不刺激的

This inversion of the value-positing eye - this need to direct one's view outwrd instead of back to oneself - is of tthe essence of ressentiment: in order to exist, slave morality always first needs a hostile external world; it needs, physiologically speaking, external simuli in order to act at all - its action is fundamentally reaction.

这种颠倒的价值目标的设定——其方向必然是向外，而不是反过来指向了自己——正好属于这种怨恨。奴隶道德的形成首先总是需要一个对立的外部环境，从生理学上讲，它需要外部的刺激才能粉墨登场，它的行为从根本上说是一种反应。

This inversion of the value-positing eye—this need to direct one's view outward instead of back to oneself—is of the essence of ressentiment; in order to exist, slave morality always first needs a hostile external world; it needs, physiologically speaking, external stimuli in order to act at all—its action is fundamentally reaction.

这种从反方向寻求确定价值的行动——值得注意的是，这是向外界而不是向自身方向寻求价值——这就是一种怨恨：奴隶道德的形成总是先需要一个对立的外部环境，从物理学的角度讲，它需要外界刺激才能出场，这种行动从本质上说是对外界的反应。

In a way bands like the smiths from the 80s were a breath of fresh air there was a lot of electronic rubbishy pop around at that time, but because of that the backlash was that things moved in a more positive direction .the London music seane is particularly good for prompting change people get bored quickly and with different multicultural musical influences it is constantly changing, it kind of boots you up the back side to stop you playing in same style, and look at new things.

就像在80年代Smiths的出现如一股新鲜空气，因为当时有太多的电子垃圾音乐。但正是因为这个原因，人们对音乐的需求推动了其向前发展。伦敦音乐的背景对刺激音乐的改变起着特别的推动作用。人们对一种音乐会很快失去兴趣，受不同文化交流的影响，音乐背景也一定会随之改变。这一现实会促使你向新事物新方向发展而不能总是奏一成不变的音乐。

A silent communications system in which nonaural carriers, in the very low or very high audio-frequency range or in the adjacent ultrasonic frequency spectrum are amplitude- or frequency-modulated with the desired intelligence and propagated acoustically or vibrationally, for inducement into the brain, typically through the use of loudspeakers, earphones, or piezoelectric transducers.

一个沉默的联系是不承载听觉，在非常低或非常高音频范围里，或在邻近的超音速的频谱中，这是广阔的-或带有期望的智能并且传播声学的频率调节或振动，为了刺激大脑内部，典型的是通过利用扬声器，耳机，或压电式换能器。

One, suck phlegmy the preparation before works 1 should make sure negative pressure attracts plant above all each conduit joins correct, close together, unobstructed, assure significant negative pressure, general adult 10.64~15.96Kpa, the baby should be controlled in 7.98~10.64Kpa. 2 preparation rinse the asepsis physiological saline that smokes phlegmy pipe 2 bottles, 1 bottle wash pump technically with Yu Chong the suction inside tracheal spile is phlegmy canal , additional 1 bottle rinse those who had sucked mouth, nasal cavity technically to smoke phlegmy pipe . 3 equipment are very different the asepsis of model sucks phlegmy canal and asepsis glove. 4 because suck phlegmy itself,be a kind of stimulation to the patient, sober patient is not willing to suck normally phlegmy, and the family member of insensible patient also thinks to suck phlegmy special anguish.

一、吸痰前的预备工作1首先要保证负压吸引装置各管道连接正确、紧密、通畅，保证有效的负压，一般成人10.64~15.96Kpa，婴儿应控制在7.98~10.64Kpa.2预备2瓶冲洗吸痰管的无菌生理盐水，1瓶专门用于冲洗抽吸气管插管内的吸痰管，另1瓶专门冲洗吸过口、鼻腔的吸痰管。3备好不同型号的无菌吸痰管及无菌手套。4由于吸痰本身对病人是一种刺激，清醒的病人通常不愿意吸痰，而昏迷病人的家属也认为吸痰非凡痛苦。

Modern beautiful model treatment is to use with injector " gun " the nutrient medicaments that wants the skin place of thimbleful, through tailor-made " gun " infuse arrives subcutaneous tissue, the course undertakes do not have the stimulation of painful and effective physics, chemistry and medicaments to the skin, by subcutaneous tissue is direct and after apace is absorbed, stimulative airframe fights consenescence and reborn action, according to different hairdressing motive, and use nutrient drug also not identical.

现代的美塑疗法是用一支附有注射器的"枪"将极少量的皮肤所需的营养药物，通过特制的"枪"注入到皮下组织，经过对皮肤进行无痛而有效的物理。化学和药物的刺激，经由皮下组织直接而快速地吸收后，促进机体抗衰老及再生的作用，依不同的美容作用，而使用的营养药剂亦不相同。

If the balance of our lives had not one scale of reason to poise another of sensuality, the blood and baseness of our natures would conduct us to most preposterous conclusions: but we have reason to cool our raging motions, our carnal stings, our unbitted lusts, whereof I take this that you call love to be a sect or scion.

要是在我们的生命之中，理智和情欲不能保持平衡，我们血肉的邪心就会引导我们到一个荒唐的结局；可是我们有的是理智，可以冲淡我们汹涌的热情，肉体的刺激和奔放的淫欲；我认为你所称为「爱情」的，也不过是那样一种东西。

In Mansun's Only Love Song', we get a glimpse into his life as he sees himself during the day - a vicar in appearance, but his mind is far away, dreaming of the exciting world of being a stripper -"Mavis looking sexy through her dress it shines, standing in the vestry she recites her lines" are how he views himself at that time - just reciting lines like an actor, not really meaning it, as his mind was on being Mavis, his stripper alter-ego, who really is "all things to no men" in the clubs.

在Mansun's Only Love Song'这首歌中，我们得以窥见到他的真实生活，他真实的一面----表面道貌岸然，脑子里的幻想却早已九霄云外。。去幻想那些本该不属于自己生活的东西，比如，他会想如果自己变成脱衣舞娘那样的生活会有多刺激--绚丽的灯光下的Mavis--也就是幻想中的自己，看起来是那么迷人与性感。

Among the more commonly identified impairments and malfunctions of taste are ageusia ,(or ageustia from geustos, Greek for "tasting"), the absence of taste; hypogeusia , dulled or diminished taste; hypergeusia , increased sensitivity to taste; and phantogeusia, the perception of specific tastes—sweet, sour, salty, metallic, or otherwise unpleasant tastes—without the presence of any oral stimulus.

包括在这些更普遍确定的味觉损伤和障碍中的有：味觉丧失(or ageustia from geustos， Greek for &tasting&)，味觉缺失，味觉减退，味觉迟钝或降低，过敏，味觉感受的增加，还有幻味觉，不存在任何的口头刺激下产生细节味觉的感知—甜，酸，咸，金属味或其他的讨厌的味道。

Like as to make our appetite more keen With eager compounds we our palate urge, As to prevent our maladies unseen, We sicken to shun sickness when we purge. Even so being full of your ne'er-cloying sweetness, To bitter sauces did I frame my feeding; And sick of welfare found a kind of meetness, To be diseased ere that there was true needing.

好比我们为了促使食欲增进，用种种辛辣调味品刺激胃口；又好比服清泻剂以预防大病，用较轻的病截断重症的根由；同样，饱尝了你的不腻人的甜蜜，我选上苦酱来当作我的食料；厌倦了健康，觉得病也有意思，尽管我还没有到生病的必要。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。