不死的人

Col. 2:13, and the Westminster Confession says:"Man by his fall into a state of sin, hath wholly lost all ability of will to any spiritual good accompanying salvation; so as a natural man, being altogether averse from that good, and dead in sin, is not able by his own strength to convert himself, or to prepare himself thereunto" IX.

威敏思特信仰告白，第9章第3条说：「人因堕落在罪恶的状态中，已经完全丧失一切的意志力，不再能实行任何与救恩伴随之属灵的良善。所以属血气的人既是与属灵的良善完全相反，并且死在罪中，他就不可能靠自己的力量，自行归正，也不能自行预备归正。

I don't assume it would. It's not like you'll die from cancer.

我看不会，你不像是个会死于癌症的人。

And watch em dollar bills come sprinkling down girl bend over pick it from the ground, and toss it up! Everybody on a thing like damn thing Everybody dont die in the same game Homie dont stand on the campaign Lay back like it's not you who's champion Lay back, we won, one time, we get all high, to the b like close to We go, we ride, we go, we fly, we're perfect from the heat we go to.. Convict, we're not sick less, getting everybody to launch sickness then the hole game popped yo pretty dick.. Fly high, Flipsyde and evolution.. you need that treat that clean that we step we fly get em up and we got to and feel that day and we come your way wait dead, and brotha i got you It's been a long time coming so we're here to wake the dead.

大家对这样的事情该死的东西大家不要死在同一个游戏不要站在外面静如不是你的冠军躺下，我们赢了，有一段时间，我们得到了高、喜欢接近我们走吧，我们骑，我们走到哪里，我们便如飞，我们是完美的热，我们去……罪犯，我们没有生病，得到大家开展少生病的洞比赛出现哟漂亮的迪克…飞得很高，与进化…你需要治疗，爱干净，我们一步我们飞得凝结在一起，我们必须和感觉的日子，我们来您的方式等死，和我懂你的意思这是很长一段时间了，于是我们来叫醒死去的人。

On the moment of confusion, he died in her hand, not his, but his heart, he's so disheartened her in the palm of your hand.

就壹刹那的迷茫，他死在了她的手掌上，不是他的人，而是他的心，他的心死在了她的手掌上。

Romeo, there dead, was husband to that Juliet; And she, there dead, that Romeo's faithful wife: I married them; And their stol'n marriage-day was Tybalt's dooms-day, whose untimely death Banish'd the new-made bridegroom from the city, for whom, and not for Tybalt, Juliet pined.

死了的罗密欧是死了的朱丽叶的丈夫，她是罗密欧的忠实的妻子，他们的婚礼是由我主持的，就在他们秘密结婚的那天，迪伯尔特的死于非命，这位才做新郎的人也从这城里被放逐去；朱丽叶是为了他，不是为了提伯尔特，才那样伤心憔悴。

My mother Thetis tells me that there are two ways in which I may meet my end.

我的母亲、银脚塞提丝对我说过，我带着两种命运，走向死的末日：如果呆在这里，战斗在特洛伊人的城边，我就返家无望，但却可赢得永久的光荣；如果返回家园，回到我所热爱的故乡，我的光荣和荣誉将不复存在，但却可以信享天年，死的终期将不会匆匆临头。

Nay rather, vindictive persons live the life of witches; who, as they are mischievous, so end they infortunate.

反之，衔怨深而喜报复的人所度的生活是妖巫一般的生活。这种人活着的时候于人不利，死了也是于己不。

I do not allow you not to eat, people are iron rice is steel, the body is a revolution in the capital, I do not want you dead in front of me!

我不允许妳不吃饭，人是铁饭是钢，身体是革命的本钱，我不想妳死我前头！

Siloam House before it collapsed, crushing the 18 individuals, do you think of all those who live in Jerusalem than those who do I tell you even more guilt, no ...

从前西罗亚楼倒塌了，压死了十八个人，你们以为那些人比一切住在耶路撒冷的人更有罪吗我告诉你们，不是的。。。。

" An Italian sonnet by John Donne Death, be not proud, though some have called thee mighty and dreadful, for thou art no so For those whom thou think's thou dost overthrow Die not,poor death,nor yet canst thou kill me From rest and sleep, which but thy picture be much pleasure, then from thee much must flow And sooner our best men with thee do go, rest of their bones, and soul's delivery Thou art slave to fate,chance, king and desperate men And dost with poison, war and sickness dwell And poppy or charms can make us sleep as well And better than thy stroke, why swell'st thou then?

死神，你莫骄横，尽管有人将你看得如何强大，如何可怖，你呀，名不符实；你自以为已经把芸芸众生毁灭，可怜的死神，他们没死。你至今还杀不死我；休憩和睡眠，其实就是你的写照，你定然比它们更让人感到舒适惬意，而我们最出色的人们随你而去越早，越能早日让灵魂获救，肉体安息，你是命运、时机、君主和狂徒的奴隶，你与毒药、战争和病魔同流合污，鸦片与巫术也能灵验地进行蛊惑，而且效果更佳，你又何必颐指气使？

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。