不在乎

I don't care about so many distracting things.

我不在乎那许许多多令人分心的事情。

I enjoy hunting, as you know; the chase in such company…what could be more delightful"(he doffed his beaver cap again to Natasha);"but this reckoning up of the skins one has carried off—I don't care about that.""

您知道，骑马走走，我觉得开心，您瞧，在路上遇见这么一伙人……真是好极了（他又在娜塔莎面前脱下那顶海狸皮便帽），要算兽皮嘛，我能够运回多少，这在我倒是不在乎的！&&

Nevertheless, I will go there to love and help my neighbour in distress. If that endangers my life, so be it.

但是，我还是会去那里爱、帮助我那些悲痛中的邻居们，如果那会危及我的生命，我也不在乎！

I eschewed personal cleanliness and let my room reach an unbelievable state of disarray.

我根本不在乎个人清洁，自己住的屋子乱到了无以复加的程度。

Inspired by the splendor of his own act, he took without an outcry the most merciless flaying that even Mr.

对这一残忍的做法，他也不在乎，因为他心里有数，外面会有个人心甘情愿地一直在等上他两个小时。

He sometimes has the tendency to remain silent about his achievements and thereby foregoes much credit but this can only be attributed to his modesty and disregard for epithet.

他时常不会去宣扬自己取得的成绩，因此错过了不少嘉奖，这也只能归倃于他的谦逊以及对头衔的不在乎。

He sometimes has the tendency to remain silent about his achievements and thereby foregoes much credit but this can only be attribute d to his modesty and disregard for epithet.

他时常不会去宣扬自己取得的成绩，因此错过了不少嘉奖，这也只能归倃于他的谦逊以及对头衔的不在乎。

I don't care two hoots about having money, as long as I'm happy.

我根本不在乎有没有钱，只要活得开心就行。

I don't care two hoots if the record is top of the charts, it's much too loud so turn it down.

我根本不在乎该唱片是否是每周流行唱片中最好的，声音太响了，放松一点。

Painting is a faith, and it imposes the duty to disregard public opinion.

绘画是信仰，不在乎世人的意见是其必须肩负的使命。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。