上鞋

A tiny drop of blood drips off the toe of Hadleys shoe and splashes across Reds upturned cheek.

一滴鲜血从哈雷的鞋尖上滴下，溅到瑞德向上仰着的脸上。

A tiny drop of blood drips off the toe of Hadley's shoe and splashes across Red's upturned cheek.

一滴鲜血从哈德利的鞋尖上滴下，溅到瑞德向上仰着的脸上。

He primary visual element in the T-Mac's design is the modified shell-toe element that covers the toe of the shoe and then wraps around and into the midfoot.

-Mac 设计上能看见的主要的元素就是覆盖鞋头，包裹周围，伸入中掌的改良的贝壳头。

But we know you're going to anyway, at least in some situations. If you do, wear your training shoes to minimize muscle damage.

但是，我们也知道无论如何至少在一些形势下，你还是会去，如果是真的话请穿上你的跑步训练鞋吧，这可以最大限度地减少你的肌肉受到伤害。

Race in training shoes that have proved successful for you.

谨慎起见。竞赛时还是穿上被你证明有效的跑步训练鞋更好。

No footwear is allowed on the training mats. All shoes should be placed in neat rows atdesignated areas and pointing outwards.

不要穿著鞋子踏在练习垫子上，所有鞋子应以鞋头向外的方向整齐地放在指定位置。

You take off your shoes to jump on a trampoline!

你要脱了鞋在蹦床上蹦。

Behold, one is coming after me; I am not worthy to unfasten the sandals of his feet.

及至若翰将完成自己的任务时，说道：我不是你们所猜想的那位，但是，看，他在我以后要来，我不配解他脚上的鞋。

French fashion designer Emanuel Ungaro adds:"What I find deeply unattractive are short sleeves," while Diego Della Valle, chief executive and president of Tods shoes, says, I only wear light-blue buttoned-down Oxford cotton or jean shirts, and I've only ever worn long sleeves.

法国时装设计师伊曼纽尔温加罗补充表示："我所发现的非常没有吸引力的衣服就是短袖。"Tod's鞋的首席执行官兼总裁迭戈黛拉瓦尔表示：我只穿淡蓝色的领子扣于衬衫上的牛津棉布或牛仔衬衫，并且我唯一一直穿的是长袖。

The train leaves rose, this person a unit of weight is unhesitating the ground is taken off with respect to the shoe that gets on another foot, also threw.

火车开起来了，这个人毫不犹豫地就把另一只脚上的鞋脱下来，也扔了下去。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。