不有

Before the end of the world, whether we can Zheng Kaiyan So that we can move forward together is not afraid of the brave recovery If in the first, let me have you Look inside the world, we strongly enough In a transparent fish tank inside, to outbound travel to the Who is In low-temperature inside the love of love is not enough strong Who can love anyone, not to give up In the gentle bubbles inside, we still firmly enough Huamao miss that day, hidden inside a little bit Niunai Ping Free to smile lonely existence of the moment I am not going to have you in tears complained to melt all cold Gentle that you miss is my oath I have been sensible, as you disappear at the end of the world Do not want to think of you, you Taokong I will be good, you all remain in my heart first Deeply buried you, you moved That day will not miss the end of the century, the advent of whom have left Dangerous moment there do not want to give up I have you all are dim memories of sad tragedy Gentle that you miss is my oath Huamao miss that day, hidden inside a little bit Niunai Ping Free to smile lonely existence of the moment I am not going to have you in tears complained to melt all cold Gentle that you miss is my oath Gentle that you miss is my oath

在世界末日之前，我们是否能睁开眼让我们能在一起勇敢的不怕向前追如果能在一次，让我拥有你在世人眼光里面，我们是否够坚决在透明鱼缸里面，游来游去的会是谁在低温的爱里面爱情还是不够强烈谁能够爱著谁，不要说放弃在温柔泡泡里面，我们依然够坚决那天那年花猫想念牛奶瓶里面藏著一点点放手微笑寂寞存在那瞬间有你有我不再抱怨热泪融化一切冷漠温柔怀念是你是我的誓言我已经懂事，任你消失在世界的尽头不愿想起你，把你淘空我会好好的，你一切都留在我心里头深深埋葬你，让你感动那天那年不再想念世纪末来临还有留下谁放弃不想危险存在一瞬间有你有我都是悲剧悲伤冲淡一切回忆温柔怀念是你是我的誓言那天那年花猫想念牛奶瓶里面藏著一点点放手微笑寂寞存在那瞬间有你有我不再抱怨热泪融化一切冷漠温柔怀念是你是我的誓言温柔怀念是你是我的誓言？？？？？？

He had a big head, but memorized cloudy and thought imprecisely.

他有一双眼睛，但看的不很清楚；有两只耳朵，但听的不很分明；有鼻子和嘴，但他对于气味和口味都不很讲究；他的脑子也不小，但他的记性却不很精明，他的思想也不很细密。

We detected that EGF mRNA was expressed sflungly lii the oocyte, and is also found hi gmnulosa cells, the cell fium smaller foflicular expressed stronger than fium bigger one. In the corpus hemonbaglcwn corpus luteurn, lean type and pseudocorpus-luteum, EGF rnRNA was detected,, no distinct difference can be seen in them. The EGF mRNA expressed strongly in fimbria end, ampulla and isthmus of oviduct, in the big follicular stage, ovulation stage, pregnancy stage and spurius pregnancy stage, we can not see any distinct change in them, but hi the medium follicuar stage,it is weaker.

结果发现：猪卵母细胞中EGF的mRNA强烈表达，且小卵泡卵母细胞→中卵泡卵母细胞→大卵泡卵母细胞中，EGF的mRNA表达量有逐渐减少的趋势；猪卵泡的颗粒细胞中有EGF的mRNA表达，小卵泡颗粒细胞→中卵泡颗粒细胞→大卵泡颗粒细胞中，EGF的mRNA表达也有逐渐减少的趋势；猪卵巢中的红体、黄体、白体和假黄体中都有EGF的mRNA表达，看不出几部分的表达量有明显的强弱变化；猪输卵管伞部、壶腹部和峡部，都有EGF的mRNA表达，在大卵泡期，排卵期，孕期和假孕期都强烈表达，各期间看不出明显的强弱变化，中卵泡期表达较弱；猪子宫中EGF的mRNA在大卵泡期，排卵期，孕期和假孕期都强烈表达，看不出表达量的明显变化，而小卵泡期表达量明显减弱。

Over the years, when we discussed thixotropism, than indirect cause of thixoforming, the simplest method is: earthquake activity ink system is in the outside world rhythmic Sesmic into a gel, its rhythm vibrations can be gently tapping regular circumrotation or tilting agitation, and so on, that is, if you are not without effect could cause-and-ink, when the formation of condensation solids reach 1%-2%, and particle not òao radiofrequent symmetry form a gel is entirely the result of the particle moves towards the arrangement.

多年来，在我们辩论触变性时，不常遗漏了不直接的触变来因，最简单的辨别办法是：震凝性的火不朱编制是在边界有节拍的波动下变不败凝胶，其节拍波动可以是不沉不沉敲打，有法规的圆周活动或摆式搅动等，即若无边界功用不离不克不及造不败火不朱形不败固结，当那不流体含量到达1％－2％把握，而且粒子不呈不不差称性时，其形不败凝胶合座是粒子走向摆列的甘休。

This paper therefore examines the development of "the folklore Pai-Chang of Peking opera aria in Tainan city" through literature review depth-interview oral history and participant observation The concept frame is culture organism as the vertical axle and elements of a folklore activity as the transverse axle There are several significant findings about the general picture of this subject: During the late period of Japanese colonial era Tainan local people who played Peguan music learned Peking opera aria and tried to bring Peking opera aria into the folklore Pai-Chang which was one kind performance and traditional custom of Peguan music Some people who came from other places and played Peking opera aria had also known or learned "Pai-Chang" with touching Tainan local amateurs "Pai-Chang" used to be performed by amateurs for worship of god or goddess or for seasoning and wedding celebration without rewards Amateurs volunteered to perform "Pai-Chang" only for their duty temples and fraternity of Peking opera aria The majority of the audience is people who perform or like "Pai-Chang" or who live nearby There is a fixed pattern of the performance including the repertoire and the arrangement of the band The main meaning of this performace is to pray God's blessings therefore the procedure of "Ban-Hsian" is the most essential and ahead of Peking opera aria singing With time goes by the number of the amateurs has dropped; yet the demand for the worship ceremony remains; hence some of the amateurs have been trained to become professional performers Besides although the idea and the meaning of "Pai-Chang" remains the pattern of the performance has become simplified and rigid which is because of the performers' number decreasing and market adapting Nowadays the whole ecosystem of the folklore Pai-Chang of Peking opera aria in Tainan city keep changing which is mainly influenced by the transition of the society(such as the time and space of the industrial and commercial society being compressed and most people's pursuing of specialization and utilitarianism etc ) According to the findings in this paper the phenomenon can be regarded as the subject matter both of Peking opera and folklore studies For the studies of the Taiwanese culture however the subject not only enriches the subject matters of the Taiwanese culture(signifies the localization of Peking opera and a new pattern of Taiwanese folklore) but also reflects the characters of diversification integration adaptation and compromise of Taiwanese culture which used to be influenced by different regimes and the historical contexts Facing such a multicultural context this paper thus suggests researchers should show an open-minded attitude toward the complex of the Taiwanese culture studies and then important phenomenon would not be ignored or misunderstood

代表了什麼意义？对於上述疑惑，查既有研究成果，不消没有论述者，具体提即「京调排场」现象的可说没有，基於此，有必要对台南市及其周边之民俗性京调排场，不管是语汇来由或者其现象本身，做一番研究。本研究透过文献、访谈、口述史、参与观察等方法，以文化有机体之纵的发展概念为经，以民俗表演之横切面各主客要素为纬，试图先对此文化现象调查并推论出一概貌：台南市民俗性京调排场的形成，是在京调传入台南，台南本地北管子弟改习或兼习京调后，结合北管音乐文化所固有的排场表演型态及民俗演出传统，融合而成，形成时间至迟在日治晚期。而一些不同时期的外来京调人士(如原本生长於其他地区、后移住台湾的票友，和中国大陆琴师等等)，也曾透过与当地子弟的接触，而习得或知晓「排场」语汇以及本地京调排场习俗者。此项音乐民俗表演在过往多由业余子弟於神诞或民众婚俗做寿时，对其有义务或交陪的庙宇及子弟间做酬酢性的演出，不收报酬；聆赏者多是京调同好与邻近民众，也有少数路过者；演出模式包括节目安排、乐队编制皆有一定；表演意涵上以「扮仙」祈求神明赐福人间最为重要，因此排仙必不可少，且一定先於京调演唱。随著时间推移，京调排场表演活动的各要素都有变动，惟变迁速度不一，大体而言，业余表演者锐减，人们对酬神娱神节目的需求仍在，因此一些过往的业余表演者遂逐渐转型为职业表演者。此外，虽然表演意涵不变，但在职业表演人员少、又要适应市场的情况下，表演模式亦逐渐流於简化、僵化。目前京调排场整体生态仍在转变的过程中，而这种变化应与工商社会时间空间的被压缩、事事追求专业化与尼Q化等因素有关。再者，据此概貌，在结论部分厘清其意义、定位以及其对台湾文化研究之启示。台南市及其周边之民俗性京调排场现象，可视为京剧研究与民俗研究的一环，然而对於台湾文化研究，除了其题材本身标志了京剧的本土化与台湾民俗活动之新类型，进一步扩充整体台湾文化研究的内容外，更重要的是现象背后所反映的台湾文化的多元融合与妥协适应取向。台湾的海岛地理位置与长期被不同文化背景政权所殖民的历史，其文化自然容易随社会环境改变而弹性适应变迁，呈现多元纷呈、多重覆叠的特色，因此展望未来，从事台湾文化研究应秉除单一观点，保持一定程度之开放与客观胸襟，方不忽视或误识更多重要的文化现象。

I thought sometime alone was what we really needed you said this time would hurt more than it helps but I couldn't see that I thought it was the end of a beautiful story and so I left the one I loved at home to be alone and I tried to find out if this one thing is true that I'm nothing without you I know better now and I've had a change of heart I'd rather have bad times with you, than good times with someone else I'd rather be beside you in a storm, than safe and warm by myself I'd rather have hard times together, than to have it easy apart I'd rather have the one who holds my heart whoo-oo-oo-oo yeah And then I met someone and thought she could replace you we got a long just fine we wasted time because she was not you we had a lot of fun though we knew we were faking love was not impressed with our connection they were all lies, all lies so I'm here cause I found this one thing is true that I'm nothing without you I know better now and I've had a change of heart I'd rather have bad times with you, than good times with someone else I'd rather be beside you in a storm, than safe and warm by myself I'd rather have hard times together, than to have it easy apart I'd rather have the one who holds my heart who holds my heart I can't blame you if you turn away from me, like I've done you, I can only prove the things I say with time, please be mine, I'd rather have bad times with you, than good times with someone else I'd rather be beside you in a storm, than safe and warm by myself I'd rather have hard times to gether, than to have it easy apart I'd rather have the one who holds my heart I'd rather have bad times with you, than good times with someone else I'd rather be beside you in a storm, than safe and warm by myself I'd rather have hard times together, than to have it easy apart I'd rather have the one who holds my heart I'd rather have the one who holds my heart I'd rather have the one who holds my heart whoooo.....who holds my heart

开始单独我试图寻找如果这件事是真的我宁愿坏的时候与你一起，好的时候与别人一起我宁愿做你身边的一场风暴，比我自己更加安全和温暖我宁愿共度时艰，而不是把它就这么简单的结束我宁愿谁拥有我的心 whoo-oo-oo-oo yeah 然后我见到某人并认为她可以代替你我们还有相当长一段只是惩罚我们浪费时间，因为她不是你我们有很多的乐趣尽管我们知道我们是伪造爱情是不深刻的印象与我们联系他们都是谎言，所有的谎言所以我在这里事业，我发现这一件事是真的说什么我没有你我知道现在更好和我已经改变了主意我宁愿坏的时候与你一起，好的时候与别人一起我宁愿做你身边的一场风暴，比我自己更加安全和温暖我宁愿共度时艰，而不是把它简单清除我宁愿谁拥有我的心谁拥有我的心我可以不怪你，如果你又离开我，就像我做你，我只能证明我说的东西随着时间的推移，请地雷，我宁愿做你身边的风暴，比安全，温暖了我我宁愿有困难的时候，在一起在外不是很容易我宁愿谁拥有我的心我宁愿坏的时候与你一起，好的时光与别人一起我宁愿做你身边的风暴，比我自己更加安全和温暖我宁愿有共度难关，在外不是很容易我宁愿谁拥有我的心我宁愿谁拥有我的心我宁愿谁拥有我的心 whoooo。。。。。

Black dress with the tights underneath i've got the breath of a last cigarette on my teeth and shes an actress but she ain't got no need she's got money from her parents in a trust fund back east t-t-t-tongues always pressed to your cheeks, while my tongue is on the inside of some other girl's teeth tell your boyfriend if he says hes got beef that i'm a vegetarian and i ain't f**king scared of him she wants to touch me, whoa oh she wants to love me, whoa oh she'll never leave me, whoa oh whoa oh oh oh don't trust a ho never trust a ho won't trust a ho, cuz a ho won't trust me she wants to touch me, whoa oh she wants to love me, whoa oh she'll never leave me, whoa oh, whoa oh oh oh don't trust a ho never trust a ho won't trust a ho, cuz a ho won't trust me x's on the back of your hands wash them in the bathroom to drink like the bands and the set list you stole off the stage has red and purple lipstick all over the page b-b-b-bruises cover your arms shaking in the fingers with the bottle in your palm and the best is no one knows who you are just another girl, alone at the bar she wants to touch me, whoa oh she wants to love me, whoa oh she'll never leave me, whoa oh, whoa oh oh oh don't trust a ho never trust a ho won't trust a ho, cuz a ho won't trust me she wants to touch me, whoa oh she wants to love me, whoa oh she'll never leave me, whoa oh, whoa oh oh oh don't trust a ho never trust a ho won't trust a ho, cuz a ho won't trust me shush girl, shut your lips do the helen keller and talk with your hips i said shush girl, shut your lips do the helen keller and talk with your hips i said shush girl, shut your lips do the helen keller and talk with your hips she wants to touch me, whoa oh she wants to love me, whoa oh she'll never leave me, whoa oh, whoa oh oh oh don't trust a ho never trust a ho won't trust a ho, cuz a ho won't trust me

4楼黑色连衣裙下面我有我的牙齿上的烟一口气，畲族女演员，但她没有得到任何需要她有自己的父母要钱，在一个信托基金，返回东部当前位置：主页，舌头总是催促你的紧身衣脸颊，而我的舌头上的其他一些女孩的牙齿里面是告诉你的男朋友，他说，如果住户开支统计调查了牛肉，我是一个素食主义者，我不是f **国王害怕他，她想触摸我，哇哦，她要爱我，哇哦，她永远不会离开我，哇噢哇噢哦噢不信任的人合不信任的议员不要信任浩，cuz一浩也不会相信我，她要碰我，哇噢，她要爱我，哇哦，她永远不会离开我，哇哦，哇噢哦噢不信任的人合不信任的议员不要信任浩，cuz一浩将不信任我X在您的手心和手背的洗他们在浴室里喝，如乐队和设置列表你偷了所有在网页血脑屏障的阶段，红色和紫色唇膏，瘀伤支付您的武器与摇瓶你的手指手掌和最好的是没有人知道你是谁，只是一个女孩，在酒吧，她想触摸我，哇哦，她要爱我，哇哦，她永远不会离开我，哇哦，哇噢哦噢敦单'吨信任浩从来没有信任浩不会信任浩，cuz一议员不要信任我，她想触摸我，哇哦，她要爱我，哇哦，她永远不会离开我，哇哦，哇噢哦噢不信任的人合不信任的议员不要信任浩，cuz一浩也不会相信我舒什姑娘，你的嘴唇关闭海伦凯勒做你的臀部和我谈话说舒什女孩，关闭你的嘴唇做海伦凯勒你的臀部和我谈话说舒什女孩，关闭你的嘴唇做海伦凯勒和她谈谈你的臀部要碰我，哇哦，她要爱我，哇哦，她永远不会离开我，哇哦，哇噢哦噢不信任的人合不信任的议员不要信任浩，cuz一浩将不信任我&歌词真没品&

" "When I next realized that the Philippines had dropped into our laps I confess I did not know what to do with them… And one night late it came to me this way… 1 That we could not give them back to Spain- that would be cowardly and dishonorable; 2 that we could not turn them over to France and Germany-our commercial rivals in the Orient-that would be bad business and discreditable; 3 that we not leave them to themselves-they are unfit for self-government-and they would soon have anarchy and misrule over there worse than Spain's wars; and 4 that there was nothing left for us to do but to take them all, and to educate the Filipinos, and uplift and civilize and Christianize them, and by God's grace do the very best we could by them, as our fellow-men for whom Christ also died.

&-USPresident William McKinley &&&当我在明年实现表示，菲律宾已下降到我们的圈，但我得承认我不知道如何面对他们……和一晚，晚它来找我，这样…… 1 ）表示，我们不能给他们带回西班牙，即将怯懦和不光彩；二日）表示，我们不能将他们送交法国和德国-我们的商业对手在世界的东方-那麼这将是坏企业和失信；三日）表示，我们不会离开他们自己-他们是不适合自我-政府-他们会很快有无政府状态和暴政那里不如西班牙的战争，以及4 ）有一无所有，我们要做的事，但他们全都接，并以教育为菲律宾人，并隆起和文明化和christianize他们，都是神的恩典做最好的，我们可以通过他们，因为我们的同胞-男人为谁而基督也有一人死亡。

I have been in all my Circumstances a Memento to those who are touch'd with the general Plague of Mankind, whence, for ought I know, one half of their Miseries flow; I mean, that of not being satisfy'd with the Station wherein God and Nature has plac'd them; for not to look back upon my primitive Condition, and the excellent Advice of my Father, the Opposition to which, was, as I may call it, my ORIGINAL SIN; my subsequent Mistakes of the same kind had been the Means of my coming into this miserable Condition; for had that Providence, which so happily had seated me at the Brasils, as a Planter, bless'd me with confin'd Desires, and I could have been contented to have gone on gradually, I might have been by this Time; I mean, in the Time of my being in this Island, one of the most considerable Planters in the Brasils, nay, I am perswaded, that by the Improvements I had made, in that little Time I liv'd there, and the Encrease I should probably have made, if I had stay'd, I might have been worth an hundred thousand Moydors; and what Business had I to leave a settled Fortune, a well stock'd Plantation, improving and encreasing, to turn Supra-Cargo to Guinea, to fetch Negroes; when Patience and Time would have so encreas'd our Stock at Home, that we could have bought them at our own Door, from those whose Business it was to fetch them; and though it had cost us something more, yet the Difference of that Price was by no Means worth saving, at so great a Hazard.

一般人往往有一种通病，那就是不知足，老是不满于上帝和大自然对他们的安排。现在我认识到，他们的种种苦难，至少有一半是由于不知足这种毛病造成的。患有这种病的人大可以从我的一生经历中得到教训。就拿我自己来说吧，正是由于我不满自己原来的境况，又不听父亲的忠告--我认为，我有悖教训，实为我的&原罪&，再加上我后来又犯了同样的错误，才使自己落到今天这样悲惨的地步。当时，造物主已安排我在巴西做了种植园主。如果我自己不痴心妄想发财，而是满足于逐渐致富，这时候我也许已成了巴西数一数二的种植园主了，而现在我却白白地在这荒岛上流落了这么多年，过着悲惨孤寂的生活。而且，我在巴西经营时间不长；就是在这段短短的时间里，我也获利不少。因此我确信，要是我继续经营下去的话，到现在一定拥有十几万葡萄牙金币的家财了。当时，我的种植园已走上了轨道，并且日益兴旺。可是，我偏偏把这一切丢弃，甘愿去当一名船上的管货员，只是为了到几内亚去贩卖黑奴。现在想来，我为什么要这样做呢？要是我守住家业，只要有耐心，经过一段时间之后，同样可以积聚大笔财富，我不是也可以在自己的家门口，从那些黑奴贩子手里买到黑奴吗？虽说价钱贵一点，但这点差价绝不值得自己去冒这样大的风险！

How when we are in a Doubt or Hesitation, whether to go this Way, or that Way, a secret Hint shall direct us this Way, when we intended to go that Way; nay, when Sense, our own Inclination, and perhaps Business has call'd to go the other Way, yet a strange Impression upon the Mind, from we know not what Springs, and by we know not what Power, shall over-rule us to go this Way; and it shall afterwards appear, that had we gone that Way which we should have gone, and even to our Imagination ought to have gone, we should have been ruin'd and lost: Upon these, and many like Reflections, I afterwards made it a certain Rule with me, That whenever I found those secret Hints, or pressings of my Mind, to doing, or not doing any Thing that presented; or to going this Way, or that Way, I never fail'd to obey the secret Dictate; though I knew no other Reason for it, than that such a Pressure, or such a Hint hung upon my Mind: I could give many Examples of the Success of this Conduct in the Course of my Life; but more especially in the latter Part of my inhabiting this unhappy Island; besides many Occasions which it is very likely I might have taken Notice of, if I had seen with the same Eyes then, that I saw with now: But 'tis never too late to be wise; and I cannot but advise all considering Men, whose Lives are attended with such extraordinary Incidents as mine, or even though not so extraordinary, not to slight such secret Intimations of Providence, let them come from what invisible Intelligence they will, that' I shall not discuss, and perhaps cannot account for; but certainly they are a Proof of the Converse of Spirits, and the secret Communication between those embody'd, and those unembody'd; and such a Proof as can never be withstood: Of which I shall have Occasion to give some very remarkable Instances, in the Remainder of my solitary Residence in this dismal Place.

有时，我们会陷入无所适从的境地，踌躇不定不知道该走哪条路才好。这时候，内心常常会出现一种暗示，指示我们走这条路，虽然我们原来想走的是那条路。不仅如此，有时我们的感觉、愿望、或我们的任务明明要我们走那条路，可是心里忽然灵机一动，要我们走这条路；这种灵机也不知道是从哪里来的，也不知道出自什么影响，可就是压倒了原来的一切感觉和愿望，使我们走这条路。结果，后来的事实证明，如果我们当初走了我们自己想走的路，或者走了我们心目中认为应该走的路，我们则早已陷于万劫不复的境地。反复思索之后，我自己定下了一条规矩：每当自己心里出现这种神秘的暗示或冲动，指示我应做什么或不应做什么，我就坚决服从这种神秘的指示，尽管我不知道为什么该这么做或该这么走，我知道的只是心里的这种暗示或冲动。在我一生中，可以找出许许多多这样的例子，由于我遵循了这种暗示或冲动而获得了成功，尤其是我流落到这个倒霉的荒岛上以后的生活，更证明了这一点。此外还有许多例子。当时我若能用现在的眼光去看待，是一定会意识到的。但是，世上有许多道理，只要有一天能大彻大悟，就不算太晚。我奉劝那些三思而后行的人，如果在他们的生活里，也像我一样充满了种种出乎寻常的变故，或者即使没有什么出乎寻常的变故，都千万不要忽视这种上天的启示，不管这种启示是什么看不见的神明发出的。关于这一点，我不准备在这里讨论，也无法加以阐明。但这种启示至少可以证明，精神与精神之间是可以交往的，有形的事物和无形的事物之间是有神秘的沟通的。而且，这种证明是永远无法推翻的。关于这一点，我将用我后半生的孤寂生活中一些很重要的例子加以证明。

But we don't care about Battlegrounds.

但我们并不在乎沙场中的显露。

Ah! don't mention it, the butcher's shop is a horror.

啊！不用提了。提到肉，真是糟透了。