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I love how Physical Phil, went outside for Pizza Girl, but of course for only like 10 seconds, but I thought it was really cute about how after she ran in and went to him, but the only reason she was there was because Owen Rowen ordered the pizza, I think he thought if maybe he could save Physical Phil's relationship that maybe he could try to save his.

但是我估计这件事不会这么简单,Janet还会有不少苦头吃才能和Eddie修成正果。对环境恐惧了五年的Phil在众人的鼓励下,终于迈出了走出家门的第一步。虽然他10秒之内便退了回去,但至少他有了第一次的勇气--正所谓万事开头难。在"匹萨女孩"的帮助下,为了爱情,他终有一天会冲破自己给自己设下的"牢笼"。其实Phil在很大程度上折射了大多数美国人目前的心理--渴望和世界上其他民族的人交流,但是又惧怕、仇恨、诋毁其他民族的人;渴望关起门来信奉"美国超越世界"的教条,惧怕有朝一日"世界超过美国"。

In the following chapters, the author anatomizes the hidden papers\' function as the reflection of the three protagonists\' unconscious, analyzes specifically the metaphysical detective features in the novella by revealing the hero\'s quest for the past to detect a literary mystery, and demonstrates the nonsolution of the detection and the frustration of both the detective and the reader.

其后作者剖析了被藏匿的文稿所折射出的三个主要人物的无意识,具体分析了主人公试图通过寻觅过去来侦破一个文学谜案,并揭示了案件最终的无结局所带给侦探及读者的挫败感。《阿斯彭文稿》篇幅不长,故(来源:d7e5A7eBC论文网www.abclunwen.com)事简单,却是玄学侦探小说中的瑰宝。

The lens axicon is based on the use of the spherical aberration of the mirror surfaces,which is inexpensive and easy to manufacture into a element with large apertures as compared with diffractive axicons,refractive cone axicons,and earlier lens axicons with aspheric surfaces;the opaque disk can offer the Bessel beams with long non-diffracting distances,and the diameter of the central peak is adjusted by choosing the focal length of the collimating lens;the tunable fluidic conical lens is a new device for generating Bessel beams,which can obtain the Bessel beams with different parameters by varying the refractive indexes of the solution which is filled in the device.

双透镜轴棱锥法主要基于透镜球面像差的运用,与衍射轴棱锥、折射轴棱锥和早期的非球面轴棱锥相比,具有加工简单、便宜,易于制作大尺寸的特点;不透明障碍物法得到的贝塞尔光束具有很长的无衍射距离,其直径可通过选择不同焦距的准直透镜来得到调节;可调流体轴棱锥是一种产生贝塞尔光束的新型器件,它可以很容易地通过改变注入器件的液体的折射率来得到不同参量的贝塞尔光束。

In chapter 3, characteristic paraments, focusing structure were discussed, the processing of double cell for phase conjugation was analyzed. Designing criteria of double cell phase conjugation mirror was given out. All phase aberrations could be compensated by using phase conjugation theoretically, but compensation is only effective to phase aberration of uniform polarizing state, it is not effective to aberration by thermally induced depolarization an diffractive effecting by aperture.

在第三章,我们讨论了SBS介质的特性参数,相位共轭镜的聚焦结构,分析了双池相位共轭镜的相互作用过程,给出了相位共轭镜的设计原则;从理论上讲相位共轭技术可以完全补偿热畸变以及因各种光学不均匀性造成的光束畸变,但是相位共轭技术只对偏振态均匀的相位畸变造成的光束畸变起补偿作用,而对由于热致双折射效应造成的退偏以及光束通过硬边光阑时的衍射效应造成的光束畸变无能为力。

The thesis probes into Schoenberg' thinkings about music history, music nationalism, music education, music criticism, and music creation, respectively. There are some important viewpoints in Schoenberg's music thought: Firstly, Schoenberg's ideas of music history, he believes relationship of tradition and revolution in art is dialectical in nature, and argues that evolution in music was determined by natural law, obviously influenced by Hegel's philosophical history idea. Secondly, the thesis sums up his viewpoints of music nationalism, such as "lay stress on art music, look down on folk music","lay stress on western European music, look down on non- western European music" by Schoenberg's account about the reasons of the formation of national art, the dominant of national art and nationality in music; in fact, this viewpoint of western cultural centricity is one of his i mportant viewpoints throughout his life; Thirdly, Schoenberg's concept of music education: in his thought a composing teacher should teach the students how to master "the tool of art", train them for their ability of "one major and various kinds of techniques", try his best to nourish the student's personality; Fourthly, Schoenberg set forth some opinions about modern music critics and the method of music criticism: a music critic must be equipped with the quality of a music expert, and render composer's idea to the public by his art imagination, but not his personal opinion,and Schoenberg stress the areas of music criticism on style and idea ; Lastly, Schoenberg's concept of music creation: Expressionism and organism are two important issues in Schoenberg's thinking about music creation.

本文通过对勋伯格各类论文、书信、演讲、专著等文稿的评述,分别探讨了作为音乐思想家的勋柏格的音乐历史观、民族主义音乐观、音乐教育观、音乐批评观与音乐刨作观,并在此基础上总结了折射在勋柏格音乐思想中的几个重要观点:一,勋柏格对于音乐历史的认识:通过德奥音乐界前辈给予他的创作启示,以及勋伯格对自己几个创作阶段的发展历程的总结,阐述了他对于艺术中的传统与革新之间的关系的辩证认识,并通过这些问题总结出音乐的演进与黑格尔倡导的&历史发展必然性&哲学观念之间存在着必然联系;二,勋柏格的民族主义音乐观:通过勋柏格对于形成民族艺术特征的根本原因、民族艺术中的支配现象、民间音乐与艺术音乐之间的比较、音乐刨作中的&民族性&问题的意识等方面问题的剖析与认识,总结了他的&重艺术音乐,轻民间音乐&、&重西欧音乐,轻非西欧音乐&的观点,从而突出了他的精神领域中的根深蒂固的&德奥音乐中心论&,这是一个浸润着浓厚的西欧文化中心论色彩的观点,也是贯串他毕生的音乐思想的重要观点之一;三,勋柏格对音乐教育问题的见解:勋柏格认为作曲教师应该教会学生掌握&艺术的工具&、在教学中努力做到&一专多能&、注重个性培养;四,勋柏格对当代音乐批评家与音乐批评方法提出的要求:音乐批评家必须具备作为一名音乐家的专业修养,要以真实、客观的态度对待音乐批评这门神圣的职业,充分运用内心的艺术联想向公众再现作曲家的意图,而不是将个人见解强加于受众;同时,批评家需要对艺术的过去与未来拥有全面的了解与较准确的预测,在音乐批评的具体范畴中,应将重心角度置于探讨音乐作品的风格与思想之间的关系方面。

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