不合作

4Rather than marking a new get-tough strategy,Portman's review reflected a continuation of a yearlong effort by top Bush Administration officials to prod China to cooperate on economic matters,and to convince the U.S. Congress to avoid extreme Beijing-bashing legislation that could prompt retaliatory action by China and WTO complaints against the U.S

4不愿为一作标记新的拿-强硬的策略，Portman 的检讨反映了高层布希政府官员戳中国在经济的物质上合作的连续一年努力的继续，而且说服美国国会避免可以激起对抗美国的中国和世界贸易组织的报复行动诉苦的极端的怒殴北京的立法

Live action films usually don't boast this degree of aesthetic density and coherence all at once, though you can see Pecorini's previous collaborations with Gilliam for more examples, particularly the similarly extraordinary colourscapes of Fear and Loathing in Las Vegas .

现场动作电影通常不会因为这种审美密度和连续性而大吹大擂，因为你会在Pecorini之前和Gilliam合作的作品中见到更多相似的例子，尤其是使用了同样非凡色彩范围的《恐惧拉斯维加斯》。

Actually, frame of this kind of collaboration is not first time attempt any more grandly.

实际上，这种合作框架盛大已经不是第一次尝试。

Qinghai Province: there is not too many colleges but still they are more and more active such as Greenspace of Qinghai Univ, new grantee of GGF.

青海省：这个省份大学不多，但个别学校社团仍然开始越来越多的活动，比如青海大学的绿色空间，还没有开始明确的合作。

Liang Luo is applied do not be willing to receive perform song and dance piece, yang Ziqiong begins change strategy, she is certain Zhang Yi seeks " make a star " ability, she thinks Zhang Ziyi can be hit into Hollywood is Zhang Yi is sought completely do at the back " shove a hand ", then Yang Ziqiong seeks a contact with Zhang Yi again and again after the Olympic Games, the hope is imitated " Zhang Ziyi " have one's moment mode, preexistence inland pats big next red to Hollywood, a such mode and Zhang Yi seek cooperation suit most.

梁洛施不愿意接演歌舞片，杨紫琼开始转变战略，她看准张艺谋的"造星"能力，她认为章子怡能够打进好莱坞完全是张艺谋在后面做"推手"，于是杨紫琼在奥运后频频与张艺谋接触，希望模仿"章子怡"走红模式，先在内地拍大片然后红到好莱坞，这样一个模式与张艺谋合作是最适合的。

Meanwhile foreign publishers also cannot participate directly, but all the major international publishing companies have some form of representation in China and many have worked out forms of co-operation with Chinese partners that get under the wire.

与此同时外国的出版社亦不可以直接参与出版，但是国际上所有重要的出版公司在中国都实行有某种形式的代理模式，它们中的许多公司成功地设计出适应中国法律要求的和中国伙伴合作的经营模式。

Host hh ,as i read in news paper ,you're choos who you want to play with .That it not true??

奥，我曾经在报纸上看到过你可以自己挑选想要合作的女主角，那不是真的罗？

Well, you can, and your Japanese partner will probably acquiesce because they are Japanese, but deep down they will be hideously uncomfortable and thinking, Sex?

哦，你可以和你的日本合作夥伴可能会默许，因为他们是日本人，但内心深处他们将令人发指的不舒服和思维，性？

A long string of popular albums resulted, including Mein Liebeslied (2000), Napoli Adieu (2001), Drei Stimmen d'Amour (2001; co-featuring Mara Kayer and Francine Jordi), Mein Gefьhl (2002), Das Beste von Monika Martin (2002), Himmel aus Glas (2003), Eine Liebe Reicht fьr Zwei (2004), Ave Maria: Lieder zur Stillen Zeit (2004), Ein Kleines Glьck (2005), Schmetterling d'Amour (2005), Heute Fьhl' Ich Mich Wie Zwanzig (2006), and Aloha Blue (2007)- most of which were Top 20, if not Top Ten, hits in Austria and anywhere from Top 50 to Top 100 hits in Germany.

专辑的流行造成一长串，包括炒面Liebeslied（2000年），那不勒斯再见（2001年），科特迪瓦爱德雷伊之声（2001；合作具有马拉戈耶尔和弗朗辛霍尔迪），炒面Gefьhl（2002年），达斯Beste马丁冯莫妮卡（2002年），希默尔澳大利亚玻璃（2003年），Eine利伯Reicht黵Zwei（2004年），圣母颂：之歌楚Stillen宰特（2004），艾因KleinesGlьck（2005年），Schmetterling德爱（2005年），霍伊特Fьhl'非物质文化遗产密歇根魏Zwanzig（2006年），和阿罗哈蓝色（2007）-其中大部分是前20，如果不是前十名，在奥地利安打，任何地方从50强的前100点击在德国。

I don't hold out much hope for his cooperation.

我对他的合作不抱太多的希望。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。