下延的

By metaphorically invoking the photographic terminology in the spirit of Bergsonian / Deleuzian time-movement interpretation as inspiration, the exhibition Timelapse in which a dozen artists from both Switzerland and China will participate, attempts to examine the fundamental constituent of digital media: the concept of time and its embodiment in space, its evocation of passage and memory, its movement of differentiation and its state of representation in diverse formal grammars to reveal the social implications of the fast in the disguise of the slow, the multiplicity in temporality and disparity in spatiality, both psychologically and geographically, stirring up a desire to scrutinize the nuances and ramifications in regards to the construct of cultural being in the disparate framework of time in distance and space in locality and the potential collapse of such time-space duality.

本次展览以柏格森以及德卢兹（ Deleuze，均为法国哲学家）有关时间－运动的解释为契机，含蓄地缓引"延时"这一摄影术语，在瑞士和中国两国艺术家的参与中，试图检验数字媒体的根本构成因数，及时间的概念以及其在空间中的体现，其对于过程和记忆的启示，其运动所产生的差异，以及其在运用形式语言时所呈现的不同表象，从而揭示被缓慢所遮掩的亟速之社会内蕴，其在时空中之心理与地理间的多样化和差异性，激起我们对于细察在不同的时空概念的框架下文化的构建，以及对于这种时空二元性之崩溃的可能性的欲念。

If all the flows getting into the system were constrained by the leaky-bucket parameters, the maximum cell delay and the buffer content bound were got when the capacity of the crosspoint was enough, and the maximum cell delay and the buffer capacity bound which can guarantee the maximum cell delay were also got when the content of the crosspoint was not enough.

在各数据流都由令牌桶参数约束的条件下，得到了交叉点缓存容量足够大情况下的最大信元时延和缓存临界容量大小，还得到了交叉点缓存容量不足够大情况下的最大信元时延以及保证信元具有时延上界的缓存临界容量大小。

If average values before or after catastrophe point when the pressure at both ends reduces exceed the threshold value, judging that there is leak and positioning: calculating approximate wavelet transformation coefficient of pressure data at both ends, initializing searching interval, calculating a signal time delay value corresponding to approximate wavelet transformation coefficient in the searching interval from maximal scale N; converting the time delay value under scale N to that under N-1 by geometric proportion relation; updating the searching interval, repeating above processes until the scale is 0 and positioning based on the time delay value.

若两端压力下降突变点前后的均值变化均超过阈值，判定有泄漏并进行定位：计算两端压力数据的近似小波变换系数，初始化搜索区间，从最大尺度N开始在搜索区间内计算对应近似小波变换系数的信号时延值，利用等比关系将尺度N下的时延估计值转换为N-1下时延估计值，以该值更新搜索区间，重复以上过程至尺度为0，以此时延估计值进行定位。

There are six points below serving as reasons: firstly, solvency report reveals company's solvency status at certain time point and discrete view regarding quarter as discrete accounting period is consistent with ideas of insurance surveillance and management; secondly, deferrals and withdrawals in advance of expenses in integral view make confirmed assets and liabilities inconsistent with definitions of admitted assets and ranking liabilities; thirdly, taking into account cost and expenses of the entire year also brings unnecessary troubles to accounting measurement; fourthly,"integral view" is more dependent on professional judgment and estimate by accounting personnel, which is likely to lead to incomparability of company's solvency reports; fifthly, it is consistent with provisions of enterprise accounting standards of our country, which is convenient for company to compile solvency report; sixthly, it is in compliance with methods adopted by most developed countries, which is helpful for international comparison.

其原因有以下六点：第一，偿付能力报告反映公司在某一时点上的偿付能力状况，"独立观"将季度视为独立的会计期间与保险监管的理念一致；第二，一体观下费用的递延和预提使确认的资产和负债不符合认可资产和认可负债的定义；第三，会计估计考虑全年的成本和费用也给会计计量带来不必要的麻烦；第四，"一体观"较多地依赖于会计人员的职业判断和估计，可能会导致不同公司的偿付能力报告不可比；第五，与我国的企业会计准则的规定一致，便于公司编制偿付能力报告；第六，与多数发达国家采用的方法一致，有利于国际比较。

Culm sheaths pale green-purple or yellow-green, at lower and or basal nodes with purple blotches and small spots, initially white powdery, scabrous between veins and minutely strigose, at upper nodes unmarked, usually glabrous; auricles and oral setae absent; ligule purple or yellow-green, peaked, fragile, 4–8 mm, usually decurrent on one or both sides, erose or lacerate, ciliolate; blade reflexed, green, linear, flat or ± wavy on lower sheaths.

竿箨苍绿色紫色的或黄色绿色，在低和或基部的节具紫色的斑点和小的斑点，叶耳和口头的刚毛无；叶舌紫色的或黄色绿色，达到最高点，脆，或者两面的4-8毫米，在一上的通常下延，啮蚀状的或撕裂状，具短缘毛；叶片反折，绿色，线形，平的或多少波浪状的在下部鞘。

The above results indicated that the localization of NPY immunoreactive neurons in New Jianghan chicken's medulla oblongata was similar to those in broiler,silky fowl and rat, and the inferior olivary nucleus might be important position where NPY is transconducted from medulla oblongata to cerebellum.

表明，江汉鸡延髓NPY阳性神经元的分布与肉鸡、乌鸡、大鼠的大体相似；下橄榄核可能是NPY在延髓-小脑传递通路中的一个重要枢纽。神经肽Y；SABC法；延髓；江汉鸡

Results Cerebellopontine angale region the lower neurovascular complex included glossopharyngeal nerve, vagus nerves, accessory nerve and hypoglossal nerves, and interrelated to posteroinferior cerebellar artery, bulbus medulla, cerebellar peduncle, bulbus fissurae cerebelli and cerebello-napex.

结果 桥小脑角区下血管神经复合体主要包括舌咽神经、迷走神经、副神经及舌下神经和相关的小脑后下动脉及延髓、小脑下脚、延髓小脑沟及小脑枕下部等。

Despite ready access to the sea food, Liguria's best-known food is land-based in origin. Focaccia, the locals' answer to pizza, is right-angled cuts of tasty bread made with little more than flour, salt, olive oil and a few extras than vary depending on which town along the Italian Riviera you visit. The tastiest type hails from Recco, where Stracchino cheese ( Stracchino is a type of Italian cheese, typical of Lombardy which derives from the Italian word "stracca", meaning "tired". It is said that the milk from tired cows is richer in fats and more acidic. It is eaten very young, has a soft, creamy texture and normally a mild and delicate flavour. It is normally square in form.) gets sandwiched between two layers of bread and then served piping hot. Those not keen on stand-up lunches among the sun-lotioned throngs have plenty of alternatives though as rustic eateries are plentiful around Santa Margherita Ligure.

在乐乔亚区虽然海产唾手可食，可是最吸引人的美食还是当地类似 Pizza 整齐切片的 Focaccia 面包，口味与配料延著义大利 Riviera 地区而异，主要是由面粉、盐、橄榄油与洋葱等额外配料烤成，最美味的是来自 Genova 省 Recco 区的 Stracchino 起司夹心热三明治( Stracchino 起司是 Lombardy 地区的典型起司，Stracchino 源自义大利文&stracca&，原意是疲倦，产自疲倦乳牛的牛乳据闻更富脂肪与酸性；趁鲜食用，乳脂柔软富香气，以块状包装)，它并非渴望在艳阳下囫囵吞枣的五脏庙祭品，但环绕 Santa Margherita Ligure 地区却有许多乡间小馆可让大家选择。

Through the definition of behavioral synthesis meaning of AFTER clauses, the enhanced ASAP and ALAP algorithm under AFTER clause delay time constraints is presented. The scheduling model under AFTER clause delay time constraints is also presented. The scheduling model is resolved by ILP.

通过对其行为综合语义的定义，给出了在AFTER子句时延约束下的ASAP和ALAP算法，建立了AFTER子句时延约束下的调度模型，并采用整数线性规划法求解调度模型。

By metaphorically invoking the photographic terminology in the spirit of Bergsonian / Deleuzian time-movement interpretation as inspiration, the exhibition Timelapse in which a dozen artists from both Switzerland and China will participate, attempts to examine the fundamental constituent of digital media: the concept of time and its embodiment in space, its evocation of passage and memory, its movement of differentiation and its state of representation in diverse formal grammars to reveal the social implications of the fast in the disguise of the slow, the multiplicity in temporality and disparity in spatiality, both psychologically and geographically, stirring up a desire to scrutinize the nuances and ramifications in regards to the construct of cultural being in the disparate framework of time in distance and space in locality and the potential collapse of such time-space duality.

本次展览以柏格森以及德卢兹（ Deleuze，均为法国哲学家）有关时间－运动的解释为契机，含蓄地缓引&延时&这一摄影术语，在瑞士和中国两国艺术家的参与中，试图检验数字媒体的根本构成因数，及时间的概念以及其在空间中的体现，其对于过程和记忆的启示，其运动所产生的差异，以及其在运用形式语言时所呈现的不同表象，从而揭示被缓慢所遮掩的亟速之社会内蕴，其在时空中之心理与地理间的多样化和差异性，激起我们对于细察在不同的时空概念的框架下文化的构建，以及对于这种时空二元性之崩溃的可能性的欲念。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。