不张

Results: 850 irrational prescriptions were identified (3.89%), mainly manifested in nonstandardized handwriting, discrepancies between pharmaceutical indication and diagnosis, repeated medication, no indication for the use of antimicrobial drugs, improper dosage, increased toxicity and pharmacological antagonism.

结果：不合理处方850张（占3.89%），主要表现在书写不规范、药品适应症与诊断不符、重复用药、无指征使用抗菌药物、用法用量不当、毒性增加、药理拮抗等方面。

Yet, unlike Limbo, Ponto , which was in many ways teetered under its own reckless abandon as if Thorpe and company weren't sure which directions they songs were heading – though that may have very well been the point-- their new album is more cohesive and fluid.

不过，不像 Limbo， Ponto 那张由于鲁莽放弃导致从很多方面讲都很脆弱的专辑，那时Thorpe和公司就好像都还不太清楚他们的歌应该是什么方向的——尽管那很可能那就是他们想说的——这次他们在新专辑中更有凝聚力、更流畅。

Unstable Shapeshifter never had a chance for a color to be chosen for it, because it didn't come into play as a Voice of All card, so the protection ability doesn't protect it from anything at all.

因为不稳定变形兽并不是当成万物使者这张牌来进场，因此没有机会选择颜色，所以不稳定变形兽的保护异能等于没有效果。

No, I'm not really talking about this. I'm talking about a shirtless ginge and a shirtless hairy daddy, in one picture.

不，我不是真的在谈论这个话题，我说的是一个脱掉的金龟婿和一个脱掉的性感老爹，在同一张图片里。

One would approach at first warily through the shrub oaks, running over the snow-crust by fits and starts like a leaf blown by the wind, now a few paces this way, with wonderful speed and waste of energy, making inconceivable haste with his "trotters," as if it were for a wager,and now as many paces that way, but never getting on more than half a rod at a time; and then suddenly pausing with a ludicrous expression and a gratuitous somerset, as if all the eyes in the universe were eyed on him —— for all the motions of a squirrel, even in the most solitary recesses of the forest, imply spectators as much as those of a dancing girl —— wasting more time in delay and circumspection than would have sufficed to walk the whole distance—— I never saw one walk —— and then suddenly, before you could say Jack Robinson, he would be in the top of a young pitch pine, winding up his clock and chiding all imaginary spectators, soliloquizing and talking to all the universe at the same time —— for no reason that I could ever detect, or he himself was aware of, I suspect.

有一只赤松鼠开始谨慎地穿过矮橡树丛，跑跑停停地在雪地奔驰，像一张叶子给风的溜溜地吹了过来；一忽儿它向这个方向跑了几步，速度惊人，精力也消耗得过了份，它用&跑步&的姿态急跑，快得不可想象，似乎它是来作孤注一掷的，一忽儿它向那个方向也跑那么几步，但每一次总不超出半杆之遥；于是突然间做了一个滑稽的表情停了步，无缘无故地翻一个觔斗，仿佛全宇宙的眼睛都在看着它，——因为一只松鼠的行动，即使在森林最深最寂寞的地方，也好像舞女一样，似乎总是有观众在场的，——它在拖宕，兜圈子中，浪费了更多的时间，如果直线进行，早毕全程，——我却从没有看见过一只松鼠能泰然步行过，——然后，突然，刹那之间，它已经在一个小苍松的顶上，开足了它的发条，责骂一切假想中的观众，又像是在独白，同时又像是在向全宇宙说话，一我丝毫猜不出这是什么理由，我想，它自己也未必说得出理由来。

Peng Zhao singing with medium bass outstanding, the tamber is more soft and mellow at present, have one special features more mature spontaneousness of the sing on stage of space, He sings to feel attracted place to be thick but not flighty, the enthusiasm make open but not grandiloquent, the singing is always so natural flowing freely, an each songs can give the person the mood which constructs a kind of gentle, appreciate by this kind of mood his to sing in the meantime, or pleased or sad, or grief or joy, voice of usage so freely , use him that the magnetism wonderful voice, go to the in the mind with hid sing,this is Pang's fascination place at present.

曾几何时，赵鹏以其首张个人发烧大碟&男声低音炮&而一炮打响，一炮走红，在 Hifi 乐坛引发巨大轰动，发烧友&粉丝&不计其数。以中低音出色的他，现今音色更为松弛、圆润，独具一格的演唱特色更为成熟自然，他的歌唱动情处沉实而不虚浮，激情处张扬而不造作，歌声总是那么自然流畅，每一首歌都能给人营造出一种平和的心境，同时以这种心境去欣赏他的歌唱，或喜或悲，或哀或乐，声音的运用都那么自如，用他那磁性般美妙的声音，把歌一句句地唱到你的心里去，大概这就是赵鹏现今的魅力了。

This paper presents a nonlinear analysis of the stresses in jointed rocks around a subterranean structure by the initial stress method. In this analysis, rocks with a parallel set of joints of a given predetermined orientation are idealized as a stratified. material with no shear between the strata j and rocks with a random set of joints are idealized as a tensionless material.

本文将具有一组定向节理的岩体理想化为层面不抗剪材料，将具有随机分布节理的岩体理想化为不抗张材料，采用初应力法，对节理岩体内地下工程围岩应力做有限元非线性分析，编制了通用程序，并根据某水封石洞油库的实际参数作了算例。

It is not a mouth thirsting nor an empty hand stretched forth

它不是一张干渴的唇，也不是一只伸出来的空手。

He made these things all right, and then my timepiece performed unexceptionably, save that now and then, after working along quietly for nearly eight hours, everything inside would let go all of a sudden and begin to buzz like a bee, and the hands would straightway begin to spin round and round so fast that their individuality was lost completely, and they simply seemed a delicate spider's web over the face of the watch.

他把所有的这些事情做完之后，我的表就走得不能再好了，只是有时候要出点毛病：它安安静静地走了将近八个小时的时候，表内部的所有零件突然一下子松开，并且发出蜜蜂一样嗡嗡的叫声，两根针疯狂地转起来，简直都分不清它们原来的面貌，那样子看起来就仿佛在我的表上结了一张纤细的蜘蛛网似的。

Summer 2008 will be the twentieth anniversary since the release of CARCASS' first studio album. It will be fourteen years since we last played live. We've decided to exhume the old corpse next Summer at Wacken. The timing is purely coincidental - it's been a long journey to get to this point where myself, Bill Steer and Mike Amott have enough common desire again to make it possible. We're finally conceding to the demand that seems to be at an all time high and doesn't appear to be going away any time soon. Any past reasons we may have had for not wanting to do it, or thinking it was impossible, have simply dissipated in the face of overwhelming interest in us performing THOSE riffs for a generation of believers who never had the opportunity back in the day. We could say we're doing it for 'the kids'- but fuck that !

2008年的夏日将会是Carcass发行首张专辑的20周年纪念，距离我们上次的演出大约也有14年的光景了，於是我们决定在下一年的Wacken挖出那具老尸体，选择在这个时间点其实真的是个巧合，我跟Bill Steer以及Mike Amott都花了一段很长的时间来意识到我们都有相同的欲望与想法让这件事情成真，最后不得不承认这是个众人高度期待的需求而且也不会随时就会破局喊停的计画，过去那因为许多因素让我们不想去做，甚至看成是天方夜谭的事，现在单纯的被那些有极度兴趣、过去没有机会看见我们演奏那些乐句的信徒们给感动，我们可以说我们这麼做是为了那些&孩子们&，但管他妈的这麼多！！

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。