不死的

I just know later, strong empty of Laoyue in collusion with, square card, Zun Lengchan, hold the post of the amaranthine of a few evil intentions such as our bank old guy engineered a game, the leading role of game is him unexpectedly prentice Ling Huchong, still build the daughter that went up to hold the post of our bank to be filled with; The most serpentine, evil-minded part acted as of course in old Yue Zaiji, I know this role he is yearning long already; Strong empty, square card also thinks bad quite originally, but Laoyue thinks out this game, add Xiaozun, Laoren also collect and move playwrite this, they do not have this opportunity strong empty annulus on.

后来我才知道，老岳伙同冲虚、方证、左冷禅、任我行等几个贼心不死的老家伙策划了一个游戏，游戏的主角居然是他徒弟令狐冲，还搭上了任我行的女儿盈盈；老岳在其中当然充当了最阴险、恶毒的角色，我知道这角色他向往已久；冲虚、方证本来也挺想坏一把，无奈这游戏是老岳想出来的，加上小左、老任也凑和着编了编剧本，这机会冲虚他们就没轮上。

So horrible to see was this recovery from a deathblow, this inability to die, more horrible than any dying, that a rage of loathing swelled up in Arren, a berserk fury, and swinging up the sword he struck again with it, a full, terrible, downward blow.

不死的力量远比死亡更加可怕，震慑于眼前死而复生的景象，Arren的心中伸起一股憎恶，怒火冲昏了他的头脑，他又举起长剑劈出一记顺势斩。

When Frenchmen bring up the Louvre pyramid, they like to refer to it as the repository of Mitterrand's imperial robe and crown, or as the tomb of this immortal modern-day pharaoh, reflecting the doggedness with which he strove after "eternal power."

当大家提到罗浮宫金字塔时，总爱称它是密特朗的衣冠冢，或这个永生不死的现代「法老」的陵墓，这也透露了密特朗追求「永恒权力」的野心。

Yet in my need for your nearness I feign remoteness, and in fear of the ebb tide of your love I guard the floodgates of my love.

自我们的灰烬中要升腾起更强有力的爱，那是在太阳下朗笑的爱，那是不死的爱。

Your sire finally embraces you, filling your exsanguinated body with the cold blood of the undead.

你的主人终於将你血拥，把永生不死的冰冷血液，注入到你耗竭的身体里面。

If nude has been everywhere, so too have zippers and flounces and degrade effects that recall the Hollywood designer Jean Louis and, lastly, a million references to the un-killable 1980s, the decade that looks even more insipid the second time around (or the third, if one considers that much seen on New York runways shamelessly reprises the collective homage to "Dynasty," the television soap opera, on offer in Europe a season ago).

如果裸肤色正当道，拉链、荷叶边也很夯，还有令人想起好莱坞设计师尚。路易的颓废效果，最后是打不死的1980年代影响仍到处可见，那个年代第二度流行时看起来甚至更没生气（或第三度流行，如果考虑到本周纽约伸展台肆无忌惮地一再向电视肥皂剧「朝代」集体致敬的风格，上一季已在欧洲推出）。

Hellenized Judaism preferred immortality of the soul, more richly conceived, to resurrection of the body.

hellenized犹太教推荐不死的灵魂，更丰富的构思，以复活的身体。

We tire of the flame of the meteor, before it can fade and flee;And the flame of the blue star of twilight, hung low on the rim of the sky,Has awakened in our hearts, my beloved, a sadness that may not die.

流星尚未陨逝，我们已厌倦了它的闪耀；天边低悬，晨光里那颗蓝星的幽光，唤醒了你我心中，一缕不死的忧伤。

Didn't they have huge, scary battles with undead creatures, or summonings, or things like that?

&他们没有有不死的生物，或 summonings 的极大又容易受惊的战争吗，或事物喜欢那&？

Indeed, Averroes openly admitted his inability to hold on philosophic grounds the doctrine of individual immortality, being content to maintain it as a religious tenet.

事实上， averroes公开承认，他无法再坚持的理由哲学学说个别不死的，作为内容，以维持它作为一种宗教的宗旨。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。