上首

But just in such an era, the full sense travel phenomena in China appeared. A group of people that claimed to have "The Weijin Poise" played a carefree and peripatetic music of travel in suffering and anxiety, which formed the first peak in Chinas tourism history.

但是正是在这样的一个时代，中国完整意义上的旅游现象出现了，一群有着&魏晋风度&之称的人们在苦难与忧生中，演绎出了一首逍遥与旷达的旅游之乐，形成了中国旅游史上的第一个高峰期。

A dozen of these sectaries of Tingou lay flat upon their backs, while others, dressed to represent lightning-rods, came and frolicked on their noses, jumping from one to another, and performing the most skilful leapings and somersault s

首先是有十二三个这种&天狗神派&的演员仰卧在台上，接着又来了另一些长鼻子伙伴跳到他们那些象避雷针一样竖立着的鼻子上，他们在这些鼻子尖上蹦跳，飞跃，从这个鼻子到那个鼻子来回表演着各种令人难以相信的绝技。

A dozen of these sectaries of Tingou lay flat upon their backs, while others, dressed to represent lightning-rods, came and frolicked on their noses, jumping from one to another, and performing the most skilful leapings and somersaults

首先是有十二三个这种&天狗神派&的演员仰卧在台上，接着又来了另一些长鼻子伙伴跳到他们那些象避雷针一样竖立着的鼻子上，他们在这些鼻子尖上蹦跳，飞跃，从这个鼻子到那个鼻子来回表演着各种令人难以相信的绝技。

A dozen of these sectaries of Tingou lay flat upon their backs, while others, dressed to represent lightning-rods, came and frolic ked on their noses, jumping from one to another, and performing the most skilful leapings and somersaults

首先是有十二三个这种&天狗神派&的演员仰卧在台上，接着又来了另一些长鼻子伙伴跳到他们那些象避雷针一样竖立着的鼻子上，他们在这些鼻子尖上蹦跳，飞跃，从这个鼻子到那个鼻子来回表演着各种令人难以相信的绝技。

The other Chest I found had some Cloaths in it, but of little Value; but by the Circumstances it must have belong'd to the Gunner's Mate; though there was no Powder in it; but about two Pound of fine glaz'd Powder, in three small Flasks, kept, I suppose, for charging their Fowling-Pieces on occasion: Upon the whole, I got very little by this Voyage, that was of any use to me; for as to the Money, I had no manner of occasion for it:'Twas to me as the Dirt under my Feet; and I would have given it all for three or four pair of English Shoes and Stockings, which were Things I greatly wanted, but had not had on my Feet now for many Years: I had indeed gotten two pair of Shoes now, which I took off of the Feet of the two drown'd Men, who I saw in the Wreck; and I found two pair more in one of the Chests, which were very welcome to me; but they were not like our English Shoes, either for Ease, or Service; being rather what we call Pumps, than Shoes: I found in this Seaman's Chest, about fifty Pieces of Eight in Ryals, but no Gold; I suppose this belong'd to a poorer Man than the other, which seem'd to belong to some Officer.

接着，我就上了大船。我第一眼看到的，是两个淹死的人；他们紧紧地抱在一起，躺在前舱的厨房里。看来，船触礁时，海面上狂风暴雨，海浪接连不断地打在船上，船上的人就像被埋在水里一样，实在受不了最后窒息而死。除了那条狗，船上没有任何其他生还的生物。船上所有的货物，也都让海水给浸坏了，只有舱底下几桶酒因海水已退而露在外面，也不知道是葡萄酒还是白兰地。那些酒桶很大，我没法搬动它们。另外，我还看见几只大箱子，可能是水手的私人财物。我搬了两只到我的小船上，也没有来得及检查一下里面究竟装的是什么东西。要是触礁的是船尾，撞碎的是船首，我此行收获就大了。

It was there she kept her girlish treasure trove, the tortoiseshell combs, her child of Mary badge, the whiterose scent, the eyebrowleine, her alabaster pouncetbox and the ribbons to change when her things came home from the wash and there were some beautiful thoughts written in it in violet ink that she bought in Hely's of Dame Street for she felt that she too could write poetry if she could only express herself like that poem that appealed to her so deeply that she had copied out of the newspaper she found one evening round the potherbs.

这是姑娘的宝库，收藏着玳瑁梳子、&玛利亚的孩子&徽章、白玫瑰香水、描眉膏、雪花石膏香盒、替换着钉在洗衣房刚送回来的衣服上用的丝带等。忏悔薄上记载着她用紫罗兰色墨水（是从戴姆街希利的店里买来的）写下的一些隽永的思想。因为她感到，只要她能够像如此深深地感染了她的这首诗那样表达自己，她就也能够写诗。

That the song was inspired by a pet rat did not stop Michael taking it to No 1 in the US charts, his first taste of solo success

那首歌的灵感来自于一只宠物老鼠，并在全米排行榜上爬到第一位。迈克尔在单飞道路上第一次尝到甜头。

From May 4th Movement of 1919 to the 1920s, sex love narrations in Chinese novels were rather an enlightenment and liberation in that particular era with four characteristics. Firstly, sexual desire was endowed with rationality with regard to liberation of human nature and mutual love. Secondly, with an epochal concern for a stronger and superior race, greater attention was paid to sexual parties concerned, mainly physically. Thirdly, new ethics on sex were promoted in that personal freedom on sex love was emphasized and sex love became an important way of self-fulfillment. Therefore, independence of sex love was advocated and the scope of sex love was also widened. Fourthly, the sex consciousness of this period had the mixed features of the past and the contemporary. Sex love narrations in the 1930s and 1940s showed a further exploration on the theme of human nature. First of all, sex was restored to a kind of desire. ShenCongwen probed the importance of harmonious sex love to a sound personality and Shi Zhecunrevealed that sexual inhibition could lead to the distortion, even frenzy of human nature. Bothexplored the influence and functions of sexual desire as human nature upon human personality,giving prominence to the irresistibleness of sexual desire and the significance of sexual desire asa motive. Then, human bodies driven by sexual desire were described and given greater attentionto. Next, ethics on sex were deconstructed either by Shen Congwen who opposed man-madeethics with law of nature and the School of New Sensation who replaced traditional ethics on sexwith exchange rules in consumption, or by Shi Zhecun who spared no efforts in representing thecomplete failure of social rules, including ethics on sex, due to the impact from sexual desire.The direct effect was a paleness of the ethical binding force on sex. Last, sex consciousness inthe works of female writers emerged. In the early works of Ding Ling, the sexual desire of thefemale is no longer a ramification of emotion but an independent one. In addition, in the sex lovenarrations of other female writers, such as Mei Niang, strong self-consciousness on the socialstatus of the female is also reflected. Sex love narrations in the late 1970s and early 1980s wereactually a re-enlightenment in the spirit of humanism, whose major features include humanisticlegitimation of sex love within the boundary of ethics, a blend of sex love narrations withnational concepts and national myths as well as the aesthetic, poetic descriptions of humanbodies etc. In the middle and late 1980s, sex love narrations entered a stage of exploration forpluralism. First, by restoration of sexual desire, writers of this era restored human nature, thevery original state of human being. Different emphasis and tendencies could be seen in differentwriters: looking at sex love dialectically and trying to describe its creative as well as destructivecharacteristics; connecting sex love with violence and trying to reveal the evil side of humannature through it; emphasizing the creativeness of sex love especially in the heritage of"wildness".

从&五四&到20世纪20年代，中国小说的性爱叙事是一种处在时代夹缝中的启蒙和解放，其所表现出来的特点，一是正面赋予性欲望以合理性，这种合理性是在人性解放和爱情前提下获得的；二是在强种育种的时代焦虑影响下小说性爱叙事表现出对物质身体的关注，其焦点主要在体格方面；三是树立起新的性伦理道德观念，表现为强调在性爱问题上的个人选择自由，性爱成为个人自我实现的重要方式，从而赋予人在性爱问题上的独立性，同时还扩大了性爱表现的领域；四，这个时期小说性爱叙事中所表现出的性意识还具有新旧杂糅的特点。30、40年代小说性爱叙事表现出对人性主题的深化与丌拓，首先是把性还原为欲望本身来探索，沈从文从和谐性爱对健全人性的决定作用、施蛰存从性压抑会导致人性扭曲甚至疯狂的角度探讨作为人类本质性欲望的性对人性产生的影响和作用，突出了性欲力量的不可抗拒和作为人类行为的重要动力等方面的内容；其次在叙事中表现出对欲望化了的身体的描绘与关注；第三是解构了性的伦理道德，无论是沈从文以自然法则来反对人为的道德设置还是新感觉派用消费交换原则替代传统性伦理道德，或是施蛰存极力表现包括性伦理规范在内的社会法则在性欲力量冲击下溃不成军，其直接的效果都是使性伦理道德对人的约束力量显得苍白虚弱；第四，出现了由女性作家表现的女性性意识，在丁玲的早期作品中女性的性欲望不再是作为感情的衍生物而是独立的欲望存在，而在梅娘等其他女作家的小说性爱叙事中则表现出对女性社会地位的强烈自觉意识。70年代末80年代初期小说的性爱叙事实际上是在人道主义语境下的再次启蒙，其主要特征一是性爱在人道主义前提下获得合法性，但要求性爱不超出伦理规定的范围；再就是将性爱叙事同国家观念和民族神话相融合；此外还有对身体的描写审美化诗意化等。80年代中后期，小说性爱叙事进入了多元化探索的阶段，作家通过还原性欲望来还原人性、还原人类的本真状态，不同作家笔下表现为不同的侧重和倾向——以辨证的方式看待性爱，写出其具有的创造性力量和毁灭性特征；将性爱与暴力相联系并通过其来表现人性的黑暗；强调性爱的创造性作用，尤其在民族&血性&的传承方面。

In Hungary, a considerable number of people to commit suicide at the hands of the Danube Tou He always clinging to "Gloomy Sunday" of music; in Berlin, a young shopkeeper hanged himself, at the foot of the falling of this song a copy of the sheet; In Rome, a newsboy in the street beggars heard humming "Gloomy Sunday" tunes from a bridge near the Tiaohe suicide; in New York, a beautiful female typists use of gas poisoning in the way of suicide, And left a suicide note at the request of her funeral to play "Gloomy Sunday"; in France, and even a home in the radio program devoted to invite experts to discuss soul song.

在匈牙利，相当多的人赴多瑙河投河自尽时手里总是抓着《忧郁的星期天》的乐谱；在柏林，有个年轻店员上吊自尽，其脚下飘落着一张此歌的歌谱抄件；在罗马，一个报童在街上听到乞丐哼唱《忧郁的星期天》的曲调时，从临近的一座桥上跳河自杀；在纽约，一位漂亮的女打字员采用煤气中毒的方式自杀，并留下了遗书请求在她的葬礼上播放《忧郁的星期天》；在法国，甚至有家广播电台在节目中专门请灵学家来研讨这首歌的影响。

Next they will bounce on one of six trampolines, eventually launching from tramp into foam pit.

首先是在弹簧地板上翻跟头，接着是在跳床上起跳，直到可以从跳台起跳后落入泡沫坑里。

She gently rebuff ed him, but agreed that they could be friends

她婉言拒绝了，但同意作为朋友相处。

If in the penal farm, you were sure to be criticized.

要是在劳改农场，你等着挨绳子吧！