下着雨

Xi'an yesterday a "mud rain " Xi'an yesterday a "mud rain " Yesterday morning it started to rain in Xi'an but people will not feel under the rain but mud and dropped the car almost all the raindrops on the glass became a little mud the cars are parked outdoors into a "big painted face "rustic also filled with the air smelled of earth an umbrella if you do not go out not take a few minutes the body are also covered with mud is very uncomfortable.

西安昨日出现"泥雨"昨日凌晨，西安下起了小雨，但市民却感觉下的不是雨，而是泥，落在车上、玻璃上的雨滴几乎都成了泥点点，停在户外的小汽车都变成了"大花脸"，土里土气的，空气中也弥漫着一股土腥味，假如不打伞出门，用不剿几分钟身上也都充满了泥水，令人非常难受。

Gabriel Faure was deeply touched by Victor-Marie Hugo's poetry, and decided to creative his famous song 《Dream of love》: If there is a charming lawn, irrigated by the nature, and there are flowers in all seasons, there, people can pick up lilies, honeysuckles and jasmines, I will pave a path with these flowers, where you can step on it.......This leads to his philosophy: a man, full of love with his heart, will be blessed by the God, will feel happy forever.

作品描述：雨果的诗深深地打动了福雷去创作他的著名的艺术歌曲《爱之梦》："假如有一片迷人的草地，天灌溉着它，在那里所有的季节都开着鲜花，在那里人们可以采下满捧百合花、金银花和茉莉花，我愿用这些花铺一条路，在那里你的脚可以踩踏……"从而引出他的哲理：一个充满爱心的的人会得到上帝的祝福，永远快乐。

I would love to walking in the fine rain without any umbrellas and I would love to standing in the heavy rain with an umbrella.

我喜欢冒着毛毛细雨散步，我喜欢打着雨伞呆在在大雨里，可此刻却无心欣赏雨意，好希望雨快别下了。

Rain takes the forest of the mud breathing behind, the moonlight ruched down serenely, getting a drenching the creation of the vigorous , ripple the heavenliness of the superficial back.

雨后带着泥土气息的森林，月光安详的泻下，淋湿了苍劲的万物，荡漾着浮华背后的神圣。

It had been raining-the first real spring rain of the year had fallen-a bright spangle hung on everything, and the air smelled of buds and moist earth

雨下个不停(这年第一场真正的春雨已经下过了)，万物晶莹闪亮，空气中弥散着花苞叶芽和潮湿泥土的气息。

The rain drummed on the eaves of her garden fiat at Cuffe Parade She listened to its dismal threnody , tapping her teeth with her red pencil and watching streams snaking down the windowpanes .

雨鼓点般地落在她卡夫特帕拉德花园住宅的屋檐上，她听着忧伤的挽歌，一边用红色铅笔敲着牙齿，一边看雨水汇成的溪流从窗玻璃蜿蜒而下。

In airport,Is taking the umbrella,Allocates the umbrella handle to practice the carte and tierce,Smiles reveals the gum Enters An Jiankou,The pine opens his hand flash,The tear coasts Returns to Hangzhou on the road,In high cloud layer,Outside looks at the sky,Some one kind wants to die feeling.

飞机场上，一把伞下，分开伞柄练习接吻和拥抱，微笑揭开那层雨打树胶。踏上"？"，松树闪着光照着他的手，也张开，泪滴遍海岸！回杭州的路上，高高的云雾里，凝视外头天空的容貌，心中一种感觉，怅然，若失。。。。。。。

On bright, calm days they lie in thousands on the now darkening water, mostly yellow flotillas of poplar, floating continuously down from great trees that themselves shake in the windless air with the sound of falling water , but on rainy days or after rain they seem to swim or be driven away, and nothing remains to break the surface except the last of the olive-yellow lily pads that in high summer covered every inch of water like plates of emerald porcelain...

当风和日丽时，无数的树叶浮在已经变暗的湖水上，大部份都是白桦叶子，他们一批一批，像黄色的小小扁舟，不断地从高高的树上飘落下来，在无风的空气中轻轻地晃动着，发出如同流水而下的声音。但是在下雨的时候，或者雨过之后，那些浮在湖面上的落叶，仿佛鱼儿一样都游走了，又像是被不知什么驱赶一空，湖面上除了最后的几片黄绿色睡莲叶子，再无一物，而在盛夏里，那些睡莲叶子，如同翠绿晶莹的瓷盘，覆盖着每一寸湖面。

Gabriel Faure was deeply touched by Victor-Marie Hugo's poetry, and decided to creative his famous song 《Dream of love》: If there is a charming lawn, irrigated by the nature, and there are flowers in all seasons, there, people can pick up lilies, honeysuckles and jasmines, I will pave a path with these flowers, where you can step on it.......This leads to his philosophy: a man, full of love with his heart, will be blessed by the God, will feel happy forever.

作品描述：雨果的诗深深地打动了福雷去创作他的著名的艺术歌曲《爱之梦》：&假如有一片迷人的草地，天灌溉着它，在那里所有的季节都开着鲜花，在那里人们可以采下满捧百合花、金银花和茉莉花，我愿用这些花铺一条路，在那里你的脚可以踩踏……&从而引出他的哲理：一个充满爱心的的人会得到上帝的祝福，永远快乐。

Unfavoured part is the rain!

美中不足的是下起了雨，撑着雨伞，拎着背包，确实有点不能尽兴。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。