上衣外套

Elsewhere, he let the volume fly free in a leather trench, a nylon windbreaker, or a denim peacoat layered over denim shorts. They added a tough little fillip to a collection that otherwise was very much in the ambiguous vein that Ossendrijver and his mentor Alber Elbaz have made the signature of Lanvin's menswear. Hence, a tee beaded with a trompe l'oeil necklace effect, a male version of the faux tulle-mounted jewelry in Elbaz's womenswear.

当然，皮革剪裁成卷曲飘逸状、或者尼龙防风上衣、丹宁peacoat夹克外罩丹宁短裤、以及品牌宗师Alber Elbaz擅玩的柔媚线条，全都被Lucas Ossendrijver混融一气；Ossendrijver相当高明撷取Alber Elbaz的经典珍珠装饰於男仕服装中，无论配件/t恤/针织上衫/或是外套夹克，我们都可显见大量的Elbaz影响身影出没。

Classic Galliano motifs—newspaper-print tops, recycled and reconfigured jeans, hard-core leather straps and zippered motorcycle jackets—were thrown together with new creations like a bag that evoked a classic '50s car (complete with door-handle clasp), sporty blousons with racing stripes, a bright yellow life-vest jacket and ruffled, hooded windbreakers.

经典加里亚诺图案-报纸-打印上衣，再造和重新牛仔裤，硬核皮革背带和拉链的电单车夹克-被加上新的创造像一个袋子说，引起了五十年代的经典车，运动blousons与赛车的条纹，鲜黄色的生活背心外套及ruffled ，蒙面风衣。

In summer I wore cotton frocks and cardigans Jenna Knitted; in winter I wore gray flannel pleated skirts and gray flannel jackets.

夏天，我穿着棉上衣和珍娜织的开衫；冬天，我穿灰色法兰绒打褶短裙和灰色法兰绒外套。

The first outfit featured a coat, the last a jacket in a black velvet with a seductively viscous sheen. In between came herringbones, shearlings, wools striated like chenille, and extraordinary jacquards that looked like mineral strata. The simple assumption was that they were hand-painted, but no, they were woven.

开场的外套融合了高度设计感，压轴的黑色天鹅绒短上衣呈现出诱人沉醉的雾面光泽，而其间鱼贯而出的人字纹针织面料，卷曲短羊毛面料，编成绳绒状的羊毛面料，和像是矿物地质层效果的特殊提花织物，看起来很像是手工涂绘的，但这其实都是Simons用机器折腾出来的！

A rising middle class and the temptation that an exposed "pocket" presented to thieves led it to be sewn inside garments and, in the early 1800s, pockets began to appear in trousers, waistcoats and jackets.

由于中产阶级人数增长，以及露在外面的&口袋&容易对小偷产生诱惑，口袋开始被缝制在外套内侧。到了19世纪早期，口袋又开始出现在裤装、背心和短上衣上。

The strappy top/chiffon dress and jacket option is a good one, because it functions as two outfits in one.

吊带上衣/薄纱礼服和短款外套是不错的选择，因为一件衣服要有两种功能（莫斯基诺的衣服在这样的情况下就很合适）。

The Pro Edition capsule collection features in the first delivery only., including water-repellent and stain-resistant pants, jackets, knits and jersey tops, also with moisture management qualities.

亲版胶囊收集的特点，在首批次交付时间只，包括憎水和染色抗裤，外套，针织物和新泽西州的上衣，也与水分管理素质。

My clothes used to arrive twice a year, in white boxes from London; they were sensible and they never varied. In summer I wore sea island cotton undershirts and, in winter, woolen ones with sleeves. I wore long socks or woolen stockings in winter, and short cotton socks in summer. I had three kinds of shoes: stout brown lace-ups, stout brown sandals, and flat pumps, made of bronze kid, which were reserved for parties, although I went to very few parties. In summer I wore cotton frocks and cardigans Jenna Knitted; in winter I wore gray flannel pleated skirts and gray flannel jackets. I had a succession of Harris tweed overcoats with velveteen collars, all of which were identical; a succession of identical pudding basin hats that clipped under the chin with elastic. I hated the scratchy winter vests, but apart from that, I never thought about my clothes a great deal, except when I went to visit my great-aunt Maud in London.

俺滴衣服每年两次，用白色盒子的盒子装着，从伦敦送达；我可以预见他们是怎么样的，他们从来没有改变过夏天，我穿海岛棉汗衫，冬天则是有袖的羊毛衫我在冬季穿长袜子或羊毛袜，夏天穿短棉袜我有三种鞋：褐色系带短帮鞋，啡色凉鞋和派对上穿的啡色小山羊皮平底舞鞋，虽然我很少参加派对夏天，我穿着棉上衣和珍娜织的开衫；冬天，我穿灰色法兰绒打褶短裙和灰色法兰绒外套我有系列的Harris斜纹软呢大衣，他们的衣领都是仿天鹅绒的，所有的这些都是完成一样的；一致的布丁一样圆圆胖胖，下巴位置下面有弹性的帽子我讨厌那种令人觉得发痒的冬季背心，但除此之外，我从来没有想过我的衣服着装是一件多么了不起的大事，除了当我去拜访在伦敦的莫德姑婆

I am accused of being overreligious," she said in her quiet, frank manner,"but that does not prevent me thinking the children very cruel who obstinately commit such suicide.""

客人们在卡罗利娜·埃凯家里，举止就文雅一些，因为卡罗利娜的母亲治家很严厉。

Designed by French fashion house Herm è s, this elegant uniform was manufactured in our home, Hong Kong, and was the first without a hat.

由著名品牌 Herm è s 设计，这件高贵的制服是香港本土制造，是我们第一套不配帽子的制服。