不太好

No, Tom, I won't be rich, and I won't live in them cussed smothery houses.

噢，哈克，你知道，我不能这样做，这不太好。

I will run another FeedBurner ad campaign at some point in the not too distant future, and I'll have a much better designed banner (which means I'll have to get someone to design it for me, I'm absolutely talentless when it comes to graphic design).

我将运行其他FeedBurner广告在某个时候在不太遥远的将来，我将有一个更好的设计横幅（这意味著我会得到别人的设计对我来说，我绝对talentless时到图形设计）。

Fortunately it's not far from Ume to rnskldsvik.

还好从Ume到rnskldsvik不太远。

The victory of the World Cup 2006 in Germany has been a great satisfaction for Roberto, but Italian football has lived dark moments: scandals that have alienated many fans; recent news have confirmed our bewilderments on football enviroment and its difficulty to understand the urgence and necessity of a renewal.

你知道，我不太喜欢在公众前展示自己的想法和行为（用中国现在比较流行的名词就素低调……译者按），在和我的经济人同时也是我很好的朋友——彼得商量时，我觉得网站是个很合适的交流工具。

"My health is well enough," said Fernand, clinching his hands without raising his head.

朋友们可是最关心你的健康，你不回答我们可不太好呀。

I have no other choice but to do so.

你也玩得太好了，我不玩了。

As for me personally, I'm a little banged up.

对于我本人来说，我的身体不是太好。

Because from the principle of thermal cycle perspective, energy efficiency is too high, heating effects, dehumidifying effect is not necessarily good, but affect the user's use.

因为从热循环原理看，能效比太高，制热效果、除湿效果不一定好，反而影响用户的使用。

At all times I have endeavoured to do my best for the management and the team.

在外面也要对人和善，不能树敌，但也不要太好说话了。

Edward grimaced, and I knew it was in objection to the word okay.

爱德华皱了皱脸，我知道他不太满意我用了&还好&这样的词语。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。