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And so I think what a miracle it would be if this miracle which man attends eternally should turn out to be nothing more than these two enormous turds which the faithful disciple dropped in the bidet. What if at the last moment, when the banquet table is set and the cymbals clash, there should appear suddenly, and wholly without warning, a silver platter on which even the blind could see that there is nothing more, and nothing less, than two enormous lumps of shit. That, I believe would be more miraculous than anything which man has looked forward to.

于是我想到,假如这个人类永远朝思暮想的奇迹原来什么也不是,只是甘地的这位忠实弟子在坐浴盆里拉的两截粗粗的大便,那将是怎样的一个奇迹埃假如在宴会桌已摆好,吃饭的铃声已响起了最后一刹那,在事先并没有告知大家的情况下一只大银盘突然端上来,连瞎于也可以看到上面不偏不倚、不歪不斜地摆着两截粗粗的大便-我认为这才是最叫人惊叹不已的奇迹,比人们盼望的任何奇迹更刺激。

Meriones took aim at him with a spear, nor did he fail to hit the broad orb of ox-hide; but he was far from piercing it for the spear broke in two pieces long ere he could do so; moreover Deiphobus had seen it coming and had held his shield well away from him.

其时,墨里俄奈斯举起闪亮的枪矛,瞄准投射,不偏不倚,击中后面,打在溜圆的牛皮上,但枪矛不曾穿透――还差得老远――长长的枪杆从杆头上掉落下来。德伊福波斯挺出皮盾,挡住抢击,惧怕精于搏战的墨里俄奈斯的投枪。

One thing is sure, is that they do not support or even oppose the idea of substituting art, and associated with this is that they recognize the value or the value added of the fine arts. They are not esthetes, but firmly believe that art must have an aesthetic quality--in their eyes all the so-called ideas, even the most valuable concepts of art must be achieved through the aesthetic of the intermediary, even though they may oppose the concept of contemporary art's tendency to suppress the technology, but they do not flaunt technological supremacy. They acknowledge and accept the meaning of art, but they also convey the concept of artistic value in way they try to select a relatively moderate path, neutral, and not too left or right, but also East and West, ancient and modern, not avant-garde nor stale, either extremes must be avoided. And to be able to do this, we've reached the limits of a teacher's role, going beyond these expectations is not very realistic, as the less moderate we get, the further we are from a teacher's identity.

有一点可以肯定,那就是他们不赞成甚至反对以观念代替艺术,与此相关联的是他们承认甚至看重技术对於艺术的价值,他们都不是唯美主义者,但坚信审美是艺术必须具备的品质,在他们眼里一切所谓观念,即使是最有价值的观念在艺术中都必须经由审美的中介加以实现,虽然他们反对观念至上,反对当代艺术中蔑视以至讨伐技术的倾向,但他们并不标榜技术至上;他们承认并接受观念对於艺术的意义,但他们同时看重传达观念的方式,他们试图选择的是一条相对中庸的道路,不偏不倚,不左不右,亦中亦西,有古有今,前卫亦无不可,极端则须避免,能够做到这些,已经是作为教师的角色选择的极限,超越这些范畴的期待已经不很现实了,而远离这些范畴的选择又似乎有违於教师的身份。

Hector first aimed his spear at Ajax, who was turned full towards him, nor did he miss his aim. The spear struck him where two bands passed over his chest- the band of his shield and that of his silver-studded sword- and these protected his body.

光荣的赫克托耳首先投出枪矛,对着迎面冲来的埃阿斯,枪尖不偏不倚,击中目标,打在胸前,两条背带交叉的地方,一条扣连战盾,另一条系提着柄嵌银钉的劈剑,两带叠连,挡护着白亮的皮肉。

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