不现实的

To sum up, Wang Anyi inherit modem aesthetic consciousness of writing for daily life, moreover, she has ideal feelings that is based on reality and personal spirit of writing for mind, that makes her distinguishable from other writers of writing for daily life.

最后梳理出王安忆对日常生活写作的继承和超越，她继承了日常生活写作的现代审美意识，而她的超越性或独创性就是在狭小的范围内表现最阔大的内容，这和她立足于现实的理想情怀和为心灵写作的个人精神是分不开的，同时使她的日常生活写作和其它的作家的日常生活写作区别开来，构成了独具王安忆特色的日常生活世界。

To master the spirituous nature really ,we should grasp firmly that the practical philosophy is a new kind of philosophical thinking On one hand ,we reedier deeply that the great change about Marx philosophy is to explain the change from the knowledge system of abstract ontology to practical and historical theory who was based on the judge about personal liberation and revolution to the other hand we conuprahend deeply that the develop patents of future philosophy i...

要真正把握马克思哲学的精神实质，就是要把实践哲学把握成一种新的哲学思维，深刻认识马克思哲学伟大变革的全部要旨在于从解释世界的抽象本体论的知识体系转向现实的、历史的、以人的解放为核心的批判和革命的哲学理论，深刻理解未来哲学发展的新范式即"不是实践的观点，而是实践思维"这一基本准则和方向。

B.C.. The root of the word coined for this, esthlos , signifies one who is, who possesses reality, who is actual, who is true; then, with a subjective turn, the true as the truthful: in this phase of conceptual transformation it becomes a slogan and catchword of the nobility and passes over entirely into the sense of "noble," as distinct from the lying common man, which is what Theognis takes him to be and how he describes him—until finally, after the decline of the nobility, the word is left to designate nobility of soul and becomes as it were ripe and sweet.

用来表达这个意思的词：esthlos的词根意味着一个人只要是存在的，现实的，真切的，他就是真正的人；而后，经过一个主观的转变，真正就变成了真实：在概念转化的这个阶段，真实成了贵族的口头禅，而且彻底地包含在"贵族的"词义里，以示和被蒂奥哥尼斯认之为并描述为不诚实的下等人相区别——一直到贵族没落以后，该词才最终被保留下来用于标志精神贵族，与此同时该词也变熟、变甜了。

The novels in poetry for Turgenev and Theodor Storm, there are no clear theoretical form, but in reality they have always maintained that the creative characteristics, This kind of way in novel writing with the poem writing technique the idea is naturally, is following its creation profession from beginning to end, is their whole characteristic, May say on this, two 19th century writers not on own initiative has arrived.

诗化小说在屠格涅夫和施笃姆那里都并没有形成明确的理论，但是在现实的创作中他们一直保持着这样的特色，这种用诗的笔法写小说的理念是自然而然的，是伴随着其创作生涯自始至终的，是他们整体的特色，可以说在这一点上，两位十九世纪的作家不自觉地走到了一起。

If on grounds of our real, divinely ordained, superiority a Christian pathologist thinks it right to vivisect, and does so with scrupulous care to avoid the least dram or scruple of unnecessary pain, in a trembling awe at the responsibility which he assumes, and with a vivid sense of the high mode in which human life must be lived if it is to justify the sacrifices made for it, then (whether we agree with him or not) we can respect his point of view.

如果一个信仰基督教的病理学家，基于我们现实存在的、上帝赐与的优越性而认为活体解剖是对的，并在进行活体解剖时小心谨慎避免造成最微小的不必要的痛苦，对肩上的责任抱着战战兢兢的敬畏态度，而且清楚地意识到为了证明为人的生命做出牺牲是值得的，人必须以高尚的方式生活，那么(不论我们是否同意他的观点)我们便能够尊重他的观点。

Coming to maturity at a stage of human history when even the most devout adherents of any universal religion were inescapably confronted with the living pluralism of such religions, and the allomorphism between each faith\'s ontological claims and territorial stretch, nations dream of being free, and, if under God, directly so.

民族发展臻于成熟之时，人类史刚好步入一个阶段，在这个阶段里，即使是普遍宗教最虔诚的追随者，也不可避免地被迫要面对生机勃郁的宗教多元主义，并且每一个信仰的本体论主张与它所支配的领土范围之间也有不一致的现实。民族于是梦想着成为自由的，并且，如果是在上帝管辖下，直接的自由。

At the traditional angle, people's feeling about Fu Xi's works is un- appreciatory and different, but at a brand-new angle, people find that Fu Xi's works makes vital instinct, desires and powerful activity stand out by the plump and peach blow flesh, and also stand out the women's hurt and state of nothing to do in front of the reality.

站在传统的角度，人们会感觉符曦的近作很不美、很另类，但站在新的角度，人们则会发现：符曦不仅在画中用丰满而带桃红色的肉感生动地突出了生命的本能、欲望与巨大活力，还用刺人眼帘的伤痕与特殊的肢体语言很好突出了女人受伤害的状态与面对现实的无奈。

Her works are full of literature feeling, like the feeling of melancholy and hurt in modern poems, with virtual image, depressed and full emotion, apparently with hidden confrontation and conflict: between reality and virtual world, buckish appearance and deep inner world, severe feeling of morality and anti-morality…Her works try to imply an attitude: to probe into herself and human being in her eyes veritably and persistently.

她的作品透着强烈的文学气息，仿佛有现代诗歌般的忧郁和伤痛感，虚拟的情境、压抑而饱满的情绪，似乎又暗藏着一些对抗与冲突：现实与虚拟的、浮华的外像与深沉的内在、强烈的道德感与反道德……她的作品试图传递一种态度：不懈怠的真实的审视自己，当然也包括她眼中的人类。

Great comic artists assume that truth may bear all lights, and thus they seek to accentuate contradictions in social action, not gloss over or transcend them by appeals to extrasocial symbols of divine ends, cosmic purpose, or laws of nature.

伟大的幽默艺术家认为真理拥有了所有的光芒，因此他们希望着重关注社会行为的矛盾，不是通过研究预测的结局，宇宙的目的，或者自然的法则等这些超过社会的象征而得到的一种假象或者对现实的超越。

A species can become threatened or endangered because of a number of factors:"presentor threatened destruction, modification or curtailment of its habitat or range; over-utilization for commercial recreation, scientific, or educational purposes; disease or predation, the inadequacy of existing statutory mechanisms; or other natural or man-made factors affecting its continued existence."

一个物种会遭受威胁和面临危险时由多种因素造成的：现实的或充满威胁的破坏；改变或剥夺它们的栖息地，为了商业娱乐科研的或教育的目的而过度利用；在疾病或者遗传方面，现存法定机制的不完善；或其他影响其继续生存的自然或人为的原因。

The split between the two groups can hardly be papered over.

这两个团体间的分歧难以掩饰。

This approach not only encourages a greater number of responses, but minimizes the likelihood of stale groupthink.

这种做法不仅鼓励了更多的反应，而且减少跟风的可能性。