不修边幅

If you look like a slob, you'll give the impression you're a slob.

如果你看起来不修边幅，那么你给人的印象就是这样的。

Don't let yourself go to seed when you reach middle age!

你不要人到中年就不修边幅了。

I had another belt not so broad, and fastened in the same manner, which hung over my shoulder; and at the end of it, under my left arm, hung two pouches, both made of goat's-skin too; in one of which hung my powder, in the other my shot: At my back I carried my basket, on my shoulder my gun, and over my head a great clumsy ugly goat-skin umbrella, but which, after all, was the most necessary thing I had about me, next to my gun: As for my face, the colour of it was really not so Moletta-like as one might expect from a man not at all careful of it, and living within nine or ten degrees of the equinox.

另一条皮带斜挂在我的肩膀上，它不那么宽，也是用同样的方法系上的；它的末端，也就是在我左胳膊下，挂着两个袋子，也是羊皮做的，一个装着火药，一个装着子弹。我背上背着筐子，肩上扛着枪，头上撑着一把笨拙丑陋的羊皮大伞。不过这伞毕竟是我随身最需要的东西，仅次于枪。至于我的脸，并不像一个住在赤道九度、十度以内地区不修边幅的穆拉托人（原文为moletta-like）那样黑。

I had another Belt not so broad, and fasten'd in the same Manner, which hung over my Shoulder; and at the End of it, under my left Arm, hung two Pouches, both made of Goat's-Skin too; in one of which hung my Powder, in the other my Shot: At my Back I carry'd my Basket, on my Shoulder my Gun, and over my Head a great clumsy ugly Goat-Skin Umbrella, but which, after all, was the most necessary Thing I had about me, next to my Gun: As for my Face, the Colour of it was really not so Moletta-like as one might expect from a Man not at all careful of it, and living within nine or ten Degrees of the Equinox.

另一条较窄的皮带，斜挂在我的肩膀上，也用皮条系着。这条皮带的末端，在我左胳膊下，挂着两个山羊皮袋，一个装火药，一个装子弹。我背上背着筐子，肩上扛着枪，头上撑着一顶羊皮做的大阳伞，样子又难看又笨拙。尽管如此，除了枪之外，这把伞也是我随身不可缺少的东西。至于我的脸，倒不像穆拉托人那么黑，看上去像一个住在赤道九度、十度之内的热带地区那种不修边幅的人。

She disapproved of all her neighbors because of their slovenly house-keeping.

她不赞成她的邻居们，因为她们是不修边幅的邋遢鬼。

That evening, on his return to his garret, Marius cast his eyes over his garments, and perceived, for the first time, that he had been so slovenly, indecorous, and inconceivably stupid as to go for his walk in the Luxembourg with his "every-day clothes," that is to say, with a hat battered near the band, coarse carter's boots, black trousers which showed white at the knees, and a black coat which was pale at the elbows.

那天晚上，马吕斯回到他的破屋子里，对身上的衣服望了一眼，第一次发现自己邋里邋遢，不修边幅，穿着这样的"日常"衣服，就是说，戴一顶帽边丝带附近已破裂的帽子，穿双赶车夫的大靴，一条膝头泛白的黑长裤，一件肘弯发黄的黑上衣，却要到卢森堡公园里去散步，真是荒唐透了顶。

After a short suspense, it was opened by a tall, gaunt man, without neckerchief, and otherwise extremely slovenly; his features were lost in masses of shaggy hair that hung on his shoulders; and his eyes, too, were like a ghostly Catherine's with all their beauty annihilated.

过了一会，一个高大而样子可怕的男人开了门，他没戴围巾，全身上下显得邋遢，不修边幅。他的脸都被披在他肩膀上的一大堆乱七八糟的头发遮住了；他的眼睛也生得像幽灵似的凯瑟琳的眼睛，所有的美都毁灭无遗了。

Raunchy day in addition to their daily subsistence and hate have to do the work, the rest is in the enjoyment of cannabis, and feel a little fun in life.

整日里不修边幅的他们每天除了为了维持生计而不得不做的讨厌工作外，剩下的就是在享受大麻的同时感受到人生的一点乐趣。

The individual's energy is finite, consider go up to fill in content into the homepage, do not have time to if do the homepage very,decorate page; only beautiful, content very won't rich, be like a scholar often raunchy same.

个人的精力是有限的，顾得上把内容塞进主页，就没时间修饰页面；假如把主页做得很唯美，内容就不会很丰富，好象读书人往往不修边幅一样。

Regardless, though, they do have a rough-and-ready character from their slightly uneven shapes that gives a natural variety to the resulting designs that somehow makes them feel more comfortable, aged and homey.

然而先不管这些，从他们不修边幅的外表看，他们确实有着潦草的特征，这给因而产生的制造一个自然的多样性，同时却给人带来舒适的，年代久远的，自在的感觉。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。