不死的

I don't want to achieve immortality through my work. I want to achieve it through not dying.

我不想通过我的作品实现不朽，我想通过不死的方式不朽。

In a moment, in the twinkling of an eye, at the last trump: for the trumpet shall sound, and the dead shall be raised incorruptible, and we shall be changed.

这必朽坏的，总要变成不朽坏的，这必死的，总要变成不死的。

And if it's not the gooks, it's these old fucking Jews who've owned the store for fifteen fucking generations, you've got Grampa Irving sitting behind the counter with a fucking Magnum in his hand.

并且要是不是这些东南亚仔，而是这些老不死的犹太人他妈的十五代人拥有一家商店，你就会让老爷爷欧文坐在收银台后面手里拿着一个他妈的大酒瓶。

And if it 039's not the gooks , it 039's these old fucking Jews who owned the store for fifteen fucking generations , you got Grampa Irving sitting behind the counter with a fucking Magnum in his hand .

并且要是不是这些东南亚仔，而是这些老不死的犹太人他妈的十五代人拥有一家商店，你就会让老爷爷欧文坐在收银台后面手里拿着一个他妈的大酒瓶。

And if it's not the gooks, it's these old fucking Jews who've owned the store for fifteen fucking generations, you've got Grampa Irving sitting behind the counter with a fucking Magnum in his hand.

并且要是不是这些东南亚仔，而是这些老不死的犹太人十五代人拥有一家商店，你就会让老爷爷欧文坐在收银台后面手里拿着一个大酒瓶。

And if it's not the gooks, it's these old **ing Jews who've owned the store for fifteen **ing generations, you've got Grampa Irving sitting behind the counter with a **ing Magnum in his hand.

并且要是不是这些东南亚仔，而是这些老不死的犹太人他**十五代人拥有一家商店，你就会让老爷爷欧文坐在收银台后面手里拿着一个他**大酒瓶。

And if it's not the gooks, it's these old ***ing Jews who've owned the store for fifteen ***ing generations, you've got Grampa Irving sitting behind the counter with a ***ing Magnum in his hand.

并且要是不是这些东南亚仔，而是这些老不死的犹太人他妈的十五代人拥有一家商店，你就会让老爷爷欧文坐在收银台后面手里拿着一个他妈的大酒瓶。

It is easy enough to say that man is immortal simply because he will endure: that when the last ding-dong of doom has clanged and faded from the last worthless rock hanging tideless in the last red and dying evening, that even then there will still be one more sound: that of his puny inexhaustible voice, still talking.

讲述人类是永生不死的相当简单，只需他能够撑下去；最后审判的钟声已经敲响了并消弥在最后一块没有意义的岩石，最后的日落消逝在死一般寂静的海平线，死亡的夜晚开始漫延，即使还有一点残音也是无力却绵绵不断的呻吟，依旧诉说着。

Or the solid three-figure income?

还是吃不饱饿不死的薪水？

I like the scenery of the Road, like the wind will not be brought down, the sun drying of the grass alive.

我喜欢这一道风景，喜欢这风吹不倒、太阳晒不死的小草。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。