下雪的

There's not much fear of snow at this time of year.

每年的这个时候，就不用担心会下雪了。

If you live in region where it snows, do keep the snow shovels to be kept in cars, along with a torch( preferably with a blinker built in), a blanket, spare gloves, etc.

如果你住的地方经常下雪，务必在行驶时带上雪铲、手电、毛毯、备用手套等东西以应急。

After stabilizing his painting box one the back seat of his bike, he would spraddle there still without movement for hours--this was his standard pose for painting, even in rain or snow, looking like a samurai.

他画画有个标准性动作，画箱在自行车尾座上放稳了，两条短腿叉开一站就再也不动了，有时几个钟头都不挪动一下，甚至下雨下雪也不受影响。很有点武士道的味道。

Wichita Lineman 歌手:Glen Campbell i am a lineman for the county and i drive the main road searchin' in the sun for another overload i hear you singin' in the wire, i can hear you through the whine and the wichita lineman is still on the line i know i need a small vacation but it don't look like rain and if it snows that stretch down south won't ever stand the strain and i need you more than want you, and i want you for all time and the wichita lineman is still on the line and i need you more than want you, and i want you for all time and the wichita lineman is still on the line

我是一个县和i线员驾驶的主要道路 searchin在阳光'再超载我听说你在雨中线'，我可以听到你通过哀鸣线务员的威奇托仍然是上线我知道我需要一个小假期但它看上去并不象雨如果它下雪的拉伸南下，就不会承受压力和我需要你多想你，我要为你的所有时间线务员的威奇托仍然是上线和我需要你多想你，我要为你的所有时间线务员的威奇托仍然是上线

Benaiah the son of Jehoiada, the son of a valiant man of Kabzeel, who had done many acts; he slew two lionlike men of Moab: also he went down and slew a lion in a pit in a snowy day.

11：22 有甲薛勇士耶何耶大的儿子比拿雅行过大能的事，他杀了摩押人亚利伊勒的两个儿子，又在下雪的时候下坑里去杀了一个狮子

Benaiah the son of Jehoiada, the son of a valiant man of Kabzeel, who had done many act he slew two lionlike men of Moab: also he went down and slew a lion in a pit in a owy day.

11：22 有甲薛勇士耶何耶大的儿子比拿雅行过大能的事，他杀了摩押人亚利伊勒的两个儿子，又在下雪的时候下坑里去杀了一个狮子

It was dark and starless that night, the drafts smelled of snow, and the dirt floor was colder than ice.

那是一个漆黑的没有星星的夜晚，天上厚厚的云，有下雪的倾向，肮脏的地板比冰还要冷。

A fierce-looking woman had led her from the side of her father, bereft over the loss of his wife, and brought her to this wealthy household.

她的回忆是这样开始的：七年以前：也是在下雪的时候，一个面貌凶恶的中年妇人从死了妻子的她父亲那里领走了她，送她到这个公馆里来。

We plaid the snow battle;did athe snow men, it was really happy that could be described."children are not think of worries", how could we know that patents were anxious for the food and firewood, near the new year, there were not new clothes for family.... I can not forget when cut open the radish, all with the ice chips, in kitchen, bowls were iced together, on the eave side ice sicks were hanged...

少年不识愁滋味，小时候哪里知道一下雪父母要为粮啊柴啊熬煎，快过年了一家大小的新衣服还没着落呢……我忘不了雪天家里的萝卜一切开里面都是冰碴子，厨房里的碗都冻在一起，房檐上挂着冰棍棍儿……可是安康多年不下大雪了，有时冬天里象征性的飘几片雪花，地上积不了雪，有什么办法让天下雪？

I'll describe a shot from the Exterior Brookfield sequence of an exterior of a row apartment on fire with an explosion blasting out the third story windows. The shot was composited on an Inferno by Bob Wiatr. We started with a live plate of the street scene. Our first task was to remove a foreground chainlink fence and camera crew. We recreated the fg matching the flashing ambulance lights. To create a snowy, misty look we used a number of logic ops of the bg with a mist plate which was basically the bg heavily blurred and multiplied back onto itself, graduating to create a sense of dimensionality. Glows were added around lights and flames using Sapphire plug-ins and light beams were added to streetlights. Four or five layers of 3d particle snow created in Maya were combined with practical elements varying in size and focus depending on distance from the camera.A miniature explosion element was incorporated into the comp, also with added glows, interactivity with the building, and rotoscoping of foreground objects. The entire comp was then time warped for editorial matching with the subsequent cut.

我可以描述一个Exterior Bookfield的几个镜头，那是一排的公寓着火，在三楼窗户引起爆炸，这个镜头是Bob Wiatr用Inferno合成的，我们用一个现场的街道镜头开始，我们的第一个任务是删除一个在前景中的链条状的篱笆和摄像人员，我们重新制作了前景以期与前景中的闪烁的救护车灯匹配，为了制作一个下雪的雾蒙蒙的效果，我们用了大量的logic ops，用了一个雾层，这个层基本上就是把背景尽量模糊然后再把它重新加到背景上面，渐变式的制作出一个层次感，自发光用Sapphire插件加在灯光和火焰的周围，而光线被加到路灯上，在maya中制作的四到五层的三维的粒子雪用来和不同大小的真实的素材混合在一起，焦距则依赖镜头的景深，同时在楼房爆炸的地方加入了一个缩小了的爆炸素材，以及爆炸的辉光效果，和重新放置的前景物体，整个的镜头接着匹配时间用来做最后的剪辑制作。

The split between the two groups can hardly be papered over.

这两个团体间的分歧难以掩饰。

This approach not only encourages a greater number of responses, but minimizes the likelihood of stale groupthink.

这种做法不仅鼓励了更多的反应，而且减少跟风的可能性。