不是

I thought it was not easy driving snow day, I said to the driver of the destination will be 10 plus his money, and he said:"You have to lend a helping hand are not easy days of heavy snow ……" car Finally set off, the driver's face is not how the gap, the natural state of mind we are not as depressing as the previous.

我认为这是不容易驾驶大雪天，我说给司机的目的地将在10 +3的钱，他说："你必须伸出援助之手是不容易天的大雪……"最后抵消汽车，司机的脸不是如何差距，自然的心态，我们不是令人沮丧的是以前的。

I had done a similar thing in, in Central Station where as we were on the road and when we saw the religious processions in that part of Brazil, we soon incorporated them into the film and it didn't exist in the original screenplay either and here the boy started to imitate, you know, as we went back and forth to the location and the animals were there, he started to imitate all of them and then suddenly we started to incorporate that as well, er, same thing with the fire-eater, when she started to show us what she could do, we, we immediately started to, you know, to organically incorporate those elements into the screenplay and that is really a fascinating part of our film, it's the collaborative aspect of it, you know, it's when you realise that without every single person's input, the film wouldn't be the same and this is what really makes cinema depart from most medium, is that you have to accept it's democratic quality, you know, essence in order for a film to really be alive and interesting to watch, I guess.

唔，有趣的是当卡戴尔看完电影就跑来对我说，你知道吗这是最忠于原著的改编版，可很多元素都不同，最后，我认为当你改编小说时，当你把文学转化成电影时，真正需要重视的是小说精髓之处，这比什么都要紧，并且创造出一种两者如对立沟通式的对白而不只是改编，ipsis literis，你知道这书，运用他作为深刻的灵感来源，他允许你探究，你知道，没有素材来源不可能投入进去，有次我看库布里克的访谈，其中说到他偏爱主人公容易塑造的小说而不是小说本身，如此他就能专注于故事构架和情节而不是依照原本，这我可以明白，但换个角度说，如果我自己没有被故事打动，如果是这样，故事无法让我产生共鸣那进行二次创作很困难，因为人物本身就显得很单薄无法定位和改编，但我真的能理解他的感受。

The Afghan should not to be held in shape The front is uniquely designed to traverse uneven terrain at unparalleled speed Accordingly the forequarter angulation is more pronounced than other sight hounds, the upper arm is well tucked under and the pasterns are long and sloping the feet are uousually large This is typical strair upright shoulders are not acceptable upright pasterns and small feet and pads should not be entertained

阿富汗人不应该在外形上被拿着前面独特地被设计以无比的速度因此横过不平顺的地带一侧的前半部，角度是比其他的视力更多的显着视力猎犬，上臂很好地被塞入在而且之下骨交是长和倾斜的脚是大大地 uousually ，这是典型的 strair ，直立的肩不是可接受的直立骨交和小的脚而且填补不应该被娱乐

"No, not it," answered Mrs. Medlock."Nor it isn't fields nor mountains, it's just miles and miles and miles of wild land that nothing grows on but heather and gorse and broom, and nothing lives on but wild ponies and sheep."

"不，不是。"莫得劳克太太回答，"也不是田野和山脉，那是无边无际无边无际的荒地，什么也不长，只有着石楠、荆豆和金雀花，什么也不生，只有野马驹和绵羊。"

Goodbye Alice in Wonderland Jewel It's four in the afternoon I'm on a flight leaving L.A. Trying to think about my life My youth scattered along the highway Hotel rooms and headlines I've made a living with a song Just a guitar as my companion Wanting desperately to belong Fame is filled with spoiled children They grow fat on fantasy I guess that's why I'm leaving I crave reality So goodbye Alice in Wonderland Goodbye yellow brick road There is a difference between dreaming and pretending I did not find paradise It was only a reflection of my lonely mind searching For what was missing in my life I'm embarassed to say the rest is a rock and roll cliche I hit the bottom when I reached the top I never knew it was you who was breaking my heart I thought you had to love me You did not Yes a heart can hallucinate If it's completely starved for love Can even make monsters seem like Angels from above You forged my love like a weapon And turned it against me like a knife You broke my last heartstring But you opened up my eyes So goodbye Alice in Wonderland Goodbye yellow brick road There is a difference between dreaming and pretending That was not love in your eyes It was only a reflection of my lonely mind wanting what was missing in my life And growing up is not the absence of dreaming It's being able to understand the difference between the ones you can hold And the ones that you've been sold Dreaming is a good thing cause it brings new things to life Pretending is an ending that perpetuates a lie Forgetting what you are Seeing for what you've been told Well, truth is stranger than fiction And this is my chance to get it right Life is much better without all of your pretty lies So Goodbye Alice in Wonderland You can keep your yellow brick road there is a difference between dreaming and pretending There's not tears in my eyes It was only a reflection of my lonely mind searching It was only a reflection of my lonely mind finding I find what's missing in my life

再见，梦游仙境的爱丽丝下午四点我在飞离洛杉矶的班机上试着去理顺生活我的青春散落在公路上就宿于各地旅馆，无数次登上头条我以一首歌成功立足吉他为伴我强烈渴望被接受和认可有名的人大多是被宠坏的孩子幻想使我们贪求无餍我猜想这就是我离开的原因我渴望活在现实里因此再见吧，梦游仙境的爱丽丝再见吧，黄砖路梦想和矫饰不同我没有找到天堂那不过是我孤独心灵的一种反映，我渴望找到生命中缺失的东西尽管尴尬，我不得不说一句摇滚乐界的陈词滥调当我的事业达到顶峰时，我的心情跌落到了谷底我从未想过，会是你让我心碎我以为你一定会爱我但你没有是的，如果心对爱饥渴它会产生幻觉，认假为真它甚至可以把妖魔认作下凡的天使你把我的爱练成一种武器然后把它像刀子一样捅向我你断了我最后一根心弦但你让我看清了现实因此再见吧，梦游仙境的爱丽丝再见吧，黄砖路梦想和矫饰不同你眼里的不是爱不过是我孤独心灵的一种反映，我努力寻找生命中缺失的东西成长不是梦想的消失而是一种能分辨你坚守的东西与导致你被骗的东西的能力并且梦想是个好东西因为它给生命带来新鲜事物但矫饰是一个终结它使谎言无限期地延续忘了你是谁只着眼于人们告诉你的那些东西真实比虚构更奇怪而这是我求取真实的机会没有那些漂亮的谎言，生活会变得更美好因此再见吧，梦游仙境的爱丽丝你可以留住你的黄砖路梦想和矫饰不同我眼里的不是泪水不过是我孤独心灵的一种反映，我意识到不过是我孤独心灵的一种反映，我意识到我已经找到了生命中缺失的东西

Unexpectedly, we suddenly entered for an anxious time: Old has thevalue idea has lost the potency, each kind of known boundary graduallyis vanishing, lofty with popular, the tradition with the modern age,is ugly beautifully with, constrains and bold, the trade and art, theyare not again the opposition concept...... We cannot identify againthrough the traditional way oneself with opposite party, we cannotsay, I am the proletariat, but he is the bourgeoisie; I am a farmer,but he is the worker...... In we already fell into the huge status tobe anxious.

不期然，我们突然进入了一个焦虑的时代：旧有的价值观念失去了效力，各种已知界限在逐渐消失，高雅的与通俗的，传统的与现代的，丑陋的与美丽的，压抑的与奔放的，商业的与艺术的，它们再也不是对立的概念……我们再也不能通过传统的方式辨认自己与对方，我们不能说，我是无产阶级，而他是资产阶级；我是农民，而他是工人……我们已经陷入巨大的身份焦虑之中。

The Tathagata does not constitute a Path through which the defilements, can be eliminated; he is neither permanent nor impermanent; he is not a phenomenon which can be cultivated, but abides permanently and immutably, hence he is said to be real.

如来不会构思一条穿越污染的道路，它能被消除；他不是无常也不是常，他不是一个可以修炼的现象，但是安住于永恒和不变，因此他说是真实的。

I don't know how the government arranges that, but, on my word of honor, sir, I am not Jacobin, sir, I am not a bousingot.[30] I don't wish them any evil, but if I were the ministers, on my most sacred word, things would be different.

我不知道政府是怎样安排这些事的，但是，我以我的人格担保，先生，我不是雅各宾派，先生，我不是布桑戈派，我不埋怨政府，但是如果我当了大臣，说句最神圣的话，情况就会不一样。

No definition of love which excludes law-keeping could be valid or biblical, just as no definition of sin is correct which does not include lawbreaking.

对爱的定义若不包括遵守律法，就不是有效的，不是出于圣经的，——这正如对罪的定义若不包括违背律法就不是正确的一样。

The following is a letter that recently appeared in the Oak City Gazette, a local newspaper.Membership in Oak City's Civic Club—a club whose primary objective is to discuss local issues—should continue to be restricted to people who live in Oak City. People who work in Oak City but who live elsewhere cannot truly understand the business and politics of the city.

前提是不成立的，因为决定right的最重要的不是是不是住在这个地方而是能不能提供对改地区有帮助的建议以及对该地区的热爱，很可能住在这个地方的人反而没有什么好的建议，而恰恰是在这边工作的人比较有思想，有更多的好点子。

The split between the two groups can hardly be papered over.

这两个团体间的分歧难以掩饰。

This approach not only encourages a greater number of responses, but minimizes the likelihood of stale groupthink.

这种做法不仅鼓励了更多的反应，而且减少跟风的可能性。