不张

If a player attempted to play Rip Dere 'Eads Off (CS 75), on a development that was a Hero while there was already a Hero in that zone, then the effect would be cancelled.

如果一个玩家使用Rip Dere 'Eads Off将一张作为发展放置的英雄卡翻面，而区域已经有了一个英雄，那这个卡牌效果将不起作用。

The desk isn't light enough for me to move.

这张课桌很重，我移不动它。

Most walls are not normally subject to direct tensile stress and the designer and detailer to avoid such stressing but external walls at the top of a high-rise structure are liable to flexural tensile action due to lateral wind forces.

大多数的墙壁不通常服从的指示张应力和设计者而且细说避免如此的强调，但是由于侧面的风军队，外部的墙壁对弯曲的可拉长的行动在有多层结构的顶端是有义务的。

And had proven the essence of submit function on geo-technical material is under certain stress condition between the second deviator stress tensor invariant and the own attribute functional relation of materials.

证明了岩土类介质屈服函数的实质是在一定应力状态下偏应力张量第二不变量与材料自身属性之间的函数关系。

Behind every successful man is a devotedly followed busy schedule rather than a woman.

每个成功男人的背后是张兢兢业业的繁忙的日程表，而不是一个女人。

Behind every successful man is a devotedly followed hectic schedule rather than a woman.

每一个成功的男人的背后是张兢兢业业的繁忙的日程表，而不是一个女人。

A machine spits out a ticket and your diarist, who is not as young as he was, sprints for it.

一个机器突出一张票然后我们的记者，他已经不那么年轻了，跑向火车。

That's not to say the best approach is a cold Dickensian bed.

这个例子不是说一张狄更斯笔下冷冰冰简陋的床就是最好的办法。

I know you were in the photo, but I can't differ which one is you.

我知道这张照片里有你，可是我认不出是哪一个。

This is a major difference between Boolean sum operator and Tensor product operator.

这是实际设计部门乐意接受的，也是张量积方法所不具备的。1

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。