不修边幅

Besides, a short period of married life, of complete surrender of all faculties, absolutely incapacitates the average woman for the outside world. She becomes reckless in appearance, clumsy in her movements, dependent in her decisions, cowardly in her judgment, a weight and a bore, which most men grow to hate and despise.

除外，对所有能力的完全投降的短时间的婚姻生活，绝对地使每个妇女面向外部世界显得无能，她变得表面不修边幅，行动迟缓，作决定上犹豫，判断上懦弱，又胖又令人讨厌，这引起很多男人渐生恨意和蔑视。

It is rare that a profound revery does not spring from that glance, where it falls. All purities and all candors meet in that celestial and fatal gleam which, more than all the best-planned tender glances of coquettes, possesses the magic power of causing the sudden blossoming, in the depths of the soul, of that sombre flower,impregnated with perfume and with poison, which is called love.

那天晚上，马吕斯回到他的破屋子里，对身上的衣服望了一眼，第一次发现自己邋里邋遢，不修边幅，穿着这样的&日常&衣服，就是说，戴一顶帽边丝带附近已破裂的帽子，穿双赶车夫的大靴，一条膝头泛白的黑长裤，一件肘弯发黄的黑上衣，却要到卢森堡公园里去散步，真是荒唐透了顶。

Slobs constantly leave messes in their wake. To make matters worse, they won't offer to pick up or clean! Luckily common filth won't offend their senses.

不修边幅的市民总是搞的一团乱，更糟的是他们不会想要收拾清理，还好一般程度的脏污不会让他们感到不舒服。

She slop ped about her room, unkempt and disheveled, in her tawdry dressing-gown

她不修边幅，满头蓬发，穿着俗里俗气的睡衣邋邋遢遢在屋里走来走去。

Indeed, the only places where sloppiness is marching on unchecked are those that are sheltered from the market economy. Last month two local councils in the UK declared that they were getting rid of all apostrophes in street signs to "avoid confusion".

事实上，只有在不受市场经济左右的领域，不修边幅还可以无拘无束地继续下去。1月份，英国两处地方议会宣布，将抹去街道标志中的所有格符号，以&避免困惑&。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。