不在乎

I just don't care what kind of conveyer system is used in the airport!.

我才不在乎机场里用的是哪一种输送带系统！

And I don't think she cared that the cornet player was actually an antiques dealer.

我觉得她根本不在乎乐队里那个吹短号的原来是个古董商。

Abandoned Masquerade －放纵的化妆 The glitters on a paint and plaster face Is covering desire and disgrace We could be lovers But no one suspect at all Once you're inside that costume ball And now I am sitting here before the mirror I have the skill still to disguise my tears Then as the music start to fade I find myself abandoning the masquerade Even though you are suffering You try to hide it And pretend you are so nonchalant You can cry a pool of tears And sit beside it Then perphaps you'll know what you want I hope you never feel this much despair or know the meaning of that empty chair As the illusion we made all fade away In this abandoned masquerade...

http：//www.ljplus.ru/img/virtualsushi/Masquerade-2.jpg Diana Krall - Abandoned Masquerade 放纵的面具音乐连接 Abandoned Masquerade －放纵的化妆词－ Engel Nimos 在现场和她一起表演的钢琴手］曲－ Diana Krall 闪光遮盖了浓妆艳抹的欲望和耻辱在化妆舞会里没人会怀疑我们是在偷情呆坐在镜前还有能力来掩饰我的泪等音乐消失的时候我正放弃着面具忍受着你尝试隐藏痛疼也假装你那么不在乎哭一池的泪吧。。。然后坐在旁边也许，你才会知道自己要的是什么希望你永不会有那么多的绝望感触或者你会了解那空椅的含义当我们曾经经营的幻相完全淡出于这被弃置的面具。。。

I'd love to hear more of your theory,but I don't give a cra also the pillcam's back.

我很想再多听点但我不在乎还有胶囊摄像机的结果出来了

I cracked a rib, but I don't care. Today's my wedding!

我断了一根肋骨，但我不在乎今天我要结婚了！

I could fly a 747 if I didn't mind crashing.

如果你根本不在乎，一切都简单了。

I'm not crazy about you.

我不在乎你

He didn't care for money, honour, creature comforts, or anything else.

他不在乎金钱、荣誉、衣食和别的东西，只渴望神。

I don't know if they are getting As or Cs,and I don't care.

我不知道他们是获得A还是C，我也不在乎。

And Brass. We're all culpable in this. I don't care what the book says.

还有Catherine，Brass，我们都会这样做的，我不在乎报告上怎么写。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。