不是

No, such rules; I was in my 30's of age, a women in her 30 could be very young from now; my daughter is 30 years age now; remember a poet said to me in his good willing that love poems are quite beyond age of 50, however, poems composing is not my expertise, I write for I have to, nothing wrong with age of 50 either; now, its pretty far from my age of 50; but I still write, no body says one could not write when you re 50 years of age? We can still do that, of cause, something ought to be changed, you feel the time-changing, or agedness.

我那个时候30多岁，30岁现在看很年轻，我女儿现在有30多岁了，那个时候还有诗人跟我说，你到50岁的时候总不能写情诗了吧，他是好意，但是我觉得写诗不是我的专业，我觉得我是要写才写的，我也不知道50岁怎么了，我现在离50岁已经很远了，但是我还在写，谁说50岁不能写，照写，但是有些东西得改变，有一些沧桑。

Beneath him with new wonder now he views [ 205 ] To all delight of human sense expos'd In narrow room Natures whole wealth, yea more, A Heaven on Earth, for blissful Paradise Of God the Garden was, by him in the East Of Eden planted; Eden stretchd her Line [ 210 ] From Auran Eastward to the Royal Towrs Of Great Seleucia, built by Grecian Kings, Or where the Sons of Eden long before Dwelt in Telassar: in this pleasant soile His farr more pleasant Garden God ordaind; [ 215 ] Out of the fertil ground he caus'd to grow All Trees of noblest kind for sight, smell, taste; And all amid them stood the Tree of Life, High eminent, blooming Ambrosial Fruit Of vegetable Gold; and next to Life [ 220 ] Our Death the Tree of Knowledge grew fast by, Knowledge of Good bought dear by knowing ill.

那不是为了重获新生，而是企图弄死活的；也不思想那树给予生命的功能，只是利用它作了望的据点，而不知道善用它可以保证永生。应该怎样去正确评价当前的善，除了上帝以外，谁也不知道，却把最好的事曲解为最坏的，或者派作最卑鄙龌龊的用场。于是他怀着新的惊奇俯瞰人间一切的幸福，一块小小区域，全部丰富宝藏，展现出自然界的比天上地下一切的幸福还多。这是上帝在伊甸的东部所安置的极乐的园林。伊甸地区是从浩兰向东延伸，直到希腊诸王所建筑的大都城西流古的王塔，或古代伊甸子孙们所住的提拉撒一带。在这片快乐的土地上上帝营造起十分快乐的园林。

Not the simple 'anaglyph' ones I did and sold at the SD Con, but serious ones, made with great care and detail, and visible in two ways - one by crossing your eyes in the manner of those Magic Eye things which infested the Malls of America for a while a few years ago, but with single images instead of amazing and dopey shapes appearing out of unrelated pictures, and the other printed on cards and seen with viewers of the same sort as the old-time stereopican slides.

不是我做过的简单的浮雕在SD角卖的那种，而是一个严肃的，细心的充满细节的制作，而且可以有两种方法看——一个是交叉双眼视线的方法，就像是几年前风行美国商场的魔术眼一样。但是是简单的图像，而不是一副图像从另一幅不相干的浮现出来。

Not the **'anaglyph' ones I did and sold at the SD Con, but serious ones, made with great care and detail, and visible in two ways - one by crossing your eyes in the manner of those Magic Eye things which infested the Malls of America for a while a few years ago, but with single images instead of amazing and dopey shapes appearing out of unrelated pictures, and the other printed on cards and seen with viewers of the same sort as the old-time stereopican slides.

不是我做过的简单的浮雕在SD角卖的那种，而是一个严肃的，细心的充满细节的制作，而且可以有两种方法看——一个是交叉双眼视线的方法，就像是几年前风行美国商场的魔术眼一样。但是是简单的图像，而不是一副图像从另一幅不相干的浮现出来。另一个方法是印刷在卡片上就像老式立体幻灯卡片那种类型。

Not the simple 'anaglyph' ones I did and sold at the SD Con, but serious ones, made with great care and detail, and visible in two ways - one by crossing your eyes in the manner of those Magic Eye things which infested the Malls of America for a while a few years ago, but with single images instead of amazing and dopey shapes a pp earing out of unrelated pictures, and the other printed on cards and seen with viewers of the same sort as the old-time stereopican slides.

不是我做过的简单的浮雕在SD角卖的那种，而是一个严肃的，细心的充满细节的制作，而且可以有两种方法看——一个是交叉双眼视线的方法，就像是几年前风行美国商场的魔术眼一样。但是是简单的图像，而不是一副图像从另一幅不相干的浮现出来。另一个方法是印刷在卡片上就像老式立体幻灯卡片那种类型。

Notthe simple 'anaglyph' ones I did and sold at the SD Con, butserious ones, made with great care and detail, and visible in two ways- one by crossing your eyes in the manner of those Magic Eye thingswhich infested the Malls of America for a while a few years ago, butwith single images instead of amazing and dopey shapes appearing out ofunrelated pictures, and the other printed on cards and seen withviewers of the same sort as the old-time stereopican slides.

不是我做过的简单的浮雕在SD角卖的那种，而是一个严肃的，细心的充满细节的制作，而且可以有两种方法看——一个是交叉双眼视线的方法，就像是几年前风行美国商场的魔术眼一样。但是是简单的图像，而不是一副图像从另一幅不相干的浮现出来。另一个方法是印刷在卡片上就像老式立体幻灯卡片那种类型。

This theory - for it was not, and is not necessarily, anything more than a purely theoretical doctrine, and many professors of Antinomianism, as a matter of fact, led, and lead, lives quite as moral as those of their opponents - was not only a more or less natural outgrowth from the distinctively Protestant principle of justification by faith, but probably also the result of an erroneous view taken with regard to the relation between the Jewish and Christian dispensations and the Scriptures of the Old and New Testaments.

这一理论-这是不是，是不一定，什么都多于一个纯粹的理论学说，和许多教授a ntinomianism，作为一个问题，事实上，领导和带头作用，生活相当道德的那些他们的对手-是不是只有更多或更少的自然产物，从鲜明的新教原则的理由，信仰，但也可能造成一种错误的看法方面所采取的之间的关系，犹太教和基督教dispensations和圣经的新旧约。

It wasn't my lack of maturity or stability at all. It was my unsuitability to the job itself.

这根本不是我不成熟或不稳定的事情，这是由于，那不是适合我的工作。

In the latter case their government is weaker and more insecure, because it rests entirely on the goodwill of those citizens who are raised to the magistracy, and who, especially in troubled times, can destroy the government with great ease, either by intrigue or open defiance; and the prince has not the chance amid tumults to exercise absolute authority, because the citizens and subjects, accustomed to receive orders from magistrates, are not of a mind to obey him amid these confusions, and there will always be in doubtful times a scarcity of men whom he can trust.

在后一种场合，君主的地位是更加软弱无力和更加危险的，因为他们完全依靠那些被任命当官的人们的意志；而后者，特别是在危难时期，不是采取行动反对君主就是拒不服从君主，这就很容易篡权夺位。君主在危难中已经来不及行使绝对的权力了，因为市民和属民已经接受官吏的命令惯了，在这种危急之秋不会服从君主的命令，而且在动荡不安之日，君主往往缺乏自己能够信赖的人。这种君主不能够以太平时期所看到的情况作为根据。

Love is not breathlessness, it is not excitement, it is not the promulgation of promises of eternal passion.

这就是爱！爱不是不能呼吸，爱不是刺激，爱也不是永恒的激情承诺的宣布。

The split between the two groups can hardly be papered over.

这两个团体间的分歧难以掩饰。

This approach not only encourages a greater number of responses, but minimizes the likelihood of stale groupthink.

这种做法不仅鼓励了更多的反应，而且减少跟风的可能性。