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In the lower half of his "Transfiguration," though the figures of the possessed boy, the despairing bearers, the helpless, terrified disciples, we see a reflection of original pain, the sole ground of being:"illusion," here is a reflection of eternal contradiction, begetter of all things.

在他的画"耶稣变容"的下半幅,凝神的孩子,失望的仵工,困惑不安的信徒,反映出原始而永恒的痛苦,世界的唯一根基,画中的"假象"就是万物之源的永恒矛盾的反照。

Behind the romantic eroticism of The Dream Records of Witness and Why Does Sunset Make Us So Beautiful, we still can see the violence and the hidden bloodiness. In the works from 2004 to 2005, in the lazy, depressed, irritable and uneasy emotions, the treatment of figures and time-space got new significance. However, the metaphor of neo-expressionism became the monologue-like means of his psychological pouring out, using today's popular colors and images and striving to make them getting rid of the "plane" narrative logic.

有关目击者的梦境》、《夕阳为什么让我们如此美丽》,出现在画面浪漫的情色背后我们仍可以看到暴力和隐藏的血腥。2004年至2005年的作品中,在慵懒、低迷、烦躁和不安的情绪中,人物和时空的处理有了新的意味,虽然新表现主义的隐喻感成为他内心独白式的心理倾诉手法--利用当今的流行色彩和图像,又极力使它们摆脱"平面化"的叙述逻辑。

How unlike to that wavy, many-furrowed, oceanic surface, which it presented so short a time since, when to make it was a service not to be thought of at oftener than three or four day revolutions, when the patient was with pain and grief to be lifted for a little while out of it, to submit to the encroachments of unwelcome neatness, and decencies which his shaken frame deprecated; then to be lifted into it again, for another three or four days' respite, to flounder it out of shape again, while every fresh furrow was a historical record of some shifting posture, some uneasy turning, some seeking for a little ease; and the shrunken skin scarce told a truer story than the crumpled coverlid.

如何不同,这种波状,很多- furrowed ,海洋表面上,它提出这么短的时间以来,当使这是一个服务不被认为是在oftener比三或四天的革命,当病人疼痛和悲痛取消了一会儿出来,向侵害的不受欢迎的洁净, decencies他动摇了框架已废弃;然后将取消它再次,另有3或4天的喘息,牙鲆出来形状再次,而每一个新鲜的沟是一个历史的纪录,一些转移的态势,一些不安的转折,有些寻求一点纾缓;和萎缩,皮肤稀缺说,真实的故事,比弄皱的

There was an enjoyment in accepting their simple kindness, and in repaying it by a consideration- a scrupulous regard to their feelings- to which they were not, perhaps, at all times accustomed, and which both charmed and benefited them; because, while it elevated them in their own eyes, it made them emulous to merit the deferential treatment they received.

可是,读者呀,让我全都告诉你吧,在平静而充实的生活中--白天为学生作出了高尚的努力,晚上心满意足地独自作画和读书--之后我常常匆匆忙忙地进入了夜间奇异的梦境,多姿多彩的梦,有骚动不安的、充满理想的、激动人心的,也有急风骤雨式的--这些梦有着千奇百怪的场景,充满冒险的经历,揪心的险情和浪漫的机遇。

Anna for the first time chemotherapy, vomiting, Taylor Enron beat her, to her chewing gum, silk do not mind his girlfriend has a lot of falling hair; their participation in organized ball for patients - even when Taylor with embarrassing talking about "It's like is the same as the school's dance ", the really hard to hold back the tears - Taylor, wearing a suit and waiting, like a nervous groom, a hair fall out because of chemotherapy, Anna, wearing a wig, gorgeous dress, slowly walking down the stairs; they run hand in hand, in the wards making love - no plot not but burst into tears.

安娜第一次化疗呕吐,泰勒安然的拍打她,给她口香糖,丝毫不介意女友已经大把掉落的头发;他们参加为病人举办的舞会——当泰勒甚至还带着难为情的说起"就像是学校里的舞会一样"时,真的很难忍住眼泪——泰勒穿着西装等待,紧张不安的像是新郎,因为化疗掉光了头发的安娜,戴着假发,华丽的礼服,缓缓从楼梯上走下来;他们手拉手奔跑,在病房里做爱——没有哪个情节不让人泪流满面。

If the element of continuity and causality is so vitally linked in history with the element of unrepeatabidity and unpredicb ability, we may well ask how true history-that inextinguishable source of "chaos," fountainhead of unrest, and slap in the face to law and order-can ever exist in a world ruled by an "entropic" regime.

如果持续的和偶然的因素与有着不可重复和不可预见因素的历史紧紧地联系着,我们或许更能够询问,真实的历史——那"混乱"的不可遏止的根源、骚动不安的源泉和给予规律、秩序一记耳光的东西——怎么可能存在于"熵"的制度所统治的世界上?

Behind his impassive kulak's face lay intense self-scrutiny, adamantine moral and physical courage and a sometimes unsettling disregard for the smaller and softer things in life.

在他面无表情的富农的脸孔背后,有着强烈的自我审视,坚定不移的道德情操和实在的勇气以及有些时候让人不安的对生命中的渺小和懦弱部分的蔑视。

In his Gorgeous Light, the artist straightly presents the vanity nature of capitalism: for the superman - a world hero made by the United States – its "famous" cloak solitarily circles over the city and casts a blocky shade of the U.S. national flag, and on the ground, there are also some distorted, collapsed and toppling skyscrapers desperately and restlessly leaning upon each other.

在《灿烂的光》中,艺术家同样一针见血的表现出了资本主义的虚无本质:超人——这个美国制造的世界英雄——那件"著名"的披风在城市上空孤独的盘旋,投下斑驳的美国国旗的阴影,地面上几个同样扭曲倒塌,摇摇欲坠的摩天大楼绝望不安的彼此依靠。

You will also appreciate that I have many low days of O'Neill heebie jeebies when I feel very old and tired, and doubt myself and my work, and wonder why in hell something in me drove me on to undertake such a hellish job when I might have coasted along and just written some more plays, as a well behaved playwright does.

你也将会明白,我将度过许多奥尼尔家族的那种烦躁不安的日子。我觉得自己已经年迈了,十分疲惫了,开始怀疑自己和自己的工作。我想弄清楚,究竟为什么我内心中的某种东西一直在驱使我去承担这样一件可怕的工作。我本可以毫不费力地生活下去,像一些举止大方的剧作家那样,写出更多的剧本。

Alpatitch, who came to Bogutcharovo a little while before the old prince's death, noticed that there was some excitement among the peasants; and noticed that, unlike Bleak Hills district, where within a radius of sixty versts all the peasants had moved away, abandoning their villages to be wasted by the Cossacks, in the Bogutcharovo steppe country the peasants had entered, it was said, into communication with the French, and were remaining in their homes, and there were some mysterious documents circulating among them.

阿尔帕特奇是在老公爵临终前不久来到博古恰罗沃的。他发现,在这里的人当中有一种激动不安的情绪,这里与童山地区的情况则完全相反,在那里方圆六十里内的农民都逃走了,他们把村庄留给哥萨克去破坏。而在博古恰罗沃周围草原地带,听说他们跟法国人有过联系,他们得到过法国人的传单,这些传单在他们当中流传,他们都停留不动。

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