不合作

A: I don't know what he wants, but let's play along with him.

我不知道他要干什么，可我们不妨与他合作看看。

I don't know what he wants, but let's play along with him.

我不知道他要干什么，可我们不妨与他合作看看。

SECTION 1.A: I don't know what he wants, but let's play along with him.

A： 我不知道他要干什么，可我们不妨与他合作看看。

The chickens have come home to roost.

你的合作伙伴现在都不喜欢你。

Nevertheless, this kind of circumstance was about to be gone forever, announce when Adobe it has spread out collaboration to devote oneself to to make Flash file also can be searched with Google and Yahoo today when engine is collected.

不过，这种情况即将一去不复返了，当 Adobe 今天宣布它已经与 Google 和 Yahoo展开合作致力于使 Flash 文件也能被搜索引擎收录的时候。

In a word, I wish elderships could cooperate each other, not stack up against day and night.

总之，我不希望看到长辈们总是在较劲，希望你们之间有更多的借鉴与合作。

The U.S. Congress does not use the veto abetting the Bush administration's help, I am very sad to bipartisan approach the new president to build a high debt.

美国国会不使用否决权教唆布什政府的帮助下，我感到非常难过两党合作的办法新总统建立一个高负债。

While we are advocating competition, we can ' t forget cooperation.

在我们提倡竞争的时候，我们不能忘了合作。

When she belatedly recorded the full cycle, with Riccardo Chailly and the Berlin Radio Symphony Orchestra, in 1986, her performance was notable for the devotional serenity she brought to the slow movements and her fleet but dignified renderings of the Allegros.

在1986年，与Riccardo Chailly和柏林广播交响乐团（Berlin Radio Symphony Orchestra）合作完成的这张迟来的专辑中，对她的作品有完整的记录。她表演的点睛之处在于那慢悠的肢体动作中所呈现的虔诚和静谧，抑或是那急速的乐章中演绎出的轻快而又不失庄严之感。

When she belatedly recorded the full cycle, with Riccardo Chailly and the Berlin Radio Symphony Orchestra, in 1986, her performance was notable for the devotional serenity she brought to the slow movements and her fleet but dignified renderings of the Allegros.

在1986年，与Riccardo Chailly和柏林广播交响乐团（Berlin Radio Symphony Orchestra）合作完成的这张迟来的专辑中，对她的作品有完整的记录。她表演的点睛之处在于那缓慢的肢体动作中所呈现的虔诚和静谧，抑或是那急速的乐章中演绎出的轻快而又不失庄严之感。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。