不死的人

HAMLET O, I die, Horatio; The potent poison quite o'er – crows my spirit: I cannot live to bear the news from England; But I do prophecy the election lights on Fortinbras; He has my dying voice; So tell him, with the occurrents, more and less, which have solicited.

哈姆雷特啊！我死了，霍拉胥；猛烈的毒药压垮了我的精神，我不能活着听见来自英国的消息。可是我可以预言福廷布拉斯继位的光环，他已经得到我这临死之人的同意；多少告诉他这儿发生的事情，这是我的请求。

I am twenty-two blocks from where Rudolph Valentino lay in state,eight blocks from where Nathan Hale was executed,five blocks from the publisher's office where Ernest Hemingway hit Max Eastman on the nose, four miles from where Walt Whitman sat sweating out editorials for the Brooklyn Eagle , thirty-four blocks from the street Willa Cather lived in when she came to New York to write books about Nebraska, one block from where Marceline used to clown on the boards of the Hippodrome, thirty-six blocks from the spot where the historian Joe Gould kicked a radio to pieces in full view of the public, thirteen blocks from where Harry Thaw shot Stanford White, five blocks from where I used to usher at the Metropolitan Opera and only 112 blocks from the spot where Clarence Day the elder was washed of his sins in the Church of the Epiphany (I could continue this list indefinitely); and for that matter I am probably occupying the very room that any number of exalted and somewise memorable characters sat in, some of them on hot, breathless afternoons, lonely and private and full of their own sense of emanations from without..

二十二个街区远的地方，鲁道夫·瓦伦蒂诺在安眠；八个街区远的地方，内森·黑尔被绞死；五个街区远的地方，是出版人办公室，欧内斯特·海明威在那里挥拳击中了马克斯·伊斯门的鼻子；四英里远的地方，沃尔特。惠特曼曾挥汗如雨为《布鲁克林之鹰》写社论；三十四个街区以外，是威拉。卡瑟初到纽约的旧居，她当时正准备写作有关内布拉斯加州的著作；一个街区远的街道，马士莱在竞技场舞台上扮演过小丑；三十六个街区以外，历史学家乔。古尔德在众目睽睽之下踢碎了一台收音机；十三个街区以外，哈里。肖拔枪射击斯坦福。怀特；五个街区以外，是我过去做带位员的大都市剧场；而距离老克拉伦斯。戴举行葬礼的主显节教堂，仅有一百一十二个街区（我不确定还能再想起点儿什么）。就此而言，我正置身其中的房间，或许曾经呆过一些高贵而令人难忘的大人物，他们中一些人，在闷热的下午，坐在这里，孤独而隐秘，发散出异于外界的特有气息。

Film strongly from the outset to create an atmosphere of a strange dark, horse-long extension of the path. Scarecrow's Pumpkin head with a dagger that there have been shrouded in a layer of fog with the tricky, Scheduling strong rapid camera, editing, pure and simple, static, one between the heads gone, and the killer has disappeared. When the survivors jumped out of the cart that moment, it will mean that he will not escape the fate of decapitation. and the director so that he could have a symbolic meaning in the next pumpkin head, which passed the sword and decapitated. a blood filter out the first upheaval in the face of the pumpkin, so the people have lost their lives can not do anything about it.

影片从开始就极力营造一种诡异阴暗的氛围，马车、悠长延伸的小路、还有那个手持匕首的南瓜头稻草人，都被笼罩在一层带有迷雾的诡异之中，镜头调度有力快速，剪辑干净利索，一动一静之间，人头已经消失，而杀人者却不见踪影，当幸存者慌乱的跳下马车的那一瞬间，就意味着他也将逃不掉断头的宿命，而导演让他死在那个具有象征意义的南瓜头旁边，利剑滑过，身首异处，喷出的一滤鲜血荡在了南瓜头的脸上，人就这么的失去了生命却无能为力。

Yeah. Many people have been arguing against treating our teens as pest infestations, thinking it a violation of their human rights. However, some surly young people are prone to vandalize public property when they congregate together. The people using this device only turn it on when there are boisterous groups of young

是阿，许多人开始议论不应该像对害虫那样对我们的青少年，他们觉得这侵犯了他们的基本人权，但是无论如何，一些年轻人在聚众时会有摧残公共建设的倾向，只有在一群混蛋死台克在的时候才会使用这个机器。。。

While this approach has been fashionable to ridicule and resistance of young people, but still a lot of people still believe in God Centrosymmetric known, depending on the deceased's relatives were dead like the living, not to mention lively vibrant loved ones should be a also less.

虽然这样的做法遭到时髦的年轻人的嘲笑和抵制，但依然不少人还是信奉心到神知的，对故去的亲人都视死如生，更何况生龙活虎朝气蓬勃的亲人更应是一个也不能少。

Pushkin is born in Moscow one on June 6 , 1799 self's family fortunes declined nobleman landlord family , a lifetime inclination revolution, dark autocracy carries out unyielding fighting with and , his thought and poem do, arouse a tsar discontenting and enmity of Russia ruler, he was once unwilling to knuckle under two degree all the time by Siberia, government's plot was planned to fall with person decisive struggle but died ultimately in the tsar, annual only 38-year-old.

普希金1799年6月6日出生于莫斯科一个家道中落的贵族地主家庭，一生倾向革命，与黑暗专制进行不屈不挠的斗争，他的思想与诗作，引起沙皇俄国统治者的不满和仇恨，他曾两度被流放，始终不肯屈服，最终在沙皇政府的阴谋策划下与人决斗而死，年仅38岁。

Death is very close to each and every person, death in an instant. I really like the ants he uses. I see the ants as people, this tiny, ungraspable and impermanent feeling. Ants and people don't really have any essential differences.

其实死离每个人都非常近，就是转瞬间的死亡，我特别喜欢他用的蚂蚁，我把他的蚂蚁看成人，这种渺小、不能掌控和无常感，其实人和蚂蚁没有本质上的区别。

Who would fardels bear, To grunt and sweat under a weary life, But that the dread of something after death, The undiscover'd country from whose bourn No traveller returns, puzzles the will And makes us rather bear those ills we have Than fly to others that we know not of?

谁甘心挑担子，拖着疲累的生命，呻吟，流汗，要不是怕一死就去了没有人回来的那个从未发现的国土，怕那边还不知会怎样，因此意志动摇了，因此便宁愿忍受目前的灾殃，而不愿投奔另一些未知的昔难？

Heaven grant the gods be not now bringing that sorrow upon me of which my mother Thetis spoke, saying that while I was yet alive the bravest of the Myrmidons should fall before the Trojans, and see the light of the sun no longer.

但愿神明不会把扰我心胸的愁事变成现实。母亲曾对我说过，说是在我还活着的时候，慕耳弥冬人中最勇敢的壮士将倒死在特洛伊人手下，别离明媚的阳光。

In pursuance of this purpose, I have endeavored to select and group together events in the history of the church in such a manner as to trace the unfolding of the great testing truths that at different periods have been given to the world, that have excited the wrath of Satan, and the enmity of a world-loving church, and that have been maintained by the witness of those who "loved not their lives unto the death."

为了达到这一目的，我选了一些教会历史的史事，将这些大事联贯起来，以便说明一些重大而有考验性的真理在不同的时代是怎样逐步发展，怎样传给世人，因而激起撒但和贪爱世俗的教会仇视这些真理，就是由那些&虽至于死，也不爱惜性命&（启12：11）之人的见证保存下来的。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。