不死的

For this corruptible must put on incorruption, and this

的，这必死的总要变成不死的。

For this corruptible must put on incorruption, and this mo

这必死的总要变成不死的。

For this corruptible must put on incorruption, and this mortal must put on immortality.

这必朽坏的总要变成不朽坏的，这必死的总要变成不死的

For this corruptible must put on incorruption, and this mort

这必死的总要变成不死的。

For this corruptible must put on incorruption and this mortal must put on immortality 1Cor 15:52,53

这必朽坏的，总要变成不朽坏的。这必死的，总要变成不死的（哥林多前书15：52，53）。

O For this perishable body must put on imperishability, and this mortal body must put on immortality.

o 这必朽坏的总要变成（注："变成"原文作"穿"。下同）不朽坏的，这必死的总要变成不死的。

For this perishable must put on the imperishable, and this mortal must put on immortality.

这必朽坏的总要变成不朽坏的，这必死的总要变成不死的。

For this perishable body must put on the imperishable, and this mortal body must put on immortality.

这必朽坏的总要变成不朽坏的，这必死的总要变成不死的。

With the imperishable and the mortal with immortality, then the saying that is written will come true

必死的，即变成不死的。

Hrmm... I could just kill you outright, which would make you dead, then I could reanimate your corpse and you'd be undead...

我应该直接干掉你，那你就死掉了，然后我复活你的尸骨你就是…不死的样子啦。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。