不会上当

Second, the bad on the one hand, we have met online friends, some of them, I had never seen before, and we do not understand some of their cases, on the adoption of the Internet platform with their contacts, to listen to their side of the story,So that we would be very easy to be taken in, deceived, for example, get money, Pianse phenomenon in our society are everywhere, on television, newspapers also reported widespread this phenomenon, and so on.

第二，不好的一方面是，我们在网上碰到的朋友，他们中的一些，我以前从来没有见过，我们对他们的一些情况根本不了解，就通过上网这个平台，与他们交往，听他们的一面之词，这样我们会很容易上当，受骗，比如，骗钱，骗色的现象在我们社会遍地都是，电视上，报纸上也很普遍的报道过这类现象，等等。

Yo, yo Yo, yo Your honour please Gotta believe what I say What I will tell Happened just the other day I must confess 'Cos I've had about enough I need your help Got to make this here thing stop Baby I swear I tell the truth About all the things you used to do And if you thought you had me fooled I'm tellin' you now objection overruled Here we go One for the money and the free rides It's two for the lie that you denied All rise All rise Three for the calls you've been making It's four for the times you've been faking All rise (I'm gonna tell it to your face) All rise You're on the stand With your back against the wall Nowhere to run And nobody you can call oh no I just can't wait Now the case is open wide You'll try to pray But the jury will decide So step back 'cos you don't know this cat I know deep down that you don't want me to react I lay low leaving all my options open The decision of the jury has not been spoken Step in my house you find that your stuff has gone But in reality to whom does the stuff belong I bring you into court to preach my order And you know that you overstep the border, uhuh All rise It's two for the lie that you denied All rise All rise Three for the calls you've been making It's four for the times you've been faking All rise All rise One for the money and the free rides It's two for the lie that you denied (can't you pay) All rise (what you've done) All rise Three for the calls you've been making It's four for the times you've been faking (can't you pay) All rise (what you've done) All rise (where you've gone) One for the money and the free rides It's two for the lie that you denied All rise all rise Three for the calls you've been making It's four for the times you've been faking I said all rise I'm gonna tell it to your face All rise, I rest my case uhuh uhuh

你的荣誉，请宝贝，相信我怎么说什么，我会告诉刚刚发生的另一天我必须承认'产地来源证我已经足够我需要你们的帮助必须使这件事在这里停止宝宝我发誓，我告诉真相对于所有的事情，你用来做而如果你以为你有我受骗上当我tellin '，你现在反对推翻在这里，我们去一本是关于金钱和免费乘车它的两个为谎言，你否认所有上升所有上升三，为召唤你已经使它的四项时代你已经作假所有崛起（我在哪里也告诉它，以你的脸）所有崛起你对的立场与你的背部撞在墙上无处可运行没有人，你可以打，哦，没有我只是不能等待现在的情况是敞开你会尝试祈祷但陪审团将决定所以，退一步说'产地来源证你不知道这猫我知道内心深处，你不希望我作出反应 i打下低离开我的所有选择决定陪审团没有得到发言一步，我的房子，你觉得你的东西了但在现实中，以谁的东西都属于我带来了你在法庭上公开传教订单你知道你超越边界， uhuh 所有崛起它的两个为谎言，你否认所有上升所有上升三，为召唤你已经作出它的四项时代你已经作假所有上升所有上升一本是关于金钱与自由游戏机它的两个为谎言，你否认所有崛起所有崛起三，为召唤你已经作出它的四项时代你已经作假所有崛起所有上升一本是关于金钱和免费乘车它的两个为谎言，你否认所有崛起所有崛起三，为召唤你已经使它的四项时代你已经作假我说，所有崛起我哪里也告诉它，以你的脸所有崛起，我休息，我的案子没有翻译的代表没有意思，只是一些发出的声音

All they'd had in common as comradely lovers forty years earlier in Greenwich Village─when he was a NYU finishing up his Ph.D. and Iris was an escapee fresh from two nutty anarchist parents in Passaic and modeling for life drawing classes at the Art Students League, armed already wit her thicket of

四十年前，他们在格林威治村作为志同道合的情侣时所共有的一切---那时他在纽约大学攻读博士学位，爱丽丝刚从她帕撒克那桀傲不逊且崇尚无政府主义的父母家里逃出来，在艺术学联的人会写生课上当模特儿，一头密匝匝的

And while you feel certain to you that your preference is not due to those silly ads (just like it might seem obvious to a manager that they didn't promote a candidate because he brings her donuts every morning), perhaps it is the certainty with which we dismiss these kinds of manipulative and deceptive appeals that allows them to hold such sway.

尽管你很肯定你的选择不受愚蠢广告的影响（就像老板会理所当然地认为她给这个人升职不是因为他每天都给她带早餐），但也许正因为我们自以为能躲开这种谎话连篇的广告，才让我们这样容易上当。

If we discipline ourselves to adopt periodically a "nonego" state, we can perceptively drink in the full meaning of a situation without imposing ourselves upon it.

如果我们训练自己定期地置身于&无我&状态，我们就能敏锐地领会形势的全部含义，而不会受骗上当。

You shall see what sort of a being I was cheated into espousing, and judge whether or not I had a right to break the compact, and seek sympathy with something at least human.

你们会看到我受骗上当所娶的是怎样一个人，评判一下我是不是有权撕毁协议，寻求至少是符合人性的同情。

I could heartily wish a law was enacted, that every traveller, before he were permitted to publish his voyages, should be obliged to make oath before the Lord High Chancellor, that all he intended to print was absolutely true to the best of his knowledge; for the world would no longer be deceived, as it usually is, while some writer, to make their works pass the better upon the public, impose the grossest falsities on the unwary reader.

我衷心希望能实行这样一条法律：每一位旅行家在得到准许以前，必须向大法官宣誓，尽他的知识保证：他想要出版的游记全都是绝对真实的，世人才不会再像通常那样受骗上当；然而有些作家，为了使自己的作品能讨好大众，硬是用一些弥天大谎来欺骗粗心大意的读者。

For the rest of this spring, I will not be suckered.

这个春天剩下的日子里，我一定不会再上当受骗。

I need love come set me free Give me one chance don't walk on by When I look deep into your eyes When I look into your eyes I know you tell me lies It's never gonna be the same again You will always make me cry Yous tarted to pass me by It's never gonna be the same again Look into your eyes It's never gonna be the same again without you Want to free my heart It's never gonna be the same again without you Here we go wo-o-woh wo-o-woh yeah...

我需要被释放我的被来的爱给我一个机会不走在被之上当我进入你的眼睛之内看起来深当我调查你的眼睛我知道你告诉我谎言它从不正在去再是相同的你将会总是使我哭你酸的漠视我它从不正在去再是相同的调查你的眼睛它从不正在去没有你再是相同的想要释放我的心它从不正在去没有你再是相同的我们去在这里了 wo-o-woh 的 wo-o-woh 是的。。。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。