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Or India, with her cacophonous, messy. multi-ethnic democracy?

还是不协和的肮脏的多民族式民主的印度?

There is a tendency for dissonant notes to move to the nearest note of resolution.

不协和音倾向于移向最近的音来解决。

This interval, which occurs between the fourth and seventh degrees of the diatonic major scale, is also known as a tritone.

不协和音程发生在自然大音阶的四度和七度,也被称为三全音。

But alas! we do like cowbirds and cuckoos, which lay their eggs in nests which other birds have built, and cheer no traveller with their chattering and unmusical notes.

可是,唉!我们不喜欢燕八哥和杜鹃,它们跑到别个鸟禽所筑造的巢中去下蛋,那叽叽喳喳的不协和乐音并不能使行路经过的人听了快乐。

Dzechomor also provides an excellent opportunity for fans to trace back Deltic echoes that lie deeply rooted in the cultures of Bohemia and Moravia but whelloch are related to the music of Brittany and Ireland in particular. The band's unique mélange of traditional folk mixed with Ottoman dissonance, Gypsy csárdás, Napoleonic mustering dances and Deltic rhythms have succeeded in winning over young and old alike.

Dzechomor还为歌迷们供给了一个极好的时机,可以追寻深深根植于波西米亚和摩拉维亚文化之中的凯尔特人的踪影,同时又与布列塔尼和爱尔兰音乐有特殊的瓜葛乐队独特的传统非官方的歌谣,混淆了奥斯曼的不协和音,吉普赛csárdás,拿破仑一世的调集跳舞另有凯尔特节拍,成功的博患了各春秋人群的相符喜爱

His audacious use of intense colors jolts and overwhelms one's visual perception.

的油画,他那看似不协和的、强烈的、跳动的色彩,几乎直接就冲击着观众的视觉。

Grace notes, mordents, and trills contain dissonant neighboring notes.

装饰音、波音和颤声,都包含不协和音的相邻音符。

It was not just that he had decided tonality was dead; Schoenberg's 12-note serialism had already made dissonance routine.

这并不是因为他决定了音调的消逝,而是施托克豪森的十二音阶体系已经让人感到不协和音的寻常。

First, the relationship among dissonances, beats, and critical bandwidths is analyzed.

首先分析不协和音、拍音与临界频宽的关系。

The increasing reliance on the interval of the third as a consonance is one of the most pronounced features of early Renaissance European art music( in the Middle Ages, third had been considered dissonances), in use since the 12th century, became increasingly elaborate with highly independent voices throughout the 14th century: the beginning of the 15th century showed simplification, with the voices often striving for smoothness.

对于被当作协和音程的三度音程越来越多的依赖,是文艺复兴早期欧洲音乐艺术最为显著的特征之一(在中世纪,三度曾被当作不协和音程)。从12世纪之后使用的复调音乐,随着整个14世纪各声部的高度独立变得越来越复杂:15世纪初期的复调音乐的各声部常常趋于平滑,因而显示出其单一性。

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