不接触的

For example: It can test the volume of a little of cotton filters; in the case of that just contact air and not breakage its physical construction, it can test the real cubage and proportion of a aerolite;anf in the case of that not change the container of some liquit in a abregulation container this equipment can test its volume; etc.

可测量一团棉纤维的净体积；在仅接触空气不破坏其物理结构的情况下能测量一块陨石的实际体积和比重；在不更换容器的情况下能测量一个不规则容器内的液体的体积；等等。

In order to improve interlayer pit mud fermentation, self-made pit mud fermenter was used and pit mud functional bacteria were supplied in each turn of fermentation. Such measures could evidently increase contact area between fermented grains and pit mud, enhance ethyl caproate content in fermented grains (enhanced by almost three times than before) with no adverse influence on liquor yield, and improve liquor quality. Its application could effectively settle the problems such as pit mud odor in liquor, difficult operation, recycle use and unsatisfactory effects etc.

采用自制夹泥发酵器和每轮补充窖泥功能菌的夹泥发酵法进行浓香型白酒生产，结果表明，该方法能明显增大糟醅接触窖泥的面积；提高糟醅中己酸乙酯等香味物质的含量，己酸乙酯的含量比对照糟醅增加了近3倍；不影响曲酒的出酒率；可明显提高曲酒的质量；有效地解决了窖泥易进入糟醅，使酒中出现明显的窖泥味、操作困难、难以循环使用、效果不明显等问题。

This dissertation was focused on the research about the formation and evolution of NQB from the Late Triassic to the early middle Epoch of Jurassic Period, including integrated analyzing the characteristic of the key stratigraphic surfaces, the time of the key stratigraphy, regional rock straigraphy, biostratigraphy and chronostratigraphy, sedimentary system and depositional facies. On basis of these analysis, a tectonic evolution model have been established for NQB during from the Late Triassic to the early middle Epoch of Jurassic Period.1. After the systematic surface analysis about main stratigraphy units, we found that:(1) the bottom of Xiaochaka formation was comformity with the middle Triassic in the basin, and in the north margin it was deposited and overlapped on the different period stratigraphy before Triassic.(2) The top surface of Xiaochaka formation developed regionally karst and paleo-karst breccia, and was uncomformity with Nadigangri Formation, these things suggest that NQB in Xiaochaka depositing stage was developed from middle Triassic basin, and then an extensive regression occurred, the deposition was over and erosion come into being.(3) The lithologic assemblage, geochemistry, mixed fossils, and stratigraphy overlapping characteristic of Quemocuo Formation in early middle Jurassic indicted that the uncomformity surface was an extension-unconformity.2. Integrated analysis about stratigraphy division and correlation indicted that:(1) the paleontologic assemblage of Xiaochaka formation show its time was Carian -Norian stage of late Triassic. According to it was overlapped by late Triassic Nadigangri Formation, so Xiaochaka formation should be Carian - early Norian stage.(2) the SHRIMP Zircon U-Pb age of Nadigangri formation volcanic rocks wear vary form 216 to 205 Ma, so its time should be Norian, but maybe extended into Rhaetian Stage.(3) The age of its bottom volcanic rocks, the fossil assemblages of its middle and upper members and overlapped by lower Jurassic, indicted the age of Riganpeicuo Formation was Norian - Rhaetian stage. And the same time, the volcanic rocks geochemistry of Nadigangri and Riganpeicuo formation both reflected that they wear formed in rift tectonic settings. The lower lithologic and surface characteristic, fossil assemblages and its upper maybe was conformity with lower Jurassic, all reflected that the age of Tumengela Formation in Tumen area should be Norian - Rhaetian stage.

论文对晚三叠世—中侏罗世早期盆地的形成与演化开展了研究，包括关键地层界面特征分析、关键地层时代归属分析、区域岩石地层、生物地层和年代地层的综合对比分析、区域沉积体系与沉积相分析、岩相古地理分析，最终建立晚三叠世—中侏罗世早期羌塘盆沉积—构造动力演化模式。1、系统的对各地层单元的界面分析发现：(1)肖茶卡组底界在盆地内部与中三叠统整合关系，在盆地北缘为沉积超覆于不同时代的前三叠系之上：(2)肖茶卡组顶界面发育古岩溶角砾岩，与上覆那底岗日组为岩溶不整合接触，说明肖茶卡组沉积时期的羌塘盆地是在早中三叠世的盆地基础发展起来的，后期出现了广泛的海退事件，使盆地结束沉积并遭受风化剥蚀作用；(3)中侏罗统雀莫错组的岩性组合特征、岩石化学特征、古生物化石混积和地层的沉积超覆现象均表现出裂陷环境下形成的伸展不整合面的特征。2、综合地层划分与对比分析认为：(1)肖茶卡组古生物化石组合反映其时代为晚三叠世卡尼期—若利期，根据其上被上三叠统那底岗日组不整合覆盖，将其时代厘定为卡尼期—若利期早期；(2)那底岗日组火山岩SHRIMP锆石U-Pb年龄在216～205 Ma之间，其时代主要为若利期，可能包含有瑞替期：(3)日干配错组底部火山岩的年龄、中上部化石组合及其被下侏罗统整合覆盖，综合反映的时代为晚三叠世若利期—瑞替期，而且那底岗日组火山岩和日干配错组火山岩的地球化学成分分析反映两者均为引张构造背景下的产物；土门地区的土门各拉组的下部岩性及界面特征、化石组合和上部可能被下侏罗统整合覆盖，综合反映其时代为若利期—若利期。

This paper therefore examines the development of "the folklore Pai-Chang of Peking opera aria in Tainan city" through literature review depth-interview oral history and participant observation The concept frame is culture organism as the vertical axle and elements of a folklore activity as the transverse axle There are several significant findings about the general picture of this subject: During the late period of Japanese colonial era Tainan local people who played Peguan music learned Peking opera aria and tried to bring Peking opera aria into the folklore Pai-Chang which was one kind performance and traditional custom of Peguan music Some people who came from other places and played Peking opera aria had also known or learned "Pai-Chang" with touching Tainan local amateurs "Pai-Chang" used to be performed by amateurs for worship of god or goddess or for seasoning and wedding celebration without rewards Amateurs volunteered to perform "Pai-Chang" only for their duty temples and fraternity of Peking opera aria The majority of the audience is people who perform or like "Pai-Chang" or who live nearby There is a fixed pattern of the performance including the repertoire and the arrangement of the band The main meaning of this performace is to pray God's blessings therefore the procedure of "Ban-Hsian" is the most essential and ahead of Peking opera aria singing With time goes by the number of the amateurs has dropped; yet the demand for the worship ceremony remains; hence some of the amateurs have been trained to become professional performers Besides although the idea and the meaning of "Pai-Chang" remains the pattern of the performance has become simplified and rigid which is because of the performers' number decreasing and market adapting Nowadays the whole ecosystem of the folklore Pai-Chang of Peking opera aria in Tainan city keep changing which is mainly influenced by the transition of the society(such as the time and space of the industrial and commercial society being compressed and most people's pursuing of specialization and utilitarianism etc ) According to the findings in this paper the phenomenon can be regarded as the subject matter both of Peking opera and folklore studies For the studies of the Taiwanese culture however the subject not only enriches the subject matters of the Taiwanese culture(signifies the localization of Peking opera and a new pattern of Taiwanese folklore) but also reflects the characters of diversification integration adaptation and compromise of Taiwanese culture which used to be influenced by different regimes and the historical contexts Facing such a multicultural context this paper thus suggests researchers should show an open-minded attitude toward the complex of the Taiwanese culture studies and then important phenomenon would not be ignored or misunderstood

代表了什麼意义？对於上述疑惑，查既有研究成果，不消没有论述者，具体提即「京调排场」现象的可说没有，基於此，有必要对台南市及其周边之民俗性京调排场，不管是语汇来由或者其现象本身，做一番研究。本研究透过文献、访谈、口述史、参与观察等方法，以文化有机体之纵的发展概念为经，以民俗表演之横切面各主客要素为纬，试图先对此文化现象调查并推论出一概貌：台南市民俗性京调排场的形成，是在京调传入台南，台南本地北管子弟改习或兼习京调后，结合北管音乐文化所固有的排场表演型态及民俗演出传统，融合而成，形成时间至迟在日治晚期。而一些不同时期的外来京调人士(如原本生长於其他地区、后移住台湾的票友，和中国大陆琴师等等)，也曾透过与当地子弟的接触，而习得或知晓「排场」语汇以及本地京调排场习俗者。此项音乐民俗表演在过往多由业余子弟於神诞或民众婚俗做寿时，对其有义务或交陪的庙宇及子弟间做酬酢性的演出，不收报酬；聆赏者多是京调同好与邻近民众，也有少数路过者；演出模式包括节目安排、乐队编制皆有一定；表演意涵上以「扮仙」祈求神明赐福人间最为重要，因此排仙必不可少，且一定先於京调演唱。随著时间推移，京调排场表演活动的各要素都有变动，惟变迁速度不一，大体而言，业余表演者锐减，人们对酬神娱神节目的需求仍在，因此一些过往的业余表演者遂逐渐转型为职业表演者。此外，虽然表演意涵不变，但在职业表演人员少、又要适应市场的情况下，表演模式亦逐渐流於简化、僵化。目前京调排场整体生态仍在转变的过程中，而这种变化应与工商社会时间空间的被压缩、事事追求专业化与尼Q化等因素有关。再者，据此概貌，在结论部分厘清其意义、定位以及其对台湾文化研究之启示。台南市及其周边之民俗性京调排场现象，可视为京剧研究与民俗研究的一环，然而对於台湾文化研究，除了其题材本身标志了京剧的本土化与台湾民俗活动之新类型，进一步扩充整体台湾文化研究的内容外，更重要的是现象背后所反映的台湾文化的多元融合与妥协适应取向。台湾的海岛地理位置与长期被不同文化背景政权所殖民的历史，其文化自然容易随社会环境改变而弹性适应变迁，呈现多元纷呈、多重覆叠的特色，因此展望未来，从事台湾文化研究应秉除单一观点，保持一定程度之开放与客观胸襟，方不忽视或误识更多重要的文化现象。

Friction on the die/sample interface, as well as imhomoginiety of temperature distribution in the samples is studied to account for the deformation imhomogeniety, and the two factors lead to the barrelling and fold-over of the samples during compression.

其直接原因是样品和压头间的接触摩擦条件随温度升高和Z值的降低而恶化，并导致样品出现腰鼓和侧翻等不均匀变化现象。合金压缩时的温度分布不均也是导致出现不均匀变形的原因之一。

So let it be known, the only reason that we do this Is so you can pick it up and just bang your head to it While emcees fight to see who can be the commonest Be floatin overhead like a space odyssey monolith Over seeing the game, over being part of the same ol' thing It's all gonna change in a hurricane of darkness and pain And acidic rain and promises that you won't do it again Meanwhile I just grip my mic And hope me and my team make it through alright Because say what you will, and say what you might But don't ignore who it's for at the end of the night Pulling me close, the shadow is warm inside This is where I feel at home, this is my place to hide Pulling me close, the shadow is warm inside This is where I feel at home, this is my place to hide This is dedicated to the kids Dedicated to wherever music lives Dedicated to those tired of the same ol' same And dedicated to the people advancin' the game What's real, everybody who doesn't feel safe What's real, everybody who knows they're out of place What's real, anybody with nowhere to run Who hides in the shadows waiting for the sun

专用 我有一个梦想的一个场景之间的绿色山丘云拉开了距离，并在阳光下的发现人们不谈论把它真正的它的理解是，他们实际上将和陶醉和刺激emcees 凝视中的树木，偏执，已经消失在微风中观察他们逃离，嘻哈安打散步与我和你会看到是一个土地上的沙子是由粉碎了蜡和天空以后你是蓝色krylon 大家都在讲方言韵和emcees已经离开唯物论背后同时我刚才握我的麦克风并希望我和我的团队使它通过好吗说什么，因为你会，说什么你可能但是，不要忽视谁是为年底的夜晚由于这是专门为孩子们致力于音乐生活的地方献给那些厌倦了相同的醇'同一和专门人民advancin '游戏什么是真正的孩子谁知道有错什么是真正的是谁的孩子认为他们不属于什么是真正的是谁的孩子无处可运行谁是隐藏在黑暗中等待阳光我已经看到了很多屎，我接触过的一个屁股在日落大道上，他问我，你将如何感觉如果大家都像你行事不存在您会失去您的抓地力，最终可能翻转。

It substantiates soul with the most various idea; It contacts the external thing through the largest distance; It can move and feel tired in succession , enjoy feeling tired of to a one's own one prolonged too.

它用最多样的观念来充实心灵；它隔着最大的距离来接触外界的东西；它也能经久地连续运动而不感到疲劳，对本身的享受不感到厌倦。

Food and Drug Administration "is not saying that it's unsafe to use a baby bottle with BPA" Josh Sharfstein FDA principal deputy commissioner explained in a conference call with reporters.

美国食品和药物管理局&不以为含BPA的奶瓶不安全，&FDA的第一副局长Josh Sharfstein在电话会议上回答记者说，但是&我们建议用正确的方法给婴儿喂食，把接触到的BPA降到最低。&

But as before Psyche could not retain her curiosity, also she wanted to take a tiny touch of the beauty, she opened the box, but out crept not beauty but truly Stygian sleep, and she falling to the ground, she lay like a corpse .

可悲的是赛琪又没能控制住自己的好奇心，她也想稍微接触下&美丽&，于是她打开了盒子。没想到盒子中飞出来的不是&美丽&，而是阴暗的睡眠，于是她倒在地上，仿佛尸体一般一动也不能动了。

Introduced the analysis and processing of a transformer with three-phase winding of DC resistance imbalanced defect,through further analysis of the after processed DC resistance,believed the transformer still existing the polarity selector"-" side contact deficiency,further on finding out the method of comparing corresponding DC resistance difference rate at each tap has the advantage to detect the polarity selector defect more accurately more sensitively and more directly.

对一台变压器出现三相绕组直流电阻不平衡缺陷的分析和处理情况做了介绍；通过对处理后直流电阻的进一步分析认为，该变压器还存在极性选择开关&－&向侧仍有接触不良方面的缺陷，遂进一步提出，如采用比较各对应分接位置下直流电阻差率的方法能够有更准确、灵敏、直接地发现极性选择器方面缺陷的优点；还提出了测试变压器绕组直流电阻时的几点注意事项。

She gently rebuff ed him, but agreed that they could be friends

她婉言拒绝了，但同意作为朋友相处。

If in the penal farm, you were sure to be criticized.

要是在劳改农场，你等着挨绳子吧！