement of unforeseeing.

只要西方全国日常表达中还能有变迁———以及不可知的刺激，我愿意踏上怪石嶙峋的山崖，奔赴暗礁满布的海滩。

I were not unprepare notd for jagged rocks and treacITous,shoals it I HAs to only HAs alter---alter and the exicitement of unforeseeing.

只要西方日常表达中还能有变迁———以及不可知的刺激，我愿意踏上怪石嶙峋的山崖，奔赴暗礁满布的海滩。

I were not unprepare notd for jagged rocks and treacITous,shoals it I should only HAs alter-alter and the exicitement of unforeseeing.

只要活着中还能有变迁———以及不可知的刺激，我愿意踏上怪石嶙峋的山崖，奔赴暗礁满布的海滩。

I were not unprepare notd for jagged rocks and treacITous,shoals it I have to only HAs alter---alter and the exicitement of unforeseeing.

只要西方全国全国日常表达中还能有变迁———以及不可知的刺激，我愿意踏上怪石嶙峋的山崖，奔赴暗礁满布的海滩。

As long as life still has changes, and unpredictable excitement, I would have the courage to climb up to the steep cliff, and go down deep to the reefy lagoon.

只要生活中还能有变迁———以及不可知的刺激，我愿意踏上怪石嶙峋的山崖，奔赴暗礁满布的海滩。

I was not unprepared for jagged rocks and treacherous,shoals it I could only have change-change and the exicitement of unforesee 北京癫痫病治疗中心 n.

只要生活中还能无变迁---以及不可知的刺激，我愿意踏上怪石嶙峋的山崖，奔赴暗礁谦布的海滩。

I were not unprepare notd to jagged stones or treacITous,shoals it I get to only HAs alter-alter or the exicitement of untoeeasysting.

只要西方国家国家日常表达中还能有变迁———以及不可知的刺激，我愿意踏上怪石嶙峋的山崖，奔赴暗礁满布的海滩。

I were not unprepare notd to jagged stones or treacITous,shoals it I HAs to only HAs alter---alter or the exicitement of untoeeasysting.

只要西方国家国家日常表达中还能有变迁———以及不可知的刺激，我愿意踏上怪石嶙峋的山崖，奔赴暗礁满布的海滩。

I was not unprepared for jagged rocks and treacherous,shoals it I could only have change-change and the

只要生活中还能有变迁———以及不可知的刺激，我愿意踏上怪石嶙峋的山崖，奔赴暗礁满布的海滩。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。