不在乎

Give the beggar a coin; you won't miss it.

给那乞丐一枚硬币吧，你是不在乎的。

Trace your words back, you won't miss it.

人海中，难得有几个真正的朋友，这份情，请你不要不在乎。

Dot's spend time with soneone who doesn't care spending yt with you.

不要把时间花在一个不在乎与你分享的人身上。

The boss doesn't care a straw what a zilch like you says .

老板不在乎像你这样一个小人物的话。

I don't care how much Ahmet wants to give him.

我不在乎Ahmet有多欣赏他

If you dont care where you are, you aint lost.

如果你压根不在乎自己在哪儿，那你也就不会迷路了

She said that if Idon't kiss someone at the end of adate,or make amove when they hop in my bed they will begin to think something's wrong with them,or that I'm not into them.

她说如果我在约会结束后还不吻对方，或者他们的屁股已经坐到了我的床上时还不做出点表示，对方肯定会以为自己做错了什么，或者我根本不在乎他。

We like todo business with someone who loves his company, not just the money that asale will bring him (though we certainly understand why he likes that aswell).

另外我们还发现卖方是否在意公司将来的归属其实相当重要，我们喜爱与那些钟爱公司，而不只是斤斤计较出售公司能够得到多少钱的人往来，(当然我们也明了没有人会不爱钱)，当我们意识到有这样的情节存在时，通常代表了这家公司拥有相当重要的特质：诚实的帐务、产品的自信、客户的尊重以及一群专心一致的忠实员工，反之亦然，当一家公司的老板只一昧地想要卖一个好价钱，但却一点都不关心公司卖掉后的下场，那麼你马上就会了解为什麼他会急著想要卖公司的原因，尤其当他是靠借钱买下这家时，而当一家公司的老板表现出一点都不在乎公司死活时，公司的上上下下一定也会感染到这种气氛，使得其态度与行事作风跟著转变

We like todo business with someone who loves his company, not just the money that asale will bring him (though we certainly understand why he likes that aswell).

另外我们还发现卖方是否在意公司将来的归属其实相当紧张，我们喜爱与那些钟爱公司，而不光是斤斤计较出售公司能够得到几多钱的人往来，(当然我们也明了没有人会不爱钱)，当我们意识到有这样的情节存在时，通常代表了这家公司拥有相当紧张的特质：诚实的帐务、产品的自尊、客户的敬重以及一群专心同等的忠实员工，反之亦然，当一家公司的老板只一昧地想要卖一个好价钱，但却一点都不关心公司卖掉后的下场，那麼你马上就会相识为什麼他会急著想要卖公司的缘故原由，尤其当他是靠借钱买下这家时，而当一家公司的老板表现出一点都不在乎公司生死时，公司的上上下下肯定也会熏染到这种气氛，使得其态度与行事作风跟著转变

The fog was getting thicker every minute but the stranger had no difficulty in finding the way. He went along one street, turned down another, crossed asquare and at last after about half an hour's walk they arrivedat the Houses of Parliament.

雾越来越厚，但是陌生人一点也不在乎，他们走过一条街道，又转到另一条，穿过广场，走了大约半个小时，终于到了国会大厦。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。