不死的

Can not arbitrarily say Sibu Si, which is a kind of their own irresponsible behavior.

不可以随意的说死不死的，这是一种对自己不负责任的表现。

Then Priam, descendant of Dardanus, spoke, saying,"Hear me, Trojans and Achaeans, I will now go back to the wind-beaten city of Ilius: I dare not with my own eyes witness this fight between my son and Menelaus, for Jove and the other immortals alone know which shall fall."

"听我说，特洛伊人和胫甲坚固的阿开亚人！我准备马上回家，回到多风的伊利昂——同阿瑞斯钟爱的墨奈劳斯拼斗。宙斯知道，毫无疑问，其他不死的神明也知道，他们中谁个不能生还，注定了要以死告终。"

Today,surrounded by promises of easy happiness, we need art to tell us, as religion once did, Memento mori(拉丁语,意为"死的象征"): remember that you will die, that everything ends, and that happiness comes not in denying this but in living with it.

今天，周围到处都是轻易就能得到快乐的许诺，我们需要艺术来告诉我们死的象征意义，好比宗教曾经告诉我们的那样：记住，你会死的，一切终有结束的时候，快乐不在于否认这一点，而在于要接受这一点。

By their capacity for the immortal deed, by their ability to leave nonperishable traces behind, men, their individual mortality notwithstanding, attain an immortality of their own and prove themselves to be of a 'divine'nature.

凭借在不死的行为方面以及远离身后不朽的行迹方面的才能，人们获得了自身的生命不死，证实了自身的'神'性，而他们个人生命有限的凡态则消退了。

Later they swoop down out of the sky on Egypt, for reasons the movie doesn't make crystal clear, so they also can run in slo-mo from explosions.

他们再次出现就是莫名其妙的从埃及的掉了出来，所以他们应该也是电影中那种打不死的小强，玩不死的超人角色。

Let's risk getting our Archymageno and footemeno get clicked to death by the Blademaster or attack an unkillable Demon Hunter and rape us with bear.

和步兵去被BM点点死或者被打不死的小强DH和熊强暴吧。

Full Band Festival, Macao Solo at Sugar Jar, Beijing Germany Night, Beijing Tie Guan Yin at UMWEG BER CHINA Festival, Berlin Qianhai Kwanyin, Beijing Waterland Kwanyin, Beijing More Less More project, Beijing Solo at Mini Midi 2007, Beijing Bu Yi Yang post Shanghai, Shanghai 2006 Bu Yi Yang Shangbu Nanshan,Shenzhen 12th Kolkata Film Festival, Kolkata Borderline International Film Art Exhibition, Beijing The Third China Independent Film Festival, Nanjing Moscow Biennale, Moscow The Voice Of The Other Shore, Beijing Midi Music Festival, Beijing Dashanzi International Art Festival, Beijing Art Beijing, Beijing Waterland Guanyin Series, Beijing Qianhai Guanyin Series, Beijing 2005 Holland Chinese Festival, Amsterdam Most Electronics, Xiamen Waterland Guanyin Series, Beijing Midi Music Festival, Beijing Dashanzi International Art Festival, Beijing Don't Break My Core, Shanghai 2004 Nuit Blanche Festival (With fm3 and Yan Jun) Paris 1000 Revolutions Per Second, Brussels Shanghai Biennale, Shanghai 2pi Music Festival, Hangzhou Dashanzi International Art Festival, Beijing OUT THE WINDOW (China, Japan, and South Korea multimedia art unites exhibition) Tokyo, Seoul, Beijing Discography: Support the umbrella to stand in dust that float float CD 2006 Kwanyin Records The Microwave DVD 2006 Kwanyin Records Tie Guanyin Duo-viva la vaches, wuquan + yan jun CD 2006 Kwanyin Records Tie Guanyin Duo-Live at 798Cubic Art Center, wuquan + yan jun CD 2006 Kwanyin Records View DVD 2005 Kwanyin Records http://www.myspace.com/wuquan http://www.neocha.com/wuquan ———————————————————————————— Xiao He Third son of Tian Qiaoyun and He Pingsuo.

主要艺术活动： 2007 参与不一定乐队乐巡演上海、芜湖、杭州、义乌、珠海、深圳、广州"不一定·愚公移山"北京"不一定·798"北京"武王文窦·澳门国际马拉松国际摇滚音乐节"澳门"白糖罐·声场"北京"德国之夜"北京"迂回中国"柏林"前海观音"北京"水陆观音"北京"马恩列斯毛"系列演出北京"第八届迷笛音乐节"北京"不一样·后上海"上海 2006 "不一样·上步南山"深圳"第12届加尔格达电影节"加尔格达"边界线国际影像艺术展"北京"第三届中国独立影像年展"北京"莫斯科双年展"莫斯科"彼岸之声"北京"第七届迷笛音乐节"北京"第三届大山子国际艺术节" 798艺术工厂北京"艺术北京2006"北京"水陆观音"北京"前海观音"北京 2005 策划/组织电影短片集《色！》"荷兰中国文化节，实验中国"阿姆斯特丹"最电子"厦门"水陆观音"北京"第六届迷笛音乐节"北京"第二届大山子国际艺术节" 798艺术工厂北京"don't break my core"上海"湿森林实验电子现场"长沙"workshop"大理 2003-2004 "Nuit Blanche"艺术节（与fm3、颜峻）巴黎"1000 revolutions per second"布鲁塞尔"第五届上海双年展"上海 2004 "第二层皮音乐节"杭州"第一届大山子国际艺术节"798艺术工厂北京《十夜谈》（与颜峻、fm3、王凡）北京"OUT THE WINDOW"（中、日、韩多媒体艺术联展）东京、汉城、北京 2003 《三国·四记》上海《水煮黄昏》（与fm3、颜峻）北京《不可能》（与颜峻、fm3）北京 2002 "丽江雪山音乐节"（与窦唯、fm3）丽江"点亮长城音乐节"北京发表作品：《打着伞在浮沉中站立》 CD 2006 观音唱片《微波》DVD 2006 观音唱片《铁观音二重奏-杀不死的牛》CD 2006 观音唱片《铁观音二重奏-立方艺术中心现场》CD 2006 观音唱片《观》DVD 2005 观音唱片

From the Warring States Period to the Qin Dynasty, the ancient myths and the ways of searching longevity indicated that the"God"concept was equal to the"immortal"which emphasized that the athanasy of the life is a"divine"nature, unlike ordinary people. In the Han Dynasty, the immortal concept undergone a subtle change, the god was becoming closer to the"human"existence. After the establishment of the Taoism, The Eastern Jin Taoist scholars Gehong established the immortal concept of Taoism,and put the"God"downgraded to longevity who practicing the longevous knowledge,and even established a"Dixian"concept. This completed the transformation process of"Shenren"to"Dixian"concept.

从战国至秦代神话的内容和古人探求长生不死的方式来看，最初&神&和&仙&的概念是一致的，强调的是神的先天不死性，体现为不同于凡人的&神人&概念，汉时的神仙思想发生了微妙变化，神仙逐渐变为接近于&人&的存在，道教创立后，东晋的道教学者葛洪把先天的&神&降格为懂得长生术的&人&，并提出了&地仙&概念，完成了&神人&向&地仙&概念的转变。

THE SLOW MURDER OF MICHAEL JACKSON:Fear And The Sexiness Of The UndeadMichael Jackson的慢性谋杀:对不死的恐惧和性by Polar Levine for popCULTmedia, February 16, 2004 John Ashcroft's thirst for capital punishment aside, America's thirst for death as catharsis and entertainment still hasn't gotten around to FOX's inserting live executions into its reality TV lineup.

先把John Ashcroft特坚决主张实行死刑的事儿放在一边，美国希望有人死，无论是出于净化世界还是纯粹为了娱乐，可这没能让FOX在现实电视广播节目中插播死刑现场。

Then Priam, descendant of Dardanus, spoke, saying,"Hear me, Trojans and Achaeans, I will now go back to the wind-beaten city of Ilius: I dare not with my own eyes witness this fight between my son and Menelaus, for Jove and the other immortals alone know which shall fall."

&听我说，特洛伊人和胫甲坚固的阿开亚人！我准备马上回家，回到多风的伊利昂——同阿瑞斯钟爱的墨奈劳斯拼斗。宙斯知道，毫无疑问，其他不死的神明也知道，他们中谁个不能生还，注定了要以死告终。&

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。