不尽的

Water margin,that a work dedicated to masculine has always been highly appreciated.yet,it is beyond any doubt that the book presents a biased and even unjust feature of the feminine .there are few women personages in water margin which can be divided into two kinds briefly: namely "lady of easy virtue" and "heroine".novel go on two extremes overly that women'figure was denied impersonal role maid image mould either "bad" or reach "manlike " so that they cant cross to two description of woman these because the writer was intended or involuntary to describe them these.consequently the women' figure maked untrue exceedingly as to the lady of easy virtue write it to the limit excessively ruthlessly poisonously ; as for heroine write its walk chivalrous and loyal to the limit that the woman wasn't defeated by men.the female extreme image was pointed out that the intention of author come from the influence of the super male consciousness to a certain extent and it is inevitability because of masculine being in charge of linguistical power ,in fact, the appearance of women was just only minor role in order that the hero world need to regard man as the centre too.in a word womens destiny in water margin is a miserable foregone!

水浒传》是1部以描写男性英雄为主的名著，历来受到较高评价。然而，作品在女性形象塑造时存在的偏颇甚至不公正却是毋庸置疑的。《水浒传》中的女性人物屈指可数，主要可分为两大类：1是所谓的荡妇恶婆；2是所谓女英雄。作家在对这两类型女性的描写时，都因作者有意或无意的女性意识而走向极端化，实际上是走上了两个无法交汇的极端，使女性形象的塑造过于偏激，不是"淫恶"到极端，就是"男性化"到极点，写淫妇恶婆，写尽其淫，狠，毒；写女英雄，则写尽其行侠仗义，巾帼不让须眉。这种极端化的女性角色定位，既是作者男权意识的自然反映，又是男权社会男性话语权的必然呈现，说白了，出现在《水浒传》的女性不过是点缀和突出男性的生活，是为表现父权制男性英雄世界服务的。

Based on the analysis of this study, the major counseling and guidance principles are establishing and maintaining good relationship between teacher and student, accepting and advising children, fairness, teacher's words conforming with higher actions, and other counselling viewpoints; the essential principles of adaptation include a positive attitude toward reality, self-directing and hard working, proper combination of toughness and gentleness, survival in distress, and other viewpoints relative to the adaptation of oneself to the external environment; and leadership principles include using normative power, contingency, and the important characteristics associated with leaders.

主要之辅导原理为包容接纳儿童、辅导儿童自导、建立良好的师生关系、至诚、渐进、豫防、境教身教言教并重、动静相济、公平无私、日新其德、变通、仁合於义、与时偕行、只管耕耘不计收获、周而能异、遏恶扬善、益之用凶事、以果行首德、爱而严之教育态度、恒久於其道而天下化成、有德长老之领导、熟练以致用、不可急速正其不正等；主要之适应原理为中且正、亲比、天下随时、包含章美、积极面对现实、敬慎、努力充实自己、自强不息、自我尝试、自求、刚而能柔、柔而能刚、积种倾倒否塞、艰难以处之、内健而外顺、生於忧患、反身修德、利人、至诚、安而不忘危、见几而作等；主要之统御原理为在莅众用晦而明、师出以律、无为、以孚信化邦、以贵下贱、知临、咸感以临下、威临吉无不利未顺命也、变而过之以尽利、在师中吉、劳谦、敬之无咎、长子帅师、容民畜众、君子央央、师或舆尸凶、师左次无咎、慎密、匪其彭无咎、有孚维心亨、作事谋始、圣人感人心、明慎用那而不留狱、先甲三日后甲三日、致命遂志、涣其躬、涣其羣、动而免乎险、上以厚下安宅、思不出其位等。

She does a person quite you say she is lively, she grinds Ji quite you say she is careful, she chews a gender quite you say her viewpoint is independent, she is more irratable you say she is brave, she is more lascivious you say she and international conform, she is cooler you say she is missish and undemonstrative goodness of China woman tradition, she is managing you say she is known get along, she is prodigal you say he is known enjoy the life, she has clean hobby is pursuit then perfect, she is careless it is Biao Han life, she scolds you you say you became thirsty drink water, she hits you you say to ache dear, she says this thing is my problem, you are at ease she is to think you have a problem absolutely, she says this thing is your problem, you are at ease is not her problem absolutely then, if she is final whats did not say, do not think have nothing to do, that is to waiting for you to say for her!

她比较闹人你就说她活泼，她比较磨叽你就说她心细，她比较嚼性你就说她观点独立，她比较急躁你就说她敢作敢为，她比较***荡你就说她和国际接轨，她比较冷淡你就说她自持忸怩中华女子传统美德，她节约你说她懂得过日子，她挥霍你说他懂得享受生活，她有洁癖那是追求完美，她大大咧咧是彪悍生活，她骂你你说你渴了吧喝水么，她打你你说疼么亲爱的，她说这件事情是我的题目，你放心她尽对是以为你有题目，她说这件事儿是你的题目，你放心那尽对不是她的题目，她假如最后什么都不说了，你别以为没事儿了，那是等着你替她说呢！

Consequently the women' figure maked untrue exceedingly as to the lady of easy virtue write it to the limit excessively ruthlessly poisonously ; as for heroine write its walk chivalrous and loyal to the limit that the woman wasn't defeated by men.

作家在对这两类型女性的描写时，都因作者有意或无意的女性意识而走向极端化，实际上是走上了两个无法交汇的极端，使女性形象的塑造过于偏激，不是&淫恶&到极端，就是&男性化&到极点，写淫妇恶婆，写尽其淫，狠，毒；写女英雄，则写尽其行侠仗义，巾帼不让须眉。

Water margin,that a work dedicated to masculine has always been highly appreciated.yet,it is beyond any doubt that the book presents a biased and even unjust feature of the feminine .there are few women personages in water margin which can be divided into two kinds briefly: namely "lady of easy virtue" and "heroine".novel go on two extremes overly that women'figure was denied impersonal role maid image mould either "bad" or reach "manlike " so that they cant cross to two description of woman these because the writer was intended or involuntary to describe them these.consequently the women' figure maked untrue exceedingly as to the lady of easy virtue write it to the limit excessively ruthlessly poisonously ; as for heroine write its walk chivalrous and loyal to the limit that the woman wasn't defeated by men.the female extreme image was pointed out that the intention of author come from the influence of the super male consciousness to a certain extent and it is inevitability because of masculine being in charge of linguistical power ,in fact, the appearance of women was just only minor role in order that the hero world need to regard man as the centre too.in a word womens destiny in water margin is a miserable foregone!

水浒传》是1部以描写男性英雄为主的名著，历来受到较高评价。然而，作品在女性形象塑造时存在的偏颇甚至不公正却是毋庸置疑的。《水浒传》中的女性人物屈指可数，主要可分为两大类：1是所谓的荡妇恶婆；2是所谓女英雄。作家在对这两类型女性的描写时，都因作者有意或无意的女性意识而走向极端化，实际上是走上了两个无法交汇的极端，使女性形象的塑造过于偏激，不是&淫恶&到极端，就是&男性化&到极点，写淫妇恶婆，写尽其淫，狠，毒；写女英雄，则写尽其行侠仗义，巾帼不让须眉。这种极端化的女性角色定位，既是作者男权意识的自然反映，又是男权社会男性话语权的必然呈现，说白了，出现在《水浒传》的女性不过是点缀和突出男性的生活，是为表现父权制男性英雄世界服务的。

Novel go on two extremes overly that women'figure was denied impersonal role maid image mould either "bad" or reach "manlike " so that they cant cross to two description of woman these because the writer was intended or involuntary to describe them these.Consequently the women' figure maked untrue exceedingly as to the lady of easy virtue write it to the limit excessively ruthlessly poisonously ; as for heroine write its walk chivalrous and loyal to the limit that the woman wasn't defeated by men.

作家在对这两类型女性的描写时，都因作者有意或无意的女性意识而走向极端化，实际上是走上了两个无法交汇的极端，使女性形象的塑造过于偏激，不是&淫恶&到极端，就是&男性化&到极点，写淫妇恶婆，写尽其淫，狠，毒；写女英雄，则写尽其行侠仗义，巾帼不让须眉。

It must be shocked by the old exclaiming to their mother,a exclaiming ends up with the returning,so do the extravagating.

暮年的老者呼喊妈妈是不能年让人动容的，一声呼喊道尽了回归也道尽了漂泊。

It's more difficult if the enterprise is more expended, and it will take more time to conquer it, some of us spend our whole life but didn't see the success, we just complish one section of the work and blaze a way for our descendants to use for reference, it's also contribution.

事业愈大则困难亦愈甚，抵抗困难的时期也随之俱长，有的尽我们的一生尚不能目见其成者，我们若能尽其中一段的工夫，替后人开辟一段道路，或长或短，即是贡献。

Here was a boy that was respectable and well brung up; and had a character to lose; and folks at home that had characters; and he was bright and not leather-headed; and knowing and not ignorant; and not mean, but kind; and yet here he was, without any more pride, or rightness, or feeling, than to stoop to this business, and make himself a shame, and his family a shame, before everybody.

他明明是个有身份的孩子，受过良好的教养，人品又好，家里人也都是人品好。他为人又聪明，不是那种木头脑袋的人。有学问，不是愚笨无知。不是下流胚，而是为人和善。可如今，竟然不顾自己的体面，不顾是非，不顾人情，降低身份干起这档子的事，在众人面前，丢尽自己的脸面，丢尽他一家人的脸。

I sometimes dream of a larger and more populous house, standing in a golden age, of enduring materials, and without gingerbread work, which shall still consist of only one room, a vast, rude,substantial, primitive hall, without ceiling or plastering, with bare rafters and purlins supporting a sort of lower heaven over one's head —— useful to keep off rain and snow, where the king and queen posts stand out to receive your homage, when you have done reverence to the prostrate Saturn of an older dynasty on stepping over the sill; a cavernous house, wherein you must reach up a torch upon a pole to see the roof; where some may live in the fireplace,some in the recess of a window, and some on settles, some at one end of the hall, some at another, and some aloft on rafters with the spiders, if they choose; a house which you have got into when you have opened the outside door, and the ceremony is over; where the weary traveller may wash, and eat, and converse, and sleep, without further journey; such a shelter as you would be glad to reach in a tempestuous night, containing all the essentials of a house, and nothing for house-keeping; where you can see all the treasures of the house at one view, and everything hangs upon its peg, that a man should use; at once kitchen, pantry, parlor, chamber, storehouse,and garret; where you can see so necessary a thing, as a barrel or a ladder, so convenient a thing as a cupboard, and hear the pot boil,and pay your respects to the fire that cooks your dinner, and the oven that bakes your bread, and the necessary furniture and utensils are the chief ornaments; where the washing is not put out, nor the fire, nor the mistress, and perhaps you are sometimes requested to move from off the trap-door, when the cook would descend into the cellar, and so learn whether the ground is solid or hollow beneath you without stamping.

我有时梦见了一座较大的容得很多人的房屋，矗立在神话中的黄金时代中，材料耐用持久，屋顶上也没有华而不实的装饰，可是它只包括一个房间，一个阔大、简朴、实用而具有原始风味的厅堂，没有天花板没有灰浆，只有光光的椽木和桁条，支撑着头顶上的较低的天，——却尽足以抵御雨雪了，在那里，在你进门向一个古代的俯卧的农神致敬之后，你看到衍架中柱和双柱架在接受你的致敬；一个空洞洞的房间，你必须把火炬装在一根长竿顶端方能看到屋顶，而在那里，有人可以住在炉边，有人可以往在窗口凹处，有人在高背长椅上，有人在大厅一端，有人在另一端，有人，如果他们中意，可以和蜘蛛一起住在椽木上：这屋子，你一打开大门就到了里边，不必再拘泥形迹；在那里，疲倦的旅客可以洗尘、吃喝、谈天、睡觉，不须继续旅行，正是在暴风雨之夜你愿意到达的一间房屋，一切应有尽有，又无管理家务之烦；在那里，你一眼可以望尽屋中一切财富，而凡是人所需要的都挂在木钉上；同时是厨房，伙食房，客厅，卧室，栈房和阁楼；在那里你可以看见木桶和梯子之类的有用的东西和碗橱之类的便利的设备，你听到壶里的水沸腾了，你能向煮你的饭菜的火焰和焙你的面包的炉子致敬，而必需的家具与用具是主要的装饰品；在那里，洗涤物不必晒在外面，炉火不熄，女主人也不会生气，也许有时要你移动一下，让厨子从地板门里走下地窖去，而你不用蹬脚就可以知道你的脚下是虚是实。

Breath, muscle contraction of the buttocks; arch body, as far as possible to hold his head, right leg straight towards the ceiling (peg-leg knee in order to avoid muscle tension).

呼气，收缩臀部肌肉；拱起身体，尽量抬起头来，右腿伸直朝向天花板（膝微屈，以避免肌肉紧张）。

The cost of moving grain food products was unchanged from May, but year over year are up 8%.

粮食产品的运输费用与5月份相比没有变化，但却比去年同期高8％。