不在乎

Water for Fish said: I know, but if you do not mind?

水对鱼说：我知道，但是如果你不在乎呢！

Some people may call me flaky, but I don't really care.

有些人也许说我这个人怪，但我根本不在乎。

Some peope may call me flaky, but i don't really care.

有些人也许说我这个人怪，但我根本不在乎。

25 Fri I don't care.

我不在乎。

If, however, costs and prices are determined by full-bore competition, there is more than ample capacity, and the buyer cares little about whose product or distribution services he uses, industry economics are almost certain to be unexciting.

而万一成本与价格系由完全竞争市场来决定的话，产品供过于求，客户又不在乎其所采用的产品或通路服务系由谁提供，则产业铁定会面临悲惨的下场。

I don't know what happened to him and, furthermore , I don't care.

我不知道他出了什么事，再说，我也不在乎。

"I don't care about the weather. My girlfriend, who I will live with, is from Galicia, where it rains constantly," Torres said.

"我不在乎天气，我的女友和我住在一起，她来自 Galicia，那里总是下雨，"托雷斯说。

Adderly's treatment of Gershwin's Who Cares?

"adderly的治疗格什的"谁说我不在乎？

Jackson and Ortega also collaborated on some real showstoppers, such as a graveyard-set "Thriller"; an imposing "They Don't Care About Us," in which several dancers appear to morph into thousands; and a film noir sequence in which the singer slides in and out of Gilda and other black-and-white classics, singing "Smooth Criminal" all the while.

杰克逊和奥尔特加还就一些合作，真正的搅局者，如墓地集"颤栗"气势"他们不在乎我们"中，几个舞者似乎演变成成千上万和黑色电影序列，其中歌唱家幻灯片进出吉尔达和其他非黑即白经典，唱"爽刑事"所有的时间。

Perhaps this letter will go down the drain because I have heard many people say, you are not the letter, perhaps because the peak is perhaps not care.

也许这封信会石沉大海，因为我听过无数的人说过，你们是不会回信的，也许是因为忙，也许是不在乎。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。