上酒人

Originally, TAPA means 'cover', it is said that in the old days, the Spanish used a slice of cheese or ham to cover their wine glasses to prevent little insects falling inside.

Tapa原意"盖上"，以前西班牙人喝酒时会用一小快火腿或奶酪盖着酒杯，以免小虫之类的掉进酒杯，tapas后来就变成了佐酒小食。

Then you will go on further from there and come to the terebinth of Tabor; and three men will meet you there, going up to God at Bethel, one carrying three kids, and another carrying three loaves of bread, and another carrying a skin of wine.

10：3 你从那里往前行，到了他泊的橡树那里，必遇见三个上伯特利去敬拜神的人，一个带着三只山羊羔，一个带着三个饼，一个带着一皮袋酒。

I told him to get it and when it came I gave him the change and the man beside me and I got drunk and slept until past Vicenza where I woke up and was very sick on the floor.

我就叫他去买来，酒来后我把找钱赏给他，接着便和邻座的人喝个大醉，一直睡到过了维琴察城才醒来，在地板上大吐了一阵。

Since by the LORD'S blessing I have made progress till like a vintager I have filled my wine press

蒙上主的降福，我预先着手工作，也像收获葡萄的人一样，填满了我的榨酒池。

Does not a little suffice for a well-bred man? When he lies down, it is without discomfort.

为有规律的人，少许酒便够了；这样，在床上既不气喘，也不感到痛苦。

The questions they asked the professor are very common among those not medical, including the epigastric discomfort, some material claimed to be effective on drunk, and so on.

给这位教授的问题对于不是医学专业的人来说是很普遍的，比如上腹部不适和某些宣称能够解酒的药物等等。

You could be sleeping, on a business trip, or sitting on the sunny sands of a Caribbean beach sipping pina coladas next to that special someone.

你可以在一次商务旅行时，在睡觉，或者坐在阳光下的加勒比海滩上，坐在某个特别的人的旁边，品着一杯冰镇果汁朗姆酒。

I invoke your consideration of the scene--the marble-topped tables, the range of leather-upholstered wall seats, the gay company, the ladies dressed in demi-state toilets, speaking in an exquisite visible chorus of taste, economy, opulence or art; the sedulous and largess-loving garcons, the music wisely catering to all with its raids upon the composers; the melange of talk and laughter--and, if you will, the Wurzburger in the tall glass cones that bend to your lips as a ripe cherry sways on its branch to the beak of a robber jay.

我提到下面的情景定会引起你的思考——大理石桌面的桌子，一排排靠墙的皮革椅座，愉快的侣伴，稍加打扮的女士们正以微妙而又明显可见的情趣争相谈论着经济、繁盛和艺术，小心周到喜欢慷慨的侍者，使作曲家慌忙不迭的音乐机灵地满足一切人的口味，还有杂七杂八的谈话声、欢笑声——假如你乐意的话，高高的玻璃锥体维尔茨堡酒将躬身到你的唇边，就像那枝头上的熟樱桃摇晃进强盗樫鸟的嘴壳一样。

"A virtual ball of energy and light, Marlee Matlin's Jodi is a welcome return to the fold, but this season, as she puts a drunk Tina to bed on Bette's sofa and Bette's a downright stick in the mud, it makes a girl wonder why Jodi and Tina don't just eliminate the middle man and go for each other."

主要是说Jodie回归了，不过在这季里，当她把喝醉酒的Tina放在Bette的沙发上睡觉，而Bette又是一个十足保守的人，那令女人想知道，为什么Jodi和Tina不剔除中间那个人，直接追求对方起来。。。

And for some reason...whenever I find someone nice like her, I'll think of Harry...but, too bad...she's taken! haha...The rehearsals have been going very well. I've already finished learning the first number, which is the hardest number in the show....and all I have to do is keep practicing and hopefully..it will be up to tempo before the 5th....my legs are a bit sore and I sweat like crazy..but, it's been a great workout..and for the first time, I'm starting to enjoy tapping! My feet have blisters...but..there is something about having blisters that makes me satisfied....I feel like I've been really working at it! If that makes any sense.... It's like...playing the guitar and finding that your fingers tips are growing callouses. Anyways...I know I'm working hard and I know I'm improving....so..it's all worth it in the end....

每当我见到一个好女孩，我常会有私心，希望她会和我的弟弟 Harry 做朋友，当然我是多余的，她早就已经有男朋友了，哈哈哈…那天我们练得还很不错，我把开场那段踢躂舞全学会了，当然我须要加紧不断的练习，希望在下个月五日，上海首演时我可以赶得上节奏…不过我的脚很酸，而且还留了很多汗，这应该是最佳运动，很难想像我居然开始越来越喜欢踢躂舞了，我还特别兴奋我的脚开始生茧了，好像证明了什麼，就像是那些结他手，为他们练得生茧的手指而自豪，我也为自已勤奋练习，不断进步而自豪吧，所以对我来说，这一切都是值得的…哦，还有我们所有的人在星期一都去一个八十年代的一个酒巴，这里有些照片跟你分享

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。