不死的

They are things dead, lifeless: nor do they know when they will be raised up.

他们是死的，不是活的，他们不知道崇拜者们将在何时复活。

Furthermore, they have no impact on the total number of Undead Orcus can control at any given moment.

此外，它们不被计入奥库斯一次能够控制的不死生物的最大数量。

LYNETTE: No! you're not dying! People just think that because I shaved your head.

不， 你不会死的，我剃了你的头发所以人们这么想。

But we all loved the Sara character and we are going to give her the respect she deserved because her memory will not be forgotten and her death will NOT GO UNAVENGED!!!

但是我们都喜欢Sara这个角色，我们将给她应得的尊重，因为她不会被忘记，而且她绝对不会白死的！

If then I am a wrongdoer and have committed anything for which I deserve to die, I do not seek to escape death.

我若行了不义的事，犯了什麽该死的罪，就是死，我也不辞。

But that the dread of something after death,No traveller returns, puzzles the willThan fly to others that we know not of?Thus conscience does make cowards of us all;Is sicklied o'er with the pale cast of thought

谁愿意负着这样的重担，在烦劳的生命的压迫下呻吟流汗，倘不是因为惧怕不可知的死后，惧怕那从来不曾有一个旅人回来过的神秘之国，是它迷惑了我们的意志，使我们宁愿忍受目前的磨折，不敢向我们所不知道的痛苦飞去？

But that the dread of something after death,No traveller returns, puzzles the willThan fly to others that we know not of?Thus conscience does make cowards of us all;Is sicklied oer with the pale cast of thought

谁愿意负着这样的重担，在烦劳的生命的压迫下呻吟流汗，倘不是因为惧怕不可知的死后，惧怕那从来不曾有一个旅人回来过的神秘之国，是它迷惑了我们的意志，使我们宁愿忍受目前的磨折，不敢向我们所不知道的痛苦飞去？

While I am on the way to the twin falls, Georgie walks to me and inform that she is leaving for Paia now. Oh! Yeah! I would like to go Paia contrast to Twin falls. As Usual, she drives to my destination and drop me off. This time, I am not only sitting in the coffee shop but also strolling the beach. This beach in Paia is very clean. I don't see any trash on it. Also, there are a few tourists surfing unlike Wakiki beach with hundred tourists although today is Saturday. I even see some ladies do sunbathing. There is something funny but weird for me. Foreigners, American and European, are neither afraid of taking a sunbath in the sunlight nor fitting their bra in the public.

准备要走出农场时Georgie正好要出门到镇上去洽公，这时只想当跟屁虫还管什麼瀑布，这次她一样把我丢在网路咖啡厅就离开，今天我没有单单待在咖啡厅，把包包放下点了杯拿铁坐热椅子后，慢慢沿著海滩方向边散步边欣赏周边风景，要把上次忘记走访给补回来，Paia海滩上的沙是白细沙，虽是周末假期但海滩上的游客并不多，不会有像在Wakiki海滩的那种人山人海的盛况出现，且海滩也很乾净没有见到垃圾的踪迹，阿朵仔果然和东方人非常不同，超级喜欢作日光浴，即使被晒的黑抹抹老了会有斑也不在意照晒不误，像我这个见光死的小白犬只敢戴著帽子全身包的紧紧的站在远处偷偷拍照，这还算是小巫见大巫，阿朵仔让我感到夸张的是连当众乔奶也非常的给它不在意，世风日下哦！

Do not be overawed when a man grows rich, when the splendor of his house increases

17因为他死的时候，什么也不能带去，他的荣耀不能随他下去。

Birth and death are always the cause of suffering and there are no Eternal, Bliss, Self, and the Pure, 8 it is not possible to segregate oneself from the eight inopportune situations, 9 one is always pursued by enmity, 10 there is not one dharma that can shake off all things that exist, 11 one is not emancipated from the three unfortunate realms, 12 various twisted views accompany one, 13 no boat is on hand to pass one across the waters of the five deadly sins, 14 birth and death go on endlessly and no limit to this is gained, 15 when no karma is performed, there is no result to follow, 16 no fruition comes about to others for what one has oneself done, 17 without the cause of bliss, there cannot be the result of bliss, 18 once the seed of karma is sown, the result will not be lost, 19 ignorance calls forth life and by it one dies, 20 what one has over the three times of past, present and future is indolence.

出生和死亡始终是痛苦的原因这里没有永恒，极乐，自我，以及纯净，8）要想把一个人从八个不合时宜的情景之中分离出来是不可能的，9 ，一个人总是追求敌意，10），没有佛法能摆脱一切事物的存在，11），人不能从三恶道解脱，12）一个人有着各种扭曲的观念，13）没有船能让人通过五个致命的罪恶，14 ）生与死不断的存在，没有积累的限制，15）没有业的产生就没有业的结果， 16）一个人自己造的业果不会出现在别人身上17），没有幸福的原因，就没有幸福的结果，18）业一旦播种，业果也不会丢失，19）愚昧引导的生命会使人死亡，20）懒惰的人占有了他过去，现在，未来的时间。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。