不妥协

Many Christians backslide because this truth is not clearly taught. They are unable to stand against the temptations of the world, or of their old nature. They strive to do their best to fight against sin, and to serve God, but they have no strength.

因为真理教导的不够清楚，许多基督徒就冷淡退后，他们不知道如何抵挡世界的诱惑，也不知道如何攻克己身，他们极想抗拒罪恶，服事上帝，却发现力不从心，常与现实妥协。

If people can't agree on how to disagree, there is no hope of conciliation and comprise.

如果人们就如何反对不能达成一致，就不会有调解和妥协的希望。

However, it was in the course of the "attacks" without any compromises that both two found the noble characters of each other. That was the sincerity and devotement to their own specialisms and refused to play to the gallery.

但也就是在这种"对攻"而谁也不作妥协的过程中，双方都发现了对方的可贵人格---对本职本业的忠诚，不媚俗。

In the course of reformation,most of Islamic countries take up eclecticism that curtent Islamic laws neither link up with western legal systems completely nor break from traditional religion systems thoroughiy,but compromising and consolidating with the development of material civilization and with the immovability of preserving believes.

在改革中，大多数伊斯兰国家选择的是折衷主义：使现实的伊斯兰法既不与西方世俗法体系完全挂钩，也不与传统的宗教制度彻底决裂，而是跟随物质文明发展与维护信仰不变方面达成了妥协和统一。

If you decide that being right is what matters to you, you are too intransigent to be a boss at all.

如果你认为，对你来说，自己做得对更重要，那你就太不懂妥协了，根本不能当老板。

But the process is devoid of any nostalgia, as the Kabyle proverb in the title suggests: one must look out for the roots of fog, that is to say, search for the impossible in order not to give way to resignation, hang on and transmit beyond mourning, just like these children voices whose reading, with Axelle's, of Ali's memories of fight punctuate the film.

背景是殖民制度的解放、希望和失去的时间。这一过程中并没有任何怀旧的气氛，正如影片题目的卡比利亚预言一样：一个人必须寻找雾的根源，寻找不可能是为了不向不可能妥协，超越悲伤。

It should be noted, though, that, if it is assumed that the first layer of encryption, since it is shared among all the nodes in the network, can be compromised, then the fact that the keypad numbers are not further concealed does weaken this system: for each value tried in a brute-force search of the key for a message block, the related keypad is immediately identifiable.

应当指出，虽然说，如果这是假设的第一层加密，因为这是共同的各节点在网络中，可以毫不妥协的，那么事实，那就是键盘号码，不准备再隐瞒不削弱本制度：每个价值试图在一个简单粗暴的武力搜索最关键的一个消息块时，其相关按键立即识别。

Steve Harley and Cockney Rebel - Sebastian Radiate simply, the candle is burning So low for me Generate me limply, I can't seem to place Your name, cherie To rearrange all these thoughts In a moment is suicide Come to a strange place, we'll talk over Old times we never spied Somebody called me sebastian Somebody called me sebastian Work out a rhyme, toss me the time, lay me, You're mine And we all know, oh yeah! Your persian eye sparkle; your lips, ruby blue Don't speak a sound You, oh so gay, with parisian demands, You can run-around And your view of society screws up my mind Like you'll never know Lead me away, come inside, See my mind in kaleidoscope Somebody called me sebastian Somebody called me sebastian Love me sublime, mangle my mind, do it in style, So we all know, oh yeah! You're not gonna run, babe, We only just begun, babe, to compromise Slagged in a bowery saloon, Love's a story we'll serialise Pale angel face; green eye-shadow, The glitter is outasite No courtesan could begin to decipher Your beam of light Somebody called me sebastian Somebody called me sebastian Dance on my heart, laugh, Swoop and dart, la-di-di-da Now we all know you, yeah!

发光，蜡烛在燃烧很微弱让我四肢无力，我不能就这样任命你的名字，cherie 重整一切思想在某瞬间是自杀来到一个陌生的地方，我们将谈论从未发现的旧时光有人叫我sebastian 有人叫我sebastian 唱出心中的话，给我时间，平息我你是我的我们都知道，欧耶你波斯般的眼镜在闪烁，你的嘴唇如忧郁的红宝石别发任何声音你有巴黎人的需求如此快乐你有借口你对友伴的看法振作了我仿佛你从不知道带我离开，来到内心用万花筒来看我的心有人叫我sebastian 有人叫我sebastian 狠狠爱我，独具风格的撕裂我的心我们都知道，欧耶你不会走的，孩子我们才开始妥协在树荫下的酒吧里成为熔渣爱是我们将要连载的故事苍白的天使的脸和充满活力的眼影闪光在（outasite不知这词）没有情妇可以解释你那一束光有人叫我sebastian 有人叫我sebastian 在我心中跳舞，欢笑飞奔，啦嘀嘀嗒现在我们都知道你，欧耶（都不知道自己在翻什么，准备下来听听。。。。

This paper therefore examines the development of "the folklore Pai-Chang of Peking opera aria in Tainan city" through literature review depth-interview oral history and participant observation The concept frame is culture organism as the vertical axle and elements of a folklore activity as the transverse axle There are several significant findings about the general picture of this subject: During the late period of Japanese colonial era Tainan local people who played Peguan music learned Peking opera aria and tried to bring Peking opera aria into the folklore Pai-Chang which was one kind performance and traditional custom of Peguan music Some people who came from other places and played Peking opera aria had also known or learned "Pai-Chang" with touching Tainan local amateurs "Pai-Chang" used to be performed by amateurs for worship of god or goddess or for seasoning and wedding celebration without rewards Amateurs volunteered to perform "Pai-Chang" only for their duty temples and fraternity of Peking opera aria The majority of the audience is people who perform or like "Pai-Chang" or who live nearby There is a fixed pattern of the performance including the repertoire and the arrangement of the band The main meaning of this performace is to pray God's blessings therefore the procedure of "Ban-Hsian" is the most essential and ahead of Peking opera aria singing With time goes by the number of the amateurs has dropped; yet the demand for the worship ceremony remains; hence some of the amateurs have been trained to become professional performers Besides although the idea and the meaning of "Pai-Chang" remains the pattern of the performance has become simplified and rigid which is because of the performers' number decreasing and market adapting Nowadays the whole ecosystem of the folklore Pai-Chang of Peking opera aria in Tainan city keep changing which is mainly influenced by the transition of the society(such as the time and space of the industrial and commercial society being compressed and most people's pursuing of specialization and utilitarianism etc ) According to the findings in this paper the phenomenon can be regarded as the subject matter both of Peking opera and folklore studies For the studies of the Taiwanese culture however the subject not only enriches the subject matters of the Taiwanese culture(signifies the localization of Peking opera and a new pattern of Taiwanese folklore) but also reflects the characters of diversification integration adaptation and compromise of Taiwanese culture which used to be influenced by different regimes and the historical contexts Facing such a multicultural context this paper thus suggests researchers should show an open-minded attitude toward the complex of the Taiwanese culture studies and then important phenomenon would not be ignored or misunderstood

代表了什麼意义？对於上述疑惑，查既有研究成果，不消没有论述者，具体提即「京调排场」现象的可说没有，基於此，有必要对台南市及其周边之民俗性京调排场，不管是语汇来由或者其现象本身，做一番研究。本研究透过文献、访谈、口述史、参与观察等方法，以文化有机体之纵的发展概念为经，以民俗表演之横切面各主客要素为纬，试图先对此文化现象调查并推论出一概貌：台南市民俗性京调排场的形成，是在京调传入台南，台南本地北管子弟改习或兼习京调后，结合北管音乐文化所固有的排场表演型态及民俗演出传统，融合而成，形成时间至迟在日治晚期。而一些不同时期的外来京调人士(如原本生长於其他地区、后移住台湾的票友，和中国大陆琴师等等)，也曾透过与当地子弟的接触，而习得或知晓「排场」语汇以及本地京调排场习俗者。此项音乐民俗表演在过往多由业余子弟於神诞或民众婚俗做寿时，对其有义务或交陪的庙宇及子弟间做酬酢性的演出，不收报酬；聆赏者多是京调同好与邻近民众，也有少数路过者；演出模式包括节目安排、乐队编制皆有一定；表演意涵上以「扮仙」祈求神明赐福人间最为重要，因此排仙必不可少，且一定先於京调演唱。随著时间推移，京调排场表演活动的各要素都有变动，惟变迁速度不一，大体而言，业余表演者锐减，人们对酬神娱神节目的需求仍在，因此一些过往的业余表演者遂逐渐转型为职业表演者。此外，虽然表演意涵不变，但在职业表演人员少、又要适应市场的情况下，表演模式亦逐渐流於简化、僵化。目前京调排场整体生态仍在转变的过程中，而这种变化应与工商社会时间空间的被压缩、事事追求专业化与尼Q化等因素有关。再者，据此概貌，在结论部分厘清其意义、定位以及其对台湾文化研究之启示。台南市及其周边之民俗性京调排场现象，可视为京剧研究与民俗研究的一环，然而对於台湾文化研究，除了其题材本身标志了京剧的本土化与台湾民俗活动之新类型，进一步扩充整体台湾文化研究的内容外，更重要的是现象背后所反映的台湾文化的多元融合与妥协适应取向。台湾的海岛地理位置与长期被不同文化背景政权所殖民的历史，其文化自然容易随社会环境改变而弹性适应变迁，呈现多元纷呈、多重覆叠的特色，因此展望未来，从事台湾文化研究应秉除单一观点，保持一定程度之开放与客观胸襟，方不忽视或误识更多重要的文化现象。

Early in the morning,(17) yawning her head off, tired and half sleepy, even though uncompromising, but (18) having no way out, she ended up taking the untired howler into her arms and putting him in the middle of our bed, the (19) coziest place for a undisciplined baby.

尽管她不愿妥协，但她也无可奈何，最后只得把哭不累的嚎啕者抱在怀中并把他放到我们的床中央。对于一个不听话的幼儿来说，大人的床中央可是最舒适的地方。

As she looked at Warrington's manly face, and dark, melancholy eyes, she had settled in her mind that he must have been the victim of an unhappy attachment.

每逢看到沃林顿那刚毅的脸，那乌黑、忧郁的眼睛，她便会相信，他一定作过不幸的爱情的受害者。

Maybe they'll disappear into a pothole.

也许他们将在壶穴里消失