不合逻辑的

Can i have some information about the air-flight,fly from switzerland to us.sure,i come back in a moment.you have been doing quite well during last year.the accident was really a nightmare.he is understood,people will behave illogically and non-sensibly,when they love a person too much.you have to forget the past.began a new life and take it easy.hello mr.ho,what's happening is your company in Hong Kong.no representation has arrive here yet.

不好意思，我能询问一些从瑞士飞来的航班信息吗好的，我一会儿就会回来你在过去的一年中已经做的非常好了这场意外真的是一场噩梦他明白人们会表现的不合逻辑并且愚蠢当他们过度爱一个人的时候，你必须忘记过去开始新的生活，并且放松你好，胡先生，你在香港的公司发生了什么事儿目前还没有代表到达这里罗先生几天前已经到瑞士了但是他还没有到这里，你明白吗对不起，我会马上派其他人给你

And this is just what the author intends to tell us – illogic but awakening. Most of the time, the cow you have is not your fortune, but exactly the confinement of your mind which stands in the way of your judgement and decision and intheend turns you to be a common people.

作者要告诉我们的，也只是这样一个看似不合逻辑，实则一语惊醒梦中人的道理：在很多时候，你所拥有的那些"奶牛"并不是你的财富，它们恰恰限制了你的思维，让你难以做出判断和抉择，最终让你甘于平庸。

This style of argument about the supernatural is reminiscent of Ji Yun, and the concern with heavenly illogic or injustice resembles that in the commentary on Yetan suilu, but to suggest changes in public policy based on such arguments is a departure.79

关于超自然谈论的文体风格是纪昀的回忆体，其考虑到天堂的不合逻辑或类似《夜谈随录》评论里的正义，但是其表明基于此次讨论的公共政策变化已经展现出来。

The characters in Mo Yan's novels are always such kind of people that they are abnormal and live separating with the normal social life. With such mode of thinking of madness or infatuation or tactlessness or insanity, those characters behave eccentric and unreasonably, think illogically.

莫言小说中的人物，大多是处于正常社会生活之外的非常态的人物，这些人物大都具有或疯、或傻、或痴、或癫的思维方式，行为乖张，不入常理，不合逻辑。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。