不可分的

Don Quixote is a funny and sorrow story, a work that makes readers taste deeply sorrow when they are laughing at scenario of story. This text divides the meaning of Don Quixote into three layers. The first layer is taste layer, to analyse the comedy of absurdness and the tragedy of sublimity in Don Quixote. The second layer is history layer, to analyse that Don Quixote reflects the

本文把《堂吉诃德》的意蕴分为三个大层次，第一层是审美情韵层，主要分析了《堂吉诃德》荒诞的喜剧美和崇高的悲剧美；第二层是历史内容层，结合塞万提斯本人的经历和西班牙当时的历史，分五个层次进行阐析——塞万提斯本人的真实映射、西班牙社会的真实写照、摩尔人被驱逐的血泪史、西班牙海外殖民历史的曲折反映、反映了西班牙人文主义者与农民的社会关系等；第三层是哲理意味层，剖析了堂吉诃德的疯癫中显示的生命真实，从中看到知识分子"知其而不可为而为之"的人生态度，也映射出的塞万提斯的人文主义思想及其信仰危机和他心中的宗教理想，表现了作为文艺复兴后期代表的塞万提斯的进步的人文主义思想，蕴涵着作者心中无法磨灭的宗教理想，寄托了塞万提斯心中的爱憎和理想。

Paul insists (1 Corinthians 13:12), between our earthly knowledge of God ("through a glass in a dark manner") and the vision of Him which the blessed in heaven enjoy ("face to face") and seems irreconcilable with the Catholic doctrine, defined by the Council of Vienne, that, to be capable of the face to face or intuitive vision of God, the human intellect needs to be endowed with a special supernatural light, the lumen gloriae and finally that, in so far as it is clearly intelligible, the theory goes dangerously near to Pantheism.

这种理论掩盖了，而且往往要取消，两者的差别是，对其中圣保禄坚持（ 1哥林多13时12分）之间，我们的俗世知识的神（&透过玻璃，在一个黑暗的地&）与愿景他的其中有福了，在天堂享受，而且似乎不可调和与天主教教义，其定义是由理事会的维埃纳省，地表示，对於有能力的，面对面或直观的视觉神，人的智力需求被赋予了特殊的超自然轻，管腔gloriae和最后说，无论如何，就因为它是清楚理解，理论危险地接近泛神论。

Breath, muscle contraction of the buttocks; arch body, as far as possible to hold his head, right leg straight towards the ceiling (peg-leg knee in order to avoid muscle tension).

呼气，收缩臀部肌肉；拱起身体，尽量抬起头来，右腿伸直朝向天花板（膝微屈，以避免肌肉紧张）。

The cost of moving grain food products was unchanged from May, but year over year are up 8%.

粮食产品的运输费用与5月份相比没有变化，但却比去年同期高8％。