不只

I cherish this copy and not just because I love me some crazy, old man, suggestive poetry.

我珍惜这个副本，而不只是因为我爱我一定疯了，老头，暗示诗。

The master said,"You just picked up the superficies, take twice, it's not just a comma"

师父说，你只看到表面，你仔细看，差别不只一个逗号。

Swingeing cuts tend to slice into muscle as well as fat

大约还不如直译：大刀阔斧的削减，不只去掉赘肉，也伤到了肌肉。

Swingeing cuts tend to slice into muscle as well as fat, hurting the bits of the bank that can make money.

大刀阔斧的削减，不只去掉赘肉，也伤到了筋骨——银行业找钱的那些部门。

Now if the pedal is depressed after the note is struck, there will be sympathetic vibration in octave and harmonic strings, but all the other strings will be almost totally quiet because the standing waves contain only pure harmonics.

钢琴不只选择性的让常态模式留在钢琴中，还会选择性的发出常态模式的音响。如果在弹下一个音之后再踩下延音踏板，此时就只有八度音及一些和弦音的弦会受到影响而震动，其它的弦几乎都不会受到影响而保持静止状态。

Relating to or experiencing synesthesia; involving more than one sense .

与共同感觉有关或表现出共同感觉，包括不只一个感觉。

So when you smell your wine remember to swirl the wine around the glass and take a long slow smell of the wine .

以红酒来说，闻香不只可以分辨出酒的品质，也能判断这瓶酒是否已全然苏醒等着您去品尝。

Inst. of History, Dharma Master Huiyan:"Master Jianzhen did not merely teach Mahayana Buddhism; he also preached Tantrism, which strongly influenced Japanese culture: Shingon Buddhism is today one of the world's few remaining Tantric sects."

鉴真大师不只把大乘佛教传入日本，也传授天台关系的典籍，对日本文化影响深远，悉昙佛教是目前少数残存的天台密宗之一。

For unto Thessalonica also you sent once and again for my use.

就连我在得撒洛尼时，你们不只一次，而且两次曾给我送来我的急需。

For even when I was at Thessalonica you sent me something for my needs, not only once but more than once.

就连我在得撒洛尼时，你们不只一次，而且两次曾给我送来我的急需。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。