不炫耀的

Tartuffe and Joseph Surface, Stigginsand Chadband,who are always preaching fine sen－timents and are no more virtuous than hundreds of those whom they denounce and whom they cheat,are fair objects of mistrust and satire; but theirhypocrisy,the homage,according to the old say-ing,which vice pays to virtue,has this of good init,that its fruits are good:a man may preach goodmorals tho he may be himself but a lax practition－er;a Pharisee may put pieces of gold into the char－ity-plate out of mere hypocrisy and ostentation,but the bad man's gold feeds the widow and the fa－therless as well as the good man's.

达尔杜弗之流不断谈论高尚情操，而其品德却不比他们所指斥、所欺骗的人高尚，这类人物自然不配受到人们信任，而应加以讥刺；可是，他们的伪善固然是一种市恩讨好的行径，却又如一句老话所说，邪恶也会化为善举，带来好的结果。一个人可能孜孜然劝人为善而自己全不实行；一个法利赛人可能出于伪善和炫耀的目的而在施舍盘里放上几块金子，但是坏人的金子和好人的金子一样都能养活孤儿寡妇。

And yet, in Raissa, at every moment there is a child in a window who laughs seeing a dog that has jumped on a shed to bite into a piece of polenta dropped by a stonemason who has shouted from the top of the scaffolding,"Darling, let me dip into it," to a young serving maid who holds up a dish of ragout under the pergola, happy to serve it to the umbrella-maker who is celebrating a successful transaction, a white lace parasol bought to display at the races by a great lady in love with an officer who has smiled at her taking the last jump, happy man, and still happier his horse, flying over the obstacles, seeing a francolin flying in the sky, happy bird freed from its cage by a painter happy at having painted it feather by feather, speckled with red and yellow in the illumination of that page in the volume where the philosopher says:"Also in Raissa, city of sadness, there runs an invisible thread that binds one living being to another for a moment, then unravels, then is stretched again between moving points as it draws new and rapid patterns so that at every second the unhappy city contains a happy city unaware of its own existence."

可是，在莱莎的每一刻钟都听得到窗旁的小孩的笑声，因为他看见一头狗扑上小屋抢吃一块烧饼；烧饼是棚架上的石匠掉下的；他当时正在向一个年轻的女侍应员高声喊叫："好人，让我尝一尝"；那年轻女子正捧着肉汤满心高兴地送给一个庆祝交易成功的制伞工人；爱上青年军官的一位贵妇人在赛马场炫耀她的镶花边的白阳伞；马背上的军官最后一次跳跃时向她笑了一笑；他是个快乐的人，不过他的马比他更快乐，它跳栏的时候看见鹧鸪在天上飞；快乐的鸟儿刚被一位画家放出囚笼；快乐的画家完成了鸟的插图，描出它每一根红黄斑点的羽毛；插图的书页上有哲学家的话："忧愁的城市莱莎也有一根无形的线，在某个顷间把一个生物连系上另一个生物，然后松开，又在两个移动的点之间伸展，快速画出新的图形，因此，不快乐的城市在每一秒钟都包藏着一个快乐的城市，只是它自己并不知道罢了。"

For example, we believe that wearing gold jewelry for ornamentation can be acceptable, unless the driving intention is to flaunt wealth. We believe that many social activities, such as dancing or unusual dress or appearance, can be acceptable, unless the motivation for doing such is sinful. Therefore, if two similarly dressed people were dancing to rock and roll music, and one was exuberantly venting the daily stress and energy of life, while the other was intentionally dancing lewdly and suggestively, we would see that the motivations of the two were very different and would consider the first acceptable and the second, not.

举例来说，我们认为，身穿黄金珠宝装饰品可以接受的，除非驾驶意图，是为了炫耀财富，我们相信许多社会活动，如跳舞或不寻常的服饰或外观，可以接受的，除非动机做这样的，是罪孽深重，所以，如果两个同样身著人翩翩起舞，摇滚音乐，一个是exuberantly宣泄每天应力和能量的生命，另一人则是故意跳lewdly和suggestively ，我们会看到这一点的动机，两人是很不同的，并会考虑接受的第一次和第二次，没有。

While, however, we persist in believing that a poet ought to know as much as will not encroach upon hisnecessary receptivity and necessary laziness, it is not desirable to confine knowledge to whatever can be put into a useful shape for examinations, drawing-rooms, or the still more pretentious modes of

可是，我们虽然坚信诗人应该知道得愈多愈好，只要不妨害他必需的感受性和必需的懒散性，如把知识仅限于用来应付考试，客厅应酬，当众炫耀的种执那就不足取了。

North Korea is an unstable powder keg and mindless saber-rattling will just play into the hands of the out-of-control nutjobs in the NK military that are jockeying for power.

朝鲜是一个不稳定的火药桶和盲目炫耀武力只会落入北朝鲜军方那些千方百计想获得权力的、无法控制的疯子手里。

Is not a show off the capital, because everything is what you should do.

不是炫耀的资本，因为所有的一切都是你应该做的。

A mix of classic cartoon shtick and post-modern irony, how could you not love a show whose theme contains a reference to pay or play contracts?

"各式经典的卡通shtick与后现代的反讽，你怎么可以不爱炫耀的主题中提到"薪资或发挥合同？

For example, we believe that wearing gold jewelry for ornamentation can be acceptable, unless the driving intention is to flaunt wealth. We believe that many social activities, such as dancing or unusual dress or appearance, can be acceptable, unless the motivation for doing such is sinful. Therefore, if two similarly dressed people were dancing to rock and roll music, and one was exuberantly venting the daily stress and energy of life, while the other was intentionally dancing lewdly and suggestively, we would see that the motivations of the two were very different and would consider the first acceptable and the second, not.

举例来说，我们认为，身穿黄金珠宝装饰品可以接受的，除非驾驶意图，是为了炫耀财富，我们相信许多社会活动，如跳舞或不寻常的服饰或外观，可以接受的，除非动机做这样的，是罪孽深重，所以，如果两个同样身着人翩翩起舞，摇滚音乐，一个是exuberantly宣泄每天应力和能量的生命，另一人则是故意跳lewdly和suggestively ，我们会看到这一点的动机，两人是很不同的，并会考虑接受的第一次和第二次，没有。

A deeper three-bar grille, new headlamp clusters with LED accents, and a new front bumper with low-set fog lights are not ostentatious or even obviously new, but the front end is updated without changing the Range Rover look.

深层次的三栏格栅，新的大灯组，带LED的口音，和一个新的前保险杠与低一套雾灯不炫耀，甚至明显的新的，但前端的更新，而无需改变揽胜期待。

As Thorstein Veblen noted over a century ago in "The Theory of the Leisure Class"—the book in which he coined the phrase "conspicuous consumption"—spending lavishly on expensive but essentially wasteful goods and services is "evidence of wealth" and the "failure to consume in due quantity and quality becomes a mark of inferiority and demerit."

一个多世纪前，托尔斯坦？凡勃伦写了《有闲阶级论》，在该书他创造了一个短语：炫耀性消费，表明在奢华而无用的产品和服务上花钱是&财富的证明&，而无能力购买足够数量的高质产品则被视为身份不高贵的劣等人。

In the negative and interrogative forms, of course, this is identical to the non-emphatic forms.

。但是，在否定句或疑问句里，这种带有"do"的方法表达的效果却没有什么强调的意思。

Go down on one's knees;kneel down

屈膝跪下。。。下跪祈祷